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The Confirmation Poster

The Confirmation

2016 | 101m | English

(7434 votes)

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Popularity: 1 (history)

Director: Bob Nelson
Writer: Bob Nelson
Staring:
Details

A divorced father reconnects with his son when they track down a stolen toolbox over the course of a weekend.
Release Date: Mar 18, 2016
Director: Bob Nelson
Writer: Bob Nelson
Genres: Comedy, Drama
Keywords stepfather, alcoholic dad, heirloom tools, weekend sins
Production Companies Lighthouse Pictures, Bungalow Media + Entertainment, Sapphire Fire Limited
Box Office Revenue: $8,382
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Clive Owen Walt
Jaeden Martell Anthony
Maria Bello Bonnie
Tim Blake Nelson Vaughn
Patton Oswalt Drake
Matthew Modine Kyle
Stephen Tobolowsky Father Lyons
Robert Forster Otto
Spencer Drever Allen
Michael Eklund Tucker
Ryan Robbins Trout
Glenn Beck Old Man in Church
Patrick Gilmore Roger
John Stewart Bar Patron 1
Dean Wray Bar Patron 2
Tom Pickett Bartender Al
Luvia Petersen Bartender Nancy
Eliza Faria Linda
Mel Tuck Guy Bishop
Quinn Dubois Mike
Arkie Kandola Mechanic
Kwesi Ameyaw Boeing Engineer
Scott Patey Freddy
Catherine Lough Haggquist Officer Sue
Jennifer Copping Roger's Wife
Dave Collette Darren
Garry Chalk Pete
Elan Ross Gibson Trellis Lady
Name Job
Bob Nelson Director, Writer
Jim O'Grady Line Producer
Terry Stacey Director of Photography
Jeff Cardoni Original Music Composer
Name Title
Jamie Goehring Co-Executive Producer
Robert Friedman Executive Producer
Robert Halmi Jr. Executive Producer
Todd Hoffman Producer
Kevin Leeson Co-Executive Producer
Bob Nelson Producer
Shawn Williamson Executive Producer
Jim Reeve Executive Producer
Jonathan Shore Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 13 25 7
2024 5 17 38 9
2024 6 13 31 6
2024 7 11 22 6
2024 8 12 20 6
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2024 10 12 25 6
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2024 12 10 26 6
2025 1 9 17 6
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2025 3 4 7 1
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2025 8 1 2 0
2025 9 2 3 1
2025 10 2 2 1

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Reviews

Rangan
8.0

**Coming-of-age: A boy's real world encounter.** For the first time direction, it is not a bad film. The 'Nebraska' writer did his best and I'm totally surprised how this little Canadian gem was not recognised extensively. In fact, it is one of the best films of the year among the PG13 ratings. A ... drama about a divorced freelance carpenter who babysits his son on a weekend, adventuring the city while preparing for his work on the Monday. When someone stole his tools, they both go after to look who took it and that takes the whole film to cover with some other small events on the side. Truly a heartwarming drama. You can compare it to films like 'The Pursuit of Happiness', but it had its own way dealing with the story contents. This is not a comedy, but slightly it is fun, as well as inspiring. It narrates the world is full of good and bad, and how we react to them accordingly. Particularly the main character who was desperate to come out of the bad day and to have some quality time with his son. It actually stayed neutral on the topics like theism and atheism, which has some influence in the narration, but revolved carefully around the social and other issues. So that makes there are more things to care about than fighting for nonsenses. That was really a good thing to focus on, maybe that's why I loved it. The opening and the end take place in the same location, but the difference was the 24 hours and its events. During that time, a boy who was struggling between what his mother believes and his doubts over those beliefs were somewhat influenced to clear his mind. I mean it was not intentional, the film to explain us through the boy, but they were described in the way of someone's daily life base, except it was not an ordinary day for him/them. It was a quite interesting take, and in the current world scenario, this is a wonderful theme for a film which also has high entertainment value. "Well, I don't know what kind of trouble he can get in in a day." I don't know the Christian commandment (or any religious's equivalent) that referred in it, especially the meaning of the title, but according to the writer, he wanted to tell what happens if a good behaving young boy breaks all the rule in just one day. Besides, a bit of his own life experience, as well as the outline was inspired by 'Bicycle Thieves'. I don't know how the religious people take it, but I enjoyed it, kind of it is an awareness theme about the reality of the human world. So my disappointment is not the film, but how it was received. Once again an English film from the other region was turned down by the Americans. I hope the rest of the world won't react same way. It revolved between a father and son characters, so the side contributions were good, but does not require any praise. The Clive Owen, who I consider an ordinary actor was brilliant in this. He is not in any film franchise, especially the current trends superheroes and/or sci-fi, though happy to see him in such a beautiful one-off film. The boy was equally good, especially after the good show from 'St. Vincent', this is his another great character display. Looks like he's going to be a big name in the future. You can't believe it is just a 2 million dollar film. Great production quality with good performances, a better outcome than usual film with the same production value. From my perspective, it is an underrated film and also an undernoticed film. A fine film for everyone, particularly for the family audience. These are reasons why children as well should watch it, like there are no sexual or drug related material in it. Though the real reason is there are some contents that might help them to understand about such as financially struggling and sober parents, the reality of the society and as a coming-of-age film, it always kept its priorities on the top while narrating the tale, especially from the children's viewpoint. 8/10

May 16, 2024