Popularity: 2 (history)
Director: | David Twohy |
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Writer: | Jim Wheat, Ken Wheat, David Twohy |
Staring: |
When their ship crash-lands on a remote planet, the marooned passengers soon learn that escaped convict Riddick isn't the only thing they have to fear. Deadly creatures lurk in the shadows, waiting to attack in the dark, and the planet is rapidly plunging into the utter blackness of a total eclipse. With the body count rising, the doomed survivors are forced to turn to Riddick with his eerie eyes to guide them through the darkness to safety. With time running out, there's only one rule: Stay in the light. | |
Release Date: | Feb 18, 2000 |
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Director: | David Twohy |
Writer: | Jim Wheat, Ken Wheat, David Twohy |
Genres: | Action, Science Fiction, Thriller |
Keywords | darkness, dystopia, comet, alien life-form, survival, creature, eclipse, flask, spaceship crash, intense |
Production Companies | Interscope Communications |
Box Office |
Revenue: $53,187,659
Budget: $23,000,000 |
Updates |
Updated: Jul 30, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Vin Diesel | Richard B. Riddick |
Radha Mitchell | Carolyn Fry |
Cole Hauser | William J. Johns |
Lewis Fitz-Gerald | Paris P. Ogilvie |
Claudia Black | Shazza |
Keith David | Abu 'Imam' al-Walid |
Rhiana Griffith | Jack / Jackie |
John Moore | John 'Zeke' Ezekiel |
Simon Burke | Greg Owens |
Les Chantery | Suleiman |
Sam Sari | Hassan |
Firass Dirani | Ali |
Ric Anderson | Total Stranger |
Vic Wilson | Captain Tom Mitchell |
Angela Moore | Dead Crew Member |
Name | Job |
---|---|
David Eggby | Director of Photography |
Jim Wheat | Story, Screenplay |
Ken Wheat | Story, Screenplay |
Anna Borghesi | Costume Design |
Ian Gracie | Art Direction |
Michael Rumpf | Set Decoration |
Katie Nott | Art Department Coordinator |
Jim Millett | Assistant Art Director |
John Rann | Construction Coordinator |
Mark Stephens | Construction Foreman |
Daryl Porter | Leadman |
Martin Ash | Set Designer |
Wayne Truce | Standby Painter |
Brad Shield | Camera Operator, Steadicam Operator |
Sean Barnes | Still Photographer |
Keryn Ribbands | Costume Supervisor |
Carolyn Nott | Hairstylist |
Scott McMaster | Set Dressing Artist |
Allan Mowbray | Armorer |
Peter Thompson | Legal Services |
Graham Stumpf | Post Production Supervisor |
David Tremont | Propmaker |
Sue MacKay | Unit Production Manager |
Fiona Searson | Unit Publicist |
Karen Dimmig | Visual Effects Editor |
Dan Muscarella | Color Timer |
Andrew Blustain | First Assistant Editor |
Michelle Wright | Executive In Charge Of Production |
Campbell McLean | Location Manager |
Barrie Hemsley | Production Coordinator |
Rod Conder | Boom Operator |
Joshua Winget | Music Editor |
Tim Simonec | Orchestrator |
Samuel H. Hinckley | Sound Effects Editor |
Robert Shoup | Supervising Sound Editor |
Brian Cox | Special Effects Supervisor |
Peter Chiang | Visual Effects Supervisor |
Jason Brubaker | Storyboard |
David C. Hughes | Sound Design Assistant |
Cameron Curphey | Studio Teachers |
Jonathan Bader | Thanks |
Ann Robinson | Local Casting |
Jamie Crooks | First Assistant Director |
Jennifer Rees-Brown | Second Assistant Director |
Jacinta Leong | Set Designer |
Chris Goddard | Standby Painter |
Fireball Tim Lawrence | Storyboard |
Margaret Stevenson | Makeup Supervisor, Hair Supervisor |
Maree McDonald | Makeup Artist |
Chris Robson | Production Accountant |
Henry Pierce | Camera Operator |
Derry Field | Camera Operator |
Tony Holtham | Gaffer |
Adam Williams | Best Boy Electric |
Leigh Tait | Grip |
Gary Dixon | Boom Operator |
Lyn Alice Aronson | Script Supervisor |
Peter McLennan | Third Assistant Director |
Cleo Myles | Assistant Editor |
Danny Candib | Assistant Editor |
E. Larry Oatfield | Sound Effects Editor |
Marilyn McCoppen | ADR Editor |
Michele Perrone | ADR Editor |
Mary Helen Leasman | Foley Editor |
Scott Guitteau | Assistant Sound Editor |
Michael Axinn | Assistant Sound Editor |
Mary Works | Assistant Sound Editor |
Wizzy Ringer | Casting Assistant |
Freddy Luis | Casting Assistant |
Carrie Campbell | Casting Assistant |
Chris Geissman | Painter |
Stephen Hay | Painter |
Tony Lees | Sculptor |
Michael A. Helfant | Thanks |
Kira Bohn | Continuity |
Julie Zahra | Costume Standby |
Vampyre Wilson | Casting Associate |
Angela Kenny | Accountant |
Karen Mansfield | Continuity |
Stephen Taylor | First Assistant Accountant |
Leah Holmes | Post Production Accountant |
Lori Sier | Post Production Accountant |
Rowena Zande | Production Assistant |
Jennifer Cornwell | Production Coordinator |
