 
  Popularity: 3 (history)
| Director: | Stuart Burge | 
|---|---|
| Writer: | Robert Furnival | 
| Staring: | 
| All-star cast glamorizes this lavish 1970 remake of the classic William Shakespeare play, which portrays the assassination of Julius Caesar on the Ides of March, and the resulting war between the faction led by the assassins and the faction led by Mark Anthony. | |
| Release Date: | Jun 04, 1970 | 
|---|---|
| Director: | Stuart Burge | 
| Writer: | Robert Furnival | 
| Genres: | Drama, History, War | 
| Keywords | assassination, betrayal | 
| Production Companies | Commonwealth United Entertainment | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Charlton Heston | Marc Antony | 
| Jason Robards | Marcus Brutus | 
| John Gielgud | Julius Caesar | 
| Robert Vaughn | Servilius Casca | 
| Richard Chamberlain | Octavius Caesar / Augustus | 
| Christopher Lee | Artemidorus | 
| Richard Johnson | Cassius | 
| Diana Rigg | Portia | 
| Michael Gough | Metellus Cimber | 
| Peter Eyre | Cinna the Poet | 
| Paul Hardwick | Messala | 
| Jill Bennett | Calpurnia | 
| John Moffatt | Popilius Lena | 
| David Neal | Cinna the Conspirator | 
| Norman Bowler | Titinius | 
| John Tate | Clitus | 
| Damien Thomas | Pindarus | 
| Ewan Hooper | Strato | 
| Thomas Heathcote | Flavius | 
| André Morell | Cicero | 
| David Leland | Plebian | 
| Yvette Rees | Plebian | 
| David Dodimead | Lepidus | 
| Name | Job | 
|---|---|
| Michael J. Lewis | Music, Sound | 
| Kenneth Higgins | Cinematography, Director of Photography | 
| Eric Boyd-Perkins | Editor | 
| Barbara Gillett | Wardrobe Supervisor | 
| Kenneth J. Withers | Camera Operator | 
| Robert Furnival | Screenplay | 
| Julia Trevelyan Oman | Production Design | 
| Maurice Pelling | Art Direction | 
| Robin Archer | Costume Design | 
| Anne Forsythe | Hairstylist | 
| Cliff Sharpe | Makeup Artist | 
| Christopher Tucker | Makeup Artist | 
| Ann Fordyce | Hairdresser | 
| Nick Maley | Makeup Trainee | 
| Denis Johnson Jr | Production Manager | 
| Joe Canutt | Second Unit Director | 
| Christopher Dryhurst | First Assistant Director | 
| Tony Buck | Third Assistant Director | 
| Peter Macgregor-Scott | Third Assistant Director | 
| Tony McWhirter | Second Assistant Director | 
| Tony Curtis | Assistant Art Director | 
| Mentor Huebner | Production Illustrator | 
| Sid Siddall | Property Master | 
| Roy Ford | Camera Operator | 
| Phyllis Townshend | Continuity | 
| Stuart Burge | Director | 
| William Shakespeare | Theatre Play | 
| Les Parrott | Clapper Loader | 
| Name | Title | 
|---|---|
| Peter Snell | Producer | 
| James Swann | Associate Producer | 
| Anthony B. Unger | Executive Producer | 
| Henry T. Weinstein | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 10 | 18 | 5 | 
| 2024 | 5 | 11 | 18 | 6 | 
| 2024 | 6 | 12 | 31 | 4 | 
| 2024 | 7 | 10 | 24 | 5 | 
| 2024 | 8 | 10 | 21 | 5 | 
| 2024 | 9 | 6 | 9 | 3 | 
| 2024 | 10 | 7 | 14 | 4 | 
| 2024 | 11 | 7 | 11 | 4 | 
| 2024 | 12 | 6 | 12 | 3 | 
| 2025 | 1 | 9 | 18 | 4 | 
| 2025 | 2 | 5 | 8 | 1 | 
| 2025 | 3 | 3 | 6 | 1 | 
| 2025 | 4 | 2 | 3 | 1 | 
| 2025 | 5 | 1 | 3 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 0 | 1 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 1 | 2 | 0 | 
| 2025 | 10 | 2 | 4 | 1 | 
Trending Position
I recall seeing Charlton Heston on stage at the height of his "Man For All Seasons" theatrical pomp, and he wasn't half bad. In this, however, made much earlier - he is still very much honing his theatrical skills. He portrays Mark Anthony, and the rest of an admittedly acclaimed cast stick pretty c ... losely to the narrative of the bard's telling of the rise and fall of Caesar. That role falls to Sir John Gielgud, the only established thespian amongst this rather odd assembly of talent that deliver, with varying degrees of conviction, some of the best lines in English literature. Jason Robards makes a decent fist of Brutus as does Diana Rigg (Portia) but Richard Chamberlain (Octavius), Robert Vaughn (Casca) and Richard Johnson (Cassius) really fall well short of the mark with their over-dramatised emphasis on the language and the gestures. The costumes and photography in general look fine, but somehow that seems to add to this effort's problems - it lacks the intensity and intimacy of a stage performance. Indeed, I wonder if the same cast were to have done this in a theatre, might it not have been more distinguished? It is certainly worth a watch, there is a suitably rousing score from Michael J. Lewis, but I think the end product is not equal to the sum of it's parts.