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Little Women Poster

Little Women

Louisa May Alcott’s Immortal Story!
1933 | 115m | English

(8512 votes)

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Popularity: 1 (history)

Details

Four sisters come of age in America in the aftermath of the Civil War.
Release Date: Nov 24, 1933
Director: George Cukor
Writer: Sarah Y. Mason, Victor Heerman, Louisa May Alcott
Genres: Drama, Family
Keywords holiday, shyness, based on novel or book, professor, friendship, romance, coming of age, boarding house, envy, tomboy, governess, home front, american civil war, aspiring writer, literary adaptation, snobbery, historical drama, manners, life during wartime, family life, generosity, wealth inequality, character, four sisters, charity work, scarlet fever
Production Companies RKO Radio Pictures
Box Office Revenue: $4,140,000
Budget: $424,000
Updates Updated: Feb 05, 2026
Entered: Apr 13, 2024
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Full Credits

Name Character
Katharine Hepburn Jo
Joan Bennett Amy
Paul Lukas Prof. Bhaer
Edna May Oliver Aunt March
Jean Parker Beth
Frances Dee Meg
Henry Stephenson Mr. Laurence
Douglass Montgomery Laurie
John Lodge Brooke
Spring Byington Marmee
Samuel S. Hinds Mr. March
Mabel Colcord Hannah
Marion Ballou Mrs. Kirke
Nydia Westman Mamie
Harry Beresford Doctor Bangs
Luke Cosgrave Old Man at Christian Commision (uncredited)
Harold Entwistle Laurence’s Butler (uncredited)
June Filmer Tina Kirke (uncredited)
Dorothy Gray Kitty Kirke (uncredited)
Don Harris Sleigh Driver (uncredited)
Olin Howland Mr. Davis (uncredited)
Tony Kales Jimmy Kirke (uncredited)
Marilyn Knowlden Meg’s Charge (uncredited)
Virginia Howell Worker at Christian Commission (uncredited)
Shorty Woods Sleigh Driver (uncredited)
Name Job
Sarah Y. Mason Screenplay
Victor Heerman Screenplay
Hobe Erwin Set Decoration
George Cukor Director
Louisa May Alcott Novel
Max Steiner Original Music Composer
Van Nest Polglase Art Direction
Walter Plunkett Costume Design
Ray Moyer Set Decoration
Mel Berns Makeup Artist
Mike Fitzgerald Grip
Ernest Bachrach Still Photographer
Emily Perkins Wardrobe Designer
Jack Kitchin Editor
Mike Graves Assistant Grip
Tom Clement Grip
Henry W. Gerrard Director of Photography
Jean Woodhall Hairstylist
Edward Killy Assistant Director
Mortimer Offner Assistant Director
John Lodge Other
Robert De Grasse Additional Director of Photography
George E. Diskant Assistant Camera
Guy Gilman Gaffer
George Pickham Assistant Property Master
George D. Ellis Sound Recordist
Ellis Fesler Sound Assistant
Victor B. Appel Sound Assistant
Elmer Armstrong Hairstylist
Bill Ely Makeup Artist
Wallace Fox Unit Manager
Gale Evans Script Supervisor
Charles Sayers Props
Elizabeth McGaffey Researcher
Dorothy Dawson Production Secretary
John Miehle Still Photographer
Eddie Arden Stand In
Charles Brackett Additional Writing
John Twist Additional Writing
Wanda Tuchock Additional Writing
Jane Murfin Additional Writing
David Hempstead Additional Writing
Al Block Additional Writing
Salisbury Field Additional Writing
G.B. Stern Additional Writing
Del Andrews Additional Writing, Production Director
Name Title
Merian C. Cooper Executive Producer
Kenneth Macgowan Associate Producer
Organization Category Person
Academy Awards Best Picture N/A Nominated
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Popularity History


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2024 5 18 34 8
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Reviews

parksycline
7.0

"ill try to be what he loves to call me. a little woman." katharine hepburn has easily become my favorite jo march. in reality, this film is probably five stars for the first half, and two for the second. one thing i really liked about this version compared to the others was the subtle forshad ... owing of key events. beth's introduction shows her with a cold and a broken piano, and i liked how she begged her sisters to find an imperfection in her, but they couldn't. her desperateness to fit in with them. a subtle hint at her fear of being left behind. then amy's first scene has her getting in trouble for doodling in class, which shows us early on that she is artistically aligned, though perhaps not completely encouraged, which makes her decision to go with aunt march feel all the more justified. and jo is right away mischevious, working for her aunt but intentionally acting lazy and boyish. as someone who believes jo to be transmasc more than a lesbian (though she could be both), i felt that the first half of this was way more in line with how i imagine jo in my head. the only character who feels a bit underdeveloped to me is meg, but this is likely because her character falls intro tropes typical of female characters in this era. they don't see the need to break the mold with her. it's times like these, though, that i miss the precision and delicacy of gerwig's adaptation. i will also add that this is my least favorite laurie and marmee. laurie still has a fun dynamic with jo initially, but christian bale will always be my favorite, even if i believe gerwig understood his character more than anyone. and marmee, besides her incredibly kind nature, didn't stand out to me here, though we can't all be susan sarandon. oh, and i didn't know how to include this in my review, but i also really loved that jo stepped asside at the family gathering to talk to beth in heaven. that she never forgot her and spoke to her about things that'd make her happy, like the family being back together again. it's a really cute detail that adds a lot to their deep love for one another.

Dec 23, 2024