Popularity: 5 (history)
| Director: | Thomas Clay |
|---|---|
| Writer: | Thomas Clay |
| Staring: |
| On an isolated English farm in 1657, Fanny lives a quiet life with her oppressive husband John and their young son. One day their life is rocked with the arrival of young couple Thomas and Rebecca who claim to have been robbed and need a place to stay. But are these strangers really who they say they are? | |
| Release Date: | Oct 10, 2019 |
|---|---|
| Director: | Thomas Clay |
| Writer: | Thomas Clay |
| Genres: | Drama, Thriller, History |
| Keywords | britain, 17th century |
| Production Companies | Head Gear Films, Essential Filmproduktion, Kreo Films, Pull Back Camera |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 03, 2024 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Maxine Peake | Fanny Lye |
| Charles Dance | John Lye |
| Freddie Fox | Thomas Ashbury |
| Tanya Reynolds | Rebecca Henshaw |
| Zak Adams | Arthur Lye |
| Peter McDonald | High Sheriff for the Council of State |
| Perry Fitzpatrick | Sheriff's Deputy |
| Kenneth Collard | Constable |
| Name | Job |
|---|---|
| Thomas Clay | Original Music Composer, Editor, Music, Orchestrator, Digital Colorist, Writer, Supervising Sound Editor, Sound Re-Recording Mixer, Director, Sound Designer |
| Giorgos Arvanitis | Director of Photography |
| Gemma Sykes | Casting |
| Matthieu Fabbri | Second Assistant Camera |
| Mark Goddard | First Assistant Director |
| Ina Lüders | First Assistant Director |
| Dean Pearson | Property Master |
| Charles Oakden | Second Assistant Director |
| Harry Guest | Third Assistant Director |
| Edward Rastelli-Lewis | Production Coordinator, Production Manager |
| Mark Johnston | Stunt Coordinator |
| Nessa King | Production Accountant |
| Michael O'Connor | Costume Designer |
| Nenad Pečur | Production Design |
| Jeremy Zimmermann | Casting |
| Sandra O'Brien | Hair Designer, Makeup Designer |
| Jenna Mills | Line Producer |
| Gesine Blanke | First Assistant Director (Prep) |
| Michelle McDermott | Second Assistant Director |
| Mariana Vodenicharova | Second Assistant Director |
| Jen Rhodes | Third Assistant Director |
| Corin Mellinger | Dialect Coach |
| Heike Manzke | Script Supervisor |
| Irene Ilias | Casting Associate |
| Natalie Clausen | Production Manager |
| Victoria Colwill | Production Runner |
| Léonidas Arvanitis | Focus Puller |
| Son Doan | Second Assistant Camera |
| Alexandra Voikou | Second Assistant Camera |
| Dirk Eichler | Steadicam Operator, Second Unit Director of Photography |
| Alison Martin | Camera Trainee |
| Vakis Grillis | Key Grip |
| Brett Lameron | Key Grip |
| Davey Logan | Grip |
| Iraklis Mitropoulos | Gaffer |
| Kyriakos Toufexis | Best Boy Electric |
| Oliver Taubrich | Best Boy Electric |
| Rob Crewe | Art Direction, Construction Manager |
| Charlie Whiteway | Standby Art Director |
| Mary-Ann Foster | Set Decoration |
| Samuel Horrocks | Stunt Double, Art Department Assistant |
| Silke Pufz | Painter |
| Rúben Samos | Makeup & Hair |
| Jennifer Lenard | Makeup & Hair |
| Marina Altomare | Makeup & Hair Assistant |
| Joanne Mosley | Costume Supervisor |
| James Ingrey | Stunts |
| Andrew Candish | Stunt Double |
| Konrad Kassing | Sound Recordist |
| Graham Povey | Special Effects Supervisor |
| Mark Meddings | Special Effects Supervisor |
| Jennine Baker | Production Accountant |
| Steve Bond | Sound Designer |
| Vincent Watts | Sound Designer |
| Matthew Troughton | Colorist |
| Noémie T.J. Phillipson | Assistant Editor |
| Dean Humphreys | Sound Re-Recording Mixer |
| Anthony Weeden | Conductor, Orchestrator |
| Name | Title |
|---|---|
| Michel Merkt | Producer |
| Phil Hunt | Executive Producer |
| Thomas Clay | Executive Producer |
| Rick Holmes | Executive Producer |
| Compton Ross | Executive Producer |
| Evan Richards | Associate Producer |
| Rob Cannan | Producer |
| Philippe Bober | Producer |
| Lizzie Francke | Executive Producer |
| Celine Haddad | Executive Producer |
| Zorana Piggott | Producer |
| Joseph Lang | Producer |
| Sean Wheelan | Co-Producer |
| Anthony Muir | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 5 | 8 | 4 |
| 2024 | 5 | 8 | 11 | 3 |
| 2024 | 6 | 6 | 12 | 2 |
| 2024 | 7 | 9 | 16 | 3 |
| 2024 | 8 | 8 | 18 | 6 |
| 2024 | 9 | 4 | 9 | 2 |
| 2024 | 10 | 5 | 11 | 2 |
| 2024 | 11 | 5 | 10 | 2 |
| 2024 | 12 | 6 | 12 | 3 |
| 2025 | 1 | 5 | 9 | 3 |
| 2025 | 2 | 4 | 5 | 1 |
| 2025 | 3 | 3 | 6 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 2 | 3 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 1 | 3 | 0 |
| 2025 | 9 | 6 | 9 | 3 |
| 2025 | 10 | 4 | 7 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 458 | 695 |
Thomas Clay's feminist folktale asks us to question whether it is strength of character, not adherence to an arbitrary set of rules, that makes a person “good“. 'Fanny Lye Deliver'd' isn't a happy film, but Fanny's liberation and her rejection of tyrannical rule ensures that it is an empowering one. ... - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-fanny-lye-deliverd-feminist-folk-horror