 
  Popularity: 2 (history)
| Director: | Jack Hazan, David Mingay | 
|---|---|
| Writer: | Ray Gange, David Mingay | 
| Staring: | 
| Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts. | |
| Release Date: | Jul 25, 1980 | 
|---|---|
| Director: | Jack Hazan, David Mingay | 
| Writer: | Ray Gange, David Mingay | 
| Genres: | Drama, Music, Documentary | 
| Keywords | london, england, punk rock, roadie, the clash | 
| Production Companies | Michael White Productions, National Film Trustee Company, Buzzy Enterprises | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Aug 03, 2024 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Ray Gange | Rude Boy | 
| Joe Strummer | Rhythm Guitarist | 
| Topper Headon | Drummer | 
| Jimmy Pursey | Himself | 
| Paul Simonon | Bassist | 
| Mick Jones | Self | 
| Ari Up | Self | 
| Name | Job | 
|---|---|
| Ray Gange | Writer | 
| Mick Jones | Music | 
| Joe Strummer | Music | 
| Dick Pope | Camera Operator | 
| Jack Hazan | Director of Photography, Director | 
| David Mingay | Writer, Director, Editor | 
| Peter Goddard | Assistant Director, Editor | 
| Greg Bailey | Sound Mixer | 
| Bob Edwards | Sound Mixer | 
| Garth Marshall | Sound Mixer | 
| Bill Rowe | Sound Re-Recording Mixer | 
| Richard Branczik | Camera Operator | 
| Julian Harvey | Camera Operator | 
| John Metcalfe | Camera Operator | 
| Mike Miller | Camera Operator | 
| John Simmons | Camera Operator | 
| Chris Allies | Title Designer | 
| Julia Atwater | Thanks | 
| John Broad | Thanks | 
| Claude Hilliman | Thanks | 
| Bernie Rhodes | Thanks | 
| Name | Title | 
|---|---|
| Jack Hazan | Producer | 
| David Mingay | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 5 | 9 | 2 | 
| 2024 | 5 | 7 | 10 | 4 | 
| 2024 | 6 | 7 | 20 | 2 | 
| 2024 | 7 | 6 | 10 | 2 | 
| 2024 | 8 | 5 | 11 | 2 | 
| 2024 | 9 | 4 | 6 | 2 | 
| 2024 | 10 | 4 | 11 | 1 | 
| 2024 | 11 | 4 | 11 | 1 | 
| 2024 | 12 | 3 | 8 | 1 | 
| 2025 | 1 | 3 | 7 | 2 | 
| 2025 | 2 | 2 | 4 | 1 | 
| 2025 | 3 | 2 | 4 | 1 | 
| 2025 | 4 | 1 | 1 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 1 | 2 | 0 | 
| 2025 | 10 | 1 | 2 | 1 | 
Trending Position
If you are a fan of "The Clash" then you might get more from this fly-on-the-wall, partially dramatised, documentary that follows their ascendancy in the UK towards the end of the 1970s. To give it some sort of narrative, there's a fan inserted into the mix and he serves as a conduit to not just the ... story of the four piece's musical journey, but also to illustrate a Britain that was wallowing after many years of ineffective government, out of control trades unions, and on the cusp of electing Margaret Thatcher (who does feature now and again telling us about the safety of old ladies walking along the street). What's interesting about their conversations is that the band vacillate entertainingly from the banal gibberish of stoned, drunk, opinionated would-be rock stars to perfectly lucid men with astute views of society and the causes of the misery which many of us Brits experienced at the time. The drama doesn't really work so well, but when they are on stage the thing can be quite electric, and the bands engagement with a wide demographic delivering some potently observational lyrics; plenty of ripe and vivid language, and some poor soul sent to the hotel corridor so another could get laid in their shared room brings some humour to it too. It's far too long and indulgently paced though, and there's not enough music to really stop in from becoming a bit too repetitive. Needs a shortening to tighten up the story, but still interesting enough.