Popularity: 1 (history)
Director: | David Yates |
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Writer: | Richard Curtis |
Staring: |
Lawrence, an aging, lonely civil servant falls for Gina, an enigmatic young woman. When he takes her to the G8 Summit in Reykjavik, however, their bond is tested by Lawrence's professional obligations. | |
Release Date: | Jun 25, 2005 |
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Director: | David Yates |
Writer: | Richard Curtis |
Genres: | Comedy, Drama, Romance |
Keywords | reykjavík, iceland |
Production Companies | BBC, BBC Cymru Wales, HBO Films, Tightrope Pictures |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Bill Nighy | Lawrence |
Kelly Macdonald | Gina |
Meneka Das | Sunita |
Anton Lesser | George |
Paul Ritter | Robert |
Ken Stott | Chancellor |
Penny Downie | Ruth |
Damon Younger | Hotel Receptionist |
Nína Dögg Filippusdóttir | Assistant Receptionist |
Marit Velle Kile | Waitress |
Philippe De Grossouvre | French Delegate |
Louisa Bojesen | CNBC Newscaster |
Christian Rubeck | German Senior Advisor |
Toshie Ogura | Japanese Delegate |
Martin McDougall | American Senior Adviser |
Corin Redgrave | Prime Minister |
Wolf Kahler | Herr Gerhardt |
Madeleine Potter | Secretary of the Treasure |
Alysha Westlake | G8 Delegate |
Simon Wilson | Journalist |
Fran Purcell | Secretary |
Max Bollinger | G8 Reporter |
Darri Ingolfsson | Icelandic Waiter |
Peter Rnic | Russian Finance Minister |
Federico Zanni | Italian Waiter |
Name | Job |
---|---|
Emma Freud | Script Editor |
Candida Otton | Production Design |
Joss Barratt | Still Photographer |
Jon Beacham | Focus Puller |
Jeremy Hiles | Camera Operator |
Joseph Mastrangelo | Assistant Camera |
Tom McFarling | Clapper Loader |
David Yates | Director |
Richard Curtis | Screenplay |
Chris Seager | Director of Photography |
Mark Day | Editor |
Fiona Weir | Casting |
Nicholas Hooper | Original Music Composer |
Steve Ellingworth | Key Grip |
Andrea Coathupe | Art Direction |
Jacky Levy | Costume Design |
Anne Oldham | Makeup Artist |
Nicola Richards | Makeup Artist |
Pat Boxshall | Sound |
Simon Okin | Sound |
Name | Title |
---|---|
Paul Abbott | Executive Producer |
Hilary Bevan Jones | Producer |
Richard Curtis | Executive Producer |
Julie Gardner | Executive Producer |
Robert Velo | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 9 | 15 | 6 |
2024 | 5 | 10 | 22 | 6 |
2024 | 6 | 9 | 19 | 4 |
2024 | 7 | 10 | 20 | 5 |
2024 | 8 | 7 | 13 | 4 |
2024 | 9 | 6 | 10 | 4 |
2024 | 10 | 7 | 11 | 5 |
2024 | 11 | 9 | 31 | 3 |
2024 | 12 | 6 | 8 | 4 |
2025 | 1 | 7 | 12 | 5 |
2025 | 2 | 5 | 8 | 3 |
2025 | 3 | 4 | 10 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 1 | 3 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 1 | 1 | 0 |
2025 | 10 | 1 | 1 | 1 |
Trending Position
I have seen this film twice, about ten years apart. It is the sort of quiet film that is wonderful when it is done right, though sometimes you need to be in the mood for them. Bill Nighy as Lawrence gives a strong, understated performance here. The movie description states that his character is l ... onely and I suppose that is true. But he is lonely in the way that William Hurt is lonely in the classic The Accidental Tourist. Contemplative, leading a quiet existence, but not pathetic or requiring pity. But I also have this image of a man who once might have been excited about his job, his role in bringing about social change for the better, but as a career government employee, now knows that the game is lowered expectations, endless negotiations and much less than perfect results. And just as Geena Davis’s character lights a fire under William Hurt’s finely crafted life in the earlier film, a character with a similar name, Gina, does the same for our Lawrence. She possesses a spark, a fierce idealism That has long since slipped away from Lawrence. She challenges the notion that social justice is something that can be negotiated by politicians, and her energy enlivens Lawrence. The question is, will her enthusiasm and stubborn activist attitude threaten the career that has all but defined Lawrence’s life for many years?