 
  Popularity: 3 (history)
| Director: | John Huston | 
|---|---|
| Writer: | John Milius | 
| Staring: | 
| Outlaw and self-appointed lawmaker Judge Roy Bean rules over an empty stretch of the West that gradually grows, under his iron fist, into a thriving town, while dispensing his his own quirky brand of frontier justice upon strangers passing by. | |
| Release Date: | Dec 18, 1972 | 
|---|---|
| Director: | John Huston | 
| Writer: | John Milius | 
| Genres: | Comedy, Western | 
| Keywords | judge, outlaw, lawyer | 
| Production Companies | First Artists, National General Pictures | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Paul Newman | Judge Roy Bean | 
| Victoria Principal | Maria Elena | 
| Ned Beatty | Tector Crites | 
| Matt Clark | Nick the Grub | 
| Roddy McDowall | Frank Gass | 
| Jacqueline Bisset | Rose Bean | 
| Bill McKinney | Fermel Parlee | 
| Anthony Perkins | Reverend LaSalle | 
| Tab Hunter | Sam Dodd | 
| Stacy Keach | Bad Bob | 
| Steve Kanaly | Whorehouse Lucky Jim | 
| John Huston | Grizzly Adams | 
| Ava Gardner | Lily Langtry | 
| Roy Jenson | Outlaw | 
| Gary Combs | Outlaw | 
| Richard Farnsworth | Outlaw | 
| Leroy Johnson | Outlaw | 
| Fred Krone | Outlaw | 
| Dean Smith | Outlaw | 
| Jim Burk | Bart Jackson | 
| Francesca Jarvis | Mrs. Jackson | 
| Neil Summers | Snake River Rufus Krile | 
| Jeannie Epper | Whore | 
| Fred Brookfield | Outlaw | 
| Bennie E. Dobbins | Outlaw | 
| Terry Leonard | Outlaw | 
| Margo Epper | Whore | 
| Stephanie Epper | Whore | 
| Barbara J. Longo | Fat Lady | 
| Frank Soto | Mexican Leader | 
| Karen Carr | Mrs. Grub | 
| Lee Meza | Mrs. Parlee | 
| Dolores Clark | Mrs. Whorehouse Jim | 
| Jack Colvin | Pimp | 
| Bruno the Bear | Watch Bear | 
| Howard Morton | Photographist | 
| Billy Pearson | Stationmaster | 
| Stan Barrett | Killer | 
| Dean Casper | Desk Clerk | 
| Don Starr | Opera House Manager | 
| Alfred G. Bosnos | Opera House Clerk | 
| Anthony Zerbe | Hustler | 
| John Hudkins | Man at Stage Door | 
| David Sharpe | Doctor | 
| Ken Freehill | Bedfellow (uncredited) | 
| Mark Headley | Billy The Kid (uncredited) | 
| Duncan Inches | Man at Vinegaroon (uncredited) | 
| Rusty Lee | Tuba Player (uncredited) | 
| Name | Job | 
|---|---|
| Keith Stafford | Sound Editor | 
| Larry Jost | Sound Designer | 
| Tambi Larsen | Art Direction | 
| John Truwe | Makeup Artist | 
| Jim Markham | Hair Supervisor | 
| Monty Westmore | Makeup Artist | 
| Hugh S. Fowler | Editor | 
| Richard Portman | Sound Re-Recording Mixer | 
| Robert R. Benton | Set Decoration | 
| Jane Shugrue | Hairstylist | 
| Mickey McCardle | Assistant Director | 
| Don MacDougall | Sound Re-Recording Mixer | 
| Stan Barrett | Stunt Coordinator | 
| Steve DeFrance | Stunts | 
| Chuck Henson | Stunts | 
| Fred Krone | Stunts | 
| Richard Wahrman | Assistant Editor | 
| Wolfgang E. Marum | Second Assistant Director | 
| M. James Arnett | Stunt Coordinator | 
| Fred Brookfield | Stunts | 
| Bennie E. Dobbins | Stunts | 
| Leroy Johnson | Stunts | 
| Kimo Owens | Stunts | 
| Thomas Del Ruth | Camera Operator | 
| Willard B. Scott | Title Designer | 
| John Huston | Director | 
| John Milius | Writer | 
| Edith Head | Costume Design | 
| Maurice Jarre | Original Music Composer | 
| Richard Moore | Director of Photography | 
| Hal Needham | Stunts | 
| Terry Leonard | Stunts | 
| Lynn Stalmaster | Casting | 
| William Tuttle | Makeup Artist | 
| Jim Burk | Stunts | 
| Gary Combs | Stunts | 
| Alan Gibbs | Stunts | 
| Richard Farnsworth | Stunts | 
| David Sharpe | Stunts | 
| Dean Smith | Stunts | 
| Neil Summers | Stunts | 
| Name | Title | 
|---|---|
| John Foreman | Producer | 
| Paul Newman | Co-Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 13 | 17 | 8 | 
| 2024 | 5 | 15 | 24 | 10 | 
| 2024 | 6 | 16 | 30 | 9 | 
| 2024 | 7 | 14 | 23 | 9 | 
| 2024 | 8 | 12 | 24 | 9 | 
| 2024 | 9 | 10 | 14 | 7 | 
| 2024 | 10 | 17 | 36 | 6 | 
| 2024 | 11 | 12 | 28 | 6 | 
| 2024 | 12 | 11 | 18 | 7 | 
| 2025 | 1 | 11 | 18 | 7 | 
| 2025 | 2 | 9 | 15 | 3 | 
| 2025 | 3 | 4 | 11 | 1 | 
| 2025 | 4 | 1 | 4 | 1 | 
| 2025 | 5 | 1 | 3 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 1 | 1 | 0 | 
| 2025 | 8 | 1 | 1 | 0 | 
| 2025 | 9 | 2 | 2 | 1 | 
| 2025 | 10 | 2 | 4 | 2 | 
Trending Position
Beanisms! The Life and Times of Judge Roy Bean is directed by John Huston and written by John Milius. It stars Paul Newman, Jacqueline Bisset, Anthony Perkins, Ned Beatty, Roddy McDowall, Tab Hunter, Victoria Principal and Ava Gardner. Music is by Maurice Jarre and cinematography by Richard Moore ... . In Vinegaroon, Texas, former outlaw Roy Bean becomes the self appointed judge for the region and dispenses his brand of justice as he sees fit. There were a handful of Quirky Revisionist Westerns that surfaced in the 1970s, usually directed by a big name and starring another, one such film is this effort, and much like the others of its ilk it is met with understandable division. The Life and Times of Judge Roy Bean can not be recommended in confidence since it is far too rambling and episodic for its own good, something which writer Milius was at pains to say himself. Going so far to say that it’s not the film he wrote and that Huston just did his own thing and steered the pic in another direction – for better or worse depending on your own filmic proclivities. The intention on the page was to have a man clearly with delusions of grandeur, a self appointed judge, jury and executioner, and as an egostical berk into the bargain as well, this side of things comes through. Yet the pic never settles down into a coherent rhythm, as a number of characters played by guest stars wander into each episode, the pic stalls and resorts to bawdy frothery or pretentious surrealism to hopefully hook you into staying with the piece. Unfortunately come the hour mark this becomes tedious and it’s a slog to get through. Some folk do love it, and maybe it’s one to revisit on occasion to catch any nuances missed previously, maybe even grasp the point Huston was trying to make? But for me it’s a mess, an overblown mess that not even the great Paul Newman could save. 5/10