Michelle Russell | Production Coordinator |
Darcy Yuille | Production Runner |
Nick McKinnon | Production Runner |
Melanie Turner | Production Runner |
Melaini Lewis | Production Secretary |
Kerry Mulgrew | Production Secretary |
Arwen Munro | Production Secretary |
Ange Lavey-Manche | Production Secretary |
Peter Thompson | Legal Services |
Andrew Pantelis | Stand In |
Raymond Leef | Stand In |
Wayne Williams | Stand In |
Dan O'Connor | Stand In |
Suzanne McAllister | Stand In |
Michael Bate | Assistant Director |
Angella McPherson | Second Second Assistant Director |
Ian 'Thistle' Thorburn | Second Unit Director of Photography, Second Unit Director |
Roger Morris | ADR Mixer |
Dennie Thorpe | Foley Artist |
Tony Eckert | Foley Mixer |
Frank 'Pepe' Merel | Foley Recordist |
Steve Rungwerth | Special Effects Assistant |
Patrick Carmiggelt | Special Effects Technician |
Todd Carmody | Assistant Electrician |
John Balbi | Assistant Grip |
Rick Johnson | Best Boy Grip |
Nick Murray | Camera Trainee |
Daniel Clark | Clapper Loader |
Brett Matthews | Focus Puller |
Jo Anne Finan | Negative Cutter |
Lorisa D. Francis | Post Production Coordinator |
Timothy 'Guido' Magaraci | Assistant Chief Lighting Technician |
Jeremy 'JJ' Piggott | Assistant Unit Manager |
Brownyn Hookey | Catering |
Steve Street | CG Artist |
Robert Sassen | Chief Lighting Technician |
Paul Riddle | Digital Compositor |
Angie Wills | Digital Effects Producer |
Eleonore Crompton | Production Accountant |
Lindakay Brown | Dialogue Editor |
Karen G. Wilson | Dialogue Editor |
Beverley Dunn | Property Master |
Gloria D'Alessandro | Dialogue Editor |
Paul 'Salty' Brincat | Sound Recordist |
Adrien Seffrin | Focus Puller |
Ricky Schamburg | Clapper Loader |
Jack Wareham | Camera Operator |
David Cordell | Clapper Loader |
Grahame Litchfield | Key Grip |
Clair Crowther | Dialect Coach |
David Twohy | Screenplay, Director |
Graham 'Grace' Walker | Production Design |
Chris Anderson | Stunt Coordinator |
Tom Myers | Sound Designer |
Anne McCarthy | Casting |
Jason Baird | Prosthetic Makeup Artist |
Lora Hirschberg | Sound Re-Recording Mixer |
Michael Semanick | Sound Re-Recording Mixer |
James Lebrecht | Sound Effects Editor |
Beau Borders | Assistant Sound Editor |
Terri Douglas | ADR Voice Casting |
Paul Haslinger | Music Arranger |
Brian Murray | Storyboard |
Rick Shaine | Editor |
Mary Vernieu | Casting |
Patrick Tatopoulos | Creature Design |
Graeme Revell | Conductor, Original Music Composer |
Name | Title |
---|---|
Tom Engelman | Producer |
Scott Kroopf | Executive Producer |
Tony Winley | Executive Producer |
Ted Field | Executive Producer |
Organization | Category | Person |
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Popularity History
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2024 | 4 | 21 | 30 | 14 |
2024 | 5 | 21 | 30 | 15 |
2024 | 6 | 20 | 30 | 11 |
2024 | 7 | 20 | 38 | 13 |
2024 | 8 | 16 | 25 | 12 |
2024 | 9 | 14 | 18 | 9 |
2024 | 10 | 15 | 26 | 10 |
2024 | 11 | 16 | 26 | 11 |
2024 | 12 | 17 | 37 | 9 |
2025 | 1 | 18 | 35 | 11 |
2025 | 2 | 13 | 21 | 2 |
2025 | 3 | 5 | 15 | 1 |
2025 | 4 | 2 | 4 | 1 |
2025 | 5 | 2 | 4 | 1 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 2 | 2 | 1 |
2025 | 8 | 2 | 2 | 1 |
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2024 | 9 | 225 | 497 |
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2024 | 8 | 354 | 702 |
All you people are so scared of me. Most days I'd take that as a compliment. But it ain't me you gotta worry about now. Pitch Black is directed by David Twohy and collectively written by Twohy and Ken and Jim Wheat. It stars Vin Diesel, Radha Mitchell, Cole Hauser, Keith David, Lewis Fitz-Gerald, ... Claudia Black and Rhiana Griffith. Music is by Graeme Revell and cinematography is by David Eggby. The year 2000 was awash with sci-fi movies, not all were stellar of course, but siting at the top end of the scale was this, Twohy's super slice of action/horror/sci-fi cake. Right from the off we are thrust on board the cargo ship Hunter-Gratzner, which as it happens is plummeting through space. The ship has been hit by meteorite debris and junior officer Caroline Fly (Mitchell), after coming out of hyper sleep, manages to crash land on a nearby planet. Only a handful of passengers survive the crash, including infamous convict Richard B. Riddick (Diesel), but as the survivors struggle to cope with the threat from within the group, it becomes apparent that there's a bigger threat soon to join the party, a deadly alien species, a species that can only operate in the dark. Pity, then, that an eclipse is due... Okies, so