Little Women
Louisa May Alcott’s Immortal Story!
1933 | 115m | English
Popularity: 1 (history)
| Director: | George Cukor |
|---|---|
| Writer: | Sarah Y. Mason, Victor Heerman, Louisa May Alcott |
| Staring: |
| Four sisters come of age in America in the aftermath of the Civil War. | |
| Release Date: | Nov 24, 1933 |
|---|---|
| Director: | George Cukor |
| Writer: | Sarah Y. Mason, Victor Heerman, Louisa May Alcott |
| Genres: | Drama, Family |
| Keywords | holiday, shyness, based on novel or book, professor, friendship, romance, coming of age, boarding house, envy, tomboy, governess, home front, american civil war, aspiring writer, literary adaptation, snobbery, historical drama, manners, life during wartime, family life, generosity, wealth inequality, character, four sisters, charity work, scarlet fever |
| Production Companies | RKO Radio Pictures |
| Box Office |
Revenue: $4,140,000
Budget: $424,000 |
| Updates |
Updated: Feb 05, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Katharine Hepburn | Jo |
| Joan Bennett | Amy |
| Paul Lukas | Prof. Bhaer |
| Edna May Oliver | Aunt March |
| Jean Parker | Beth |
| Frances Dee | Meg |
| Henry Stephenson | Mr. Laurence |
| Douglass Montgomery | Laurie |
| John Lodge | Brooke |
| Spring Byington | Marmee |
| Samuel S. Hinds | Mr. March |
| Mabel Colcord | Hannah |
| Marion Ballou | Mrs. Kirke |
| Nydia Westman | Mamie |
| Harry Beresford | Doctor Bangs |
| Luke Cosgrave | Old Man at Christian Commision (uncredited) |
| Harold Entwistle | Laurence’s Butler (uncredited) |
| June Filmer | Tina Kirke (uncredited) |
| Dorothy Gray | Kitty Kirke (uncredited) |
| Don Harris | Sleigh Driver (uncredited) |
| Olin Howland | Mr. Davis (uncredited) |
| Tony Kales | Jimmy Kirke (uncredited) |
| Marilyn Knowlden | Meg’s Charge (uncredited) |
| Virginia Howell | Worker at Christian Commission (uncredited) |
| Shorty Woods | Sleigh Driver (uncredited) |
| Name | Job |
|---|---|
| Sarah Y. Mason | Screenplay |
| Victor Heerman | Screenplay |
| Hobe Erwin | Set Decoration |
| George Cukor | Director |
| Louisa May Alcott | Novel |
| Max Steiner | Original Music Composer |
| Van Nest Polglase | Art Direction |
| Walter Plunkett | Costume Design |
| Ray Moyer | Set Decoration |
| Mel Berns | Makeup Artist |
| Mike Fitzgerald | Grip |
| Ernest Bachrach | Still Photographer |
| Emily Perkins | Wardrobe Designer |
| Jack Kitchin | Editor |
| Mike Graves | Assistant Grip |
| Tom Clement | Grip |
| Henry W. Gerrard | Director of Photography |
| Jean Woodhall | Hairstylist |
| Edward Killy | Assistant Director |
| Mortimer Offner | Assistant Director |
| John Lodge | Other |
| Robert De Grasse | Additional Director of Photography |
| George E. Diskant | Assistant Camera |
| Guy Gilman | Gaffer |
| George Pickham | Assistant Property Master |
| George D. Ellis | Sound Recordist |
| Ellis Fesler | Sound Assistant |
| Victor B. Appel | Sound Assistant |
| Elmer Armstrong | Hairstylist |
| Bill Ely | Makeup Artist |
| Wallace Fox | Unit Manager |
| Gale Evans | Script Supervisor |
| Charles Sayers | Props |
| Elizabeth McGaffey | Researcher |
| Dorothy Dawson | Production Secretary |
| John Miehle | Still Photographer |
| Eddie Arden | Stand In |
| Charles Brackett | Additional Writing |
| John Twist | Additional Writing |
| Wanda Tuchock | Additional Writing |
| Jane Murfin | Additional Writing |
| David Hempstead | Additional Writing |
| Al Block | Additional Writing |
| Salisbury Field | Additional Writing |
| G.B. Stern | Additional Writing |
| Del Andrews | Additional Writing, Production Director |
| Name | Title |
|---|---|
| Merian C. Cooper | Executive Producer |
| Kenneth Macgowan | Associate Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Picture | N/A | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 14 | 24 | 9 |
| 2024 | 5 | 18 | 34 | 8 |
| 2024 | 6 | 14 | 22 | 7 |
| 2024 | 7 | 14 | 21 | 8 |
| 2024 | 8 | 12 | 20 | 8 |
| 2024 | 9 | 10 | 15 | 7 |
| 2024 | 10 | 9 | 19 | 6 |
| 2024 | 11 | 9 | 13 | 6 |
| 2024 | 12 | 9 | 13 | 6 |
| 2025 | 1 | 11 | 19 | 7 |
| 2025 | 2 | 8 | 13 | 3 |
| 2025 | 3 | 5 | 13 | 1 |
| 2025 | 4 | 1 | 3 | 1 |
| 2025 | 5 | 1 | 3 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 1 | 2 | 1 |
| 2025 | 10 | 2 | 4 | 1 |
| 2025 | 11 | 1 | 6 | 0 |
| 2025 | 12 | 2 | 9 | 0 |
| 2026 | 1 | 1 | 1 | 0 |
| 2026 | 2 | 1 | 3 | 0 |
| 2026 | 3 | 3 | 7 | 0 |
Trending Position
"ill try to be what he loves to call me. a little woman." katharine hepburn has easily become my favorite jo march. in reality, this film is probably five stars for the first half, and two for the second. one thing i really liked about this version compared to the others was the subtle forshad ... owing of key events. beth's introduction shows her with a cold and a broken piano, and i liked how she begged her sisters to find an imperfection in her, but they couldn't. her desperateness to fit in with them. a subtle hint at her fear of being left behind. then amy's first scene has her getting in trouble for doodling in class, which shows us early on that she is artistically aligned, though perhaps not completely encouraged, which makes her decision to go with aunt march feel all the more justified. and jo is right away mischevious, working for her aunt but intentionally acting lazy and boyish. as someone who believes jo to be transmasc more than a lesbian (though she could be both), i felt that the first half of this was way more in line with how i imagine jo in my head. the only character who feels a bit underdeveloped to me is meg, but this is likely because her character falls intro tropes typical of female characters in this era. they don't see the need to break the mold with her. it's times like these, though, that i miss the precision and delicacy of gerwig's adaptation. i will also add that this is my least favorite laurie and marmee. laurie still has a fun dynamic with jo initially, but christian bale will always be my favorite, even if i believe gerwig understood his character more than anyone. and marmee, besides her incredibly kind nature, didn't stand out to me here, though we can't all be susan sarandon. oh, and i didn't know how to include this in my review, but i also really loved that jo stepped asside at the family gathering to talk to beth in heaven. that she never forgot her and spoke to her about things that'd make her happy, like the family being back together again. it's a really cute detail that adds a lot to their deep love for one another.