Popularity: 3 (history)
Director: | Gil Kenan |
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Writer: | David Lindsay-Abaire |
Staring: |
A family's suburban home is invaded by angry spirits. When the terrifying apparitions escalate their attacks and take the youngest daughter, the family must come together to rescue her. | |
Release Date: | May 20, 2015 |
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Director: | Gil Kenan |
Writer: | David Lindsay-Abaire |
Genres: | Horror |
Keywords | poltergeist, haunted house, remake, duringcreditsstinger |
Production Companies | Metro-Goldwyn-Mayer, Fox 2000 Pictures, Ghost House Pictures, Vertigo Entertainment, TSG Entertainment |
Box Office |
Revenue: $95,437,994
Budget: $35,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Sam Rockwell | Eric Bowen |
Rosemarie DeWitt | Amy Bowen |
Saxon Sharbino | Kendra Bowen |
Kyle Catlett | Griffin Bowen |
Kennedi Clements | Madison Bowen |
Jared Harris | Carrigan Burke |
Nicholas Braun | Boyd |
Jane Adams | Dr. Claire Powell |
Susan Heyward | Sophie |
Karen Ivany | Mrs. Stoller |
Patrick Garrow | Mr. Stoller |
Soma Bhatia | Lauren |
L.A. Lopes | Cashier |
Doug MacLeod | Older Gentleman |
Eve Crawford | Older Woman |
John Stoneham Jr. | Angry Man |
Kathryn Greenwood | Realtor |
Molly Kidder | Young Realtor |
Emily Brobst |
Name | Job |
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Jeff Betancourt | Editor |
Scot Boland | Casting |
Martin Gendron | Art Direction |
Patricia Larman | Set Decoration |
Delphine White | Costume Design |
John A. Amicarella | Post Production Supervisor |
Andrea Wertheim | Post Production Supervisor |
Helga Rossi | Assistant Director |
Barbara Szeman | Assistant Director |
Kurt Van Der Basch | Storyboard |
Michael Innanen | Special Effects |
Mark Lawton | Special Effects |
Drew Longland | Special Effects |
Laird McMurray | Special Effects Coordinator |
Skyler Wilson | Special Effects |
Ross Norcross | Animation |
Marco Bianco | Stunts |
James Baker | Visual Effects |
Harold Parker | First Assistant Editor |
Nicolas Hernandez | Visual Effects Supervisor |
Owen Carroll | Compositors |
Charles Baden | Compositors |
Kerry Joseph Blackman | Visual Effects Editor |
Bryan Godwin | Visual Effects Supervisor |
Krista Burbidge | Makeup Artist |
Carol Hartwick | Key Hair Stylist |
Burton J. LeBlanc | Key Makeup Artist |
Vincent Sullivan | Hair Department Head |
Rebecca Field | Production Coordinator |
Ken Clark | Leadman |
Miro Dziwik | Lead Painter |
John Mackenzie | Construction Coordinator |
Tim McElcheran | Prop Maker |
Sebastian Meyer | Conceptual Illustrator |
Roy Obermeier | Carpenter |
Sorin Popescu | Set Designer |
Vic Rigler | Property Master |
Corinna Schmitt-Porsia | Art Department Coordinator |
Brian van de Valk | Carpenter |
Dan Wladyka | Leadman |
Pat Cassin | Boom Operator |
Russell Farmarco | Supervising Dialogue Editor, Supervising ADR Editor |
Marti D. Humphrey | Sound Re-Recording Mixer |
Chris M. Jacobson | Sound Re-Recording Mixer |
Willard Overstreet | Foley Editor |
Cameron Steenhagen | Dialogue Editor |
Steve Switzer | Boom Operator |
Steve Tushar | Sound Designer |
David Williams | Dialogue Editor |
Jussi Tegelman | Supervising Sound Editor |
Greg Winhall | Modeling |
Karina Benesh | Visual Effects Coordinator |
Angèle Buffin | Visual Effects Coordinator |
Adam Burnett | Modeling |
Samuel Craven | Visual Effects Editor |
Nicholas Elwell | Visual Effects Coordinator |
Tony Haspel | Visual Effects Editor |
Martin Allan Kloner | Visual Effects Editor |
Jennifer Renaud | Production Coordinator |
Violaine Roussel-Bongiovanni | Visual Effects Coordinator |
Sarah Swick | Visual Effects Producer |
Jon Veal | Modeling |
Ariel Velasco-Shaw | Visual Effects Supervisor |
Lars Vinther | Visual Effects Editor |
Christina Wise | Visual Effects Coordinator |
John Stoneham Jr. | Second Unit Director, Stunt Coordinator |
Mongo Andrews | Rigging Grip |
Michael Carella | Camera Operator |
Robert Cochrane | Dolly Grip |
Angelo Colavecchia | Steadicam Operator |
Christian Drennan | Rigging Grip |
Richard Emerson | Key Grip |
Michael Galbraith | Gaffer |
Glen Goodchild | Dolly Grip |
Kerry Hayes | Still Photographer |
Jason Hurst | Rigging Grip |
Nick Spadafora | Drone Operator |
Tom Starnes | Rigging Gaffer |
Roslyn Hanchard | Costume Supervisor |
Jackson Yu | First Assistant Editor |
Everton Nelson | Orchestrator |
Ellen Segal | Music Editor |
Del Spiva | Music Editor |
Vair Macphee | Production Coordinator |
Shane B. Scott | Script Supervisor |
Keith Large | Location Manager |
Myron Hoffert | First Assistant Director |
Yari Azzopardi | Third Assistant Director |
Grant Lucibello | Second Assistant Director |
Greg Sigurdson | Third Assistant Director |
Alexandra Hooper | Set Decoration Buyer |
Chris Bridges | Prosthetics |
Burcu Gorun | Visual Effects |
Lyn Lucibello | Unit Production Manager |
Becki Cross Trujillo | Unit Production Manager |
Daniel Lee | Prop Maker |
Glen Gauthier | Production Sound Mixer |
Alison O'Brien | Visual Effects Producer |
Duncan Campbell | Construction Coordinator |
Michael Grais | Original Film Writer |
Mark Victor | Original Film Writer |
Dana Howes | Transportation Coordinator |
Gil Kenan | Director |
David Lindsay-Abaire | Screenplay |
Javier Aguirresarobe | Director of Photography |
Bob Murawski | Editor |
Victoria Burrows | Casting |
Kalina Ivanov | Production Design |
Simeon Wilkins | Storyboard |
Alex Armbruster | Stunts |
Emily Brobst | Stunts |
Lisa Chandler | Stunts |
Marc Streitenfeld | Original Music Composer |
Leslie Sebert | Makeup Department Head |
Dean Wright | Visual Effects Supervisor |
Ele Bardha | Drone Operator |
Jeremy Gillespie | Graphic Designer |
Steven Spielberg | Original Film Writer |
Larissa Stadnichuk | Stunts |
Hiroshi Mori | Visual Effects |
Michael Hatzer | Digital Colorist |
Name | Title |
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Becki Cross Trujillo | Executive Producer |
J.R. Young | Executive Producer |
John Powers Middleton | Executive Producer |
Roy Lee | Producer |
Sam Raimi | Producer |
Robert Tapert | Producer |
Nathan Kahane | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 47 | 80 | 27 |
2024 | 5 | 52 | 80 | 38 |
2024 | 6 | 56 | 80 | 38 |
2024 | 7 | 54 | 92 | 34 |
2024 | 8 | 57 | 108 | 32 |
2024 | 9 | 51 | 83 | 32 |
2024 | 10 | 89 | 141 | 63 |
2024 | 11 | 47 | 101 | 27 |
2024 | 12 | 31 | 40 | 25 |
2025 | 1 | 36 | 55 | 23 |
2025 | 2 | 22 | 35 | 5 |
2025 | 3 | 11 | 42 | 2 |
2025 | 4 | 3 | 4 | 2 |
2025 | 5 | 3 | 4 | 3 |
2025 | 6 | 3 | 4 | 2 |
2025 | 7 | 3 | 5 | 3 |
2025 | 8 | 4 | 6 | 3 |
2025 | 9 | 5 | 9 | 3 |
2025 | 10 | 3 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 841 | 906 |
Year | Month | High | Avg |
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2025 | 7 | 500 | 580 |
Year | Month | High | Avg |
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2025 | 6 | 989 | 989 |
Year | Month | High | Avg |
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2025 | 5 | 876 | 876 |
Year | Month | High | Avg |
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2024 | 8 | 714 | 826 |
It’s not the worst remake of all time, but it’s just ordinary. It’s bland, lifeless, vanilla, and feels like what the Lifetime Channel in America would do to a remake of the Tobe Spielberg classic haunting film. I think the only reason Gil Kenan was hired for this movie was because the movie is base ... d around a monster house and he depicted a monster so well in his last film that the job only seemed like a no brainer. The problem is Kenan forgets to produce likable characters and interesting scares during the process of producing an evil possessed house. - _Zevi Wolmark_
> Would have been a better film if it was an original. Unnecessary to compare this with the original and I tried, but impossible to avoid it since it's an official remake. Everything, from the house to frame by frame, all the scenes looked the same, except the cast and it's set in the present wor ... ld with the daily life's modern gadgets. If you had not seen the 80s film, then there's a little chance you might like it. Though it was not a serious horror movie, or a scary movie to consider, still quite enjoyable like a dark comedy in parts. But I recommend the old one. Really? Sam Rockwell? He did not fit in the role, just okay though. And the kids, did not impress me as like the original movie. The only upgrade in this new version was the technology, CRT monitors to LED kind of stuffs. I expected a major, at least a bit alteration in the story or the screenplay that sets in a different circumstances and the location. That could have been a lot better. Disappoints for those who loved the first version. However, that movie deserved to be remade, and I did not think it would end like this. Hoping for a better sequel, but I'm already feeling that would end in the hands of the second string cast and crew which could be a cheap horror-thrill. 5/10
I had huge reservations about watching this remake, which I felt was completely unnecessary. It wasn't as bad as I had anticipated, and that the bad reviews at the time gave me the impression I should fear or avoid watching it. The special effects were pretty good, and Sam Rockwell, Jared Harris and ... Jane Adams (how wonderful it was to see her again, after her exceptional work in 'Happiness'!) sold the film for me. I knew what to expect after liking, but not loving, director Gil Kenan's earlier animated 'Monster House', but I was intrigued how his energetic directing would transfer to live-action work. I think they could have made it more suspenseful and scary, but I'm not really sure that was their intention. I think they were going for a family experience with some thrills, chills and laughs...such as the recent 'Ghostbusters' remake was going for. If that was the case, then in that regard it was quite successful. I'm looking forward to re-watching this eventually with my 13-year-old son, horror-film aficionado, Julian, who like me adored the original. If I was to make the perfect 'Poltergeist' film, I would have taken the same exact Steven Spielberg script and simply updated the special effects. I think that would have been a more successful approach.
The movie blurb is written by some 20th Century Fox representative. I would guess that the person in question has not even watched the original movie. “Legendary film makers”? What a load of bull! These people have not produced anything really worth watching and this movie certainly do not improve o ... n that score. I mean, how dumb are these people from 20th Century Fox? I certainly hope the audience are not dumb enough to fall for this obvious lie. Judging from the, well deserved mediocre score on various review sites I guess they did not. Anyway, as for the movie. It is a bleak (cheap) shadow of the original. It has absolutely zero of the charm that the original movie had and, most importantly, none of the characters had anything of the charisma that the original characters had. The father is a total dumbass and an irresponsible at that. The mother could by just any Hollywood style housewife. When you finally think that something interesting would happen, that is when the ghost hunter enters the scene, it just falls flat again. He is just totally lacking in appeal. He is neither a bad ass nor is he mysterious or anything else that makes him worth watching. There are just so much things wrong with the story as well. How can this guy afford and get a one for a house when he apparently do not seem to have a job? He even manages to go for another house in the end after his original one apparently got shredded. How bloody dumb is the script writer? In the original it was a new neighbourhood which explained the “troubles”. In this one it is not which means that the script writer obviously had zero understanding of the original plot which brings us back to the same question again. What the f…? There are some half decent CGI scenes in this movie but the same can be said for a lot of things coming out of the movie industry nowadays (well with the exception of SyFy productions of course). I would say that as a TV-movie it would have been above average. As a remake of a classic it totally falls flat. I am happy that I watched it at home and did not spend time going to a theatre watching it.
Lame horror. <em>'Poltergeist'</em> offers nothing. It may not be an absolutely awful watch, but there's nothing about this that's good unfortunately. The story is largely predictable and plain, none of the cast give anything close to a performance that's worth remembering. There aren't many, if ... any, scares either - not great for a film in this genre. As for the onscreen talent, it's slim pickings... not even Jared Harris' late appearance could save things. If I had to pick a standout, away from Harris, it would be Sam Rockwell. The two youngest kids, Kyle Catlett and Kennedi Clements, aren't terrible in fairness. Not one I'll be revisiting. Yawnful.