lets get the obvious out in the open right away, Pitch Black is a variant of Alien, one of a ream of films that grabbed the coat tails of Ridley Scott's game changer. Yet this is still a fresh movie, a lesson in low budget film making with grace, style, blood, brains and balls - the execution grade "A" from those involved. It's maybe surprising given the synopsis, to find that it's a very character driven piece, with Twohy continually building his characters even as the carnage and terror is unleashed - and these are a very diverse bunch of characters. One of the universe's baddest criminals, a spunky lady officer having to take command, a morphine addicted bounty hunter, an Islamic priest and his young companions, a camp alcoholic and a couple of strays. It's the not so wild bunch, but everyone of them are afforded chance to impact on the story before and during the inevitable picking off one by one at the claws of the beasts. The narrative strength comes via Diesel's hulking convict, he's double jointed and has had optical surgery so he can see his enemies in the dark! The group must come to rely on him for he is clearly their best hope of survival, but can he be trusted? What is his ultimate ulterior motive? Riddick is the épée to Fry's foil, it's at times like a devil and angel trying to become one in the simple name of survival. These crux characters lift the simple premise to greater heights, that Mitchell (sexy/vulnerable/hard/smart) and Diesel (moody/beefy/gravelly/menacing) are bang on form helps no end. As does the work of the tech department. The setting created here is a splendid veer from one of the curses of sci-fi films, that of an unbelievable world. Twohy, Eggby and the art department achieve a world of 3 suns, of a scorched barren landscape, with the photography switching between bleached and metallic filters for maximum sci-fi impact. While the effects work belies the budget, check out the pre-eclipse sequence. What of the creatures themselves? They are legion, a sort of pterodactyl nightmare who let out high pitched bleats, they smell blood and move at high speeds, and like Riddick they have special vision in the dark, it's the light that they are afraid of, thus this gives our survivors a glimmer (ahem) of hope in how to stave them off... The science and logic is hokey, but so what? This is a classy and taut sci-fi film brought about by a very under valued director, one that puts many a bigger budgeted Hollywood production to shame. Come the finale, where there's still time to have your draw dropped, you may be minus nails and on the edge of your seat. 9/10
One of those few movies that most people don't care for, but I personally think is **criminally** underrated. _Final rating:★★★★½ - Ridiculously strong appeal. I can’t stop thinking about it._ ...
Wasn't a big fan the last time I saw this (2000/2001) and didn't think too much about it this go around, with the shoddy editing particularly early on (seemed to stabilize in the final act), and the direction itself was pretty amateurish with stretching the picture in certain instances. Some interes ... ting elements I guess and the acting was okay but no real standouts including Vin Diesel who shows zero personality that at least has come through in the Fast and the Furious franchise. **2.75/5**
The movie that put Vin Diesel on the map as Riddick, the crooked anti-hero wanted by bounty hunters. This is another movie that benefits from knowing very little before watching the film. ...
<em>'Pitch Black'</em> is passable viewing. As a big <em>'Fast & Furious'</em> fan, it was about time I checked out more of Vin Diesel's other work. I had heard of this character of his before, though didn't know a jot about the plot. It turns out it's fairly good, despite minor issues. It has a ... noticeable low budget/low quality feel to it, the special effects haven't aged beautifully and the acting level is rather mid. Nevertheless, I still did enjoy the creatures and those onscreen do the job. It does attempt quite a bit of sci-fi, so I can respect it. Diesel is effective in the role of Riddick, a character I can certainly see the potential for here. Kinda funny that he co-stars with Cole Hauser, who appears in <em>'2 Fast 2 Furious'</em> - the only F&F flick to not feature Vin. Hauser is solid enough, he does suit this sorta role. Radha Mitchell and Keith David are the best of the others. I'm intrigued to see where they went with <em>'The Chronicles of Riddick'</em> (of course, the film Diesel chose over 2 Fast). I hadn't heard of this one before, though do know of the follow-up... so it must be good, right?