Popularity: 9 (history)
| Director: | David P. Smith, Walt Dohrn |
|---|---|
| Writer: | Glenn Berger, Maya Forbes, Wallace Wolodarsky, Jonathan Aibel, Elizabeth Tippet |
| Staring: |
| Queen Poppy and Branch make a surprising discovery — there are other Troll worlds beyond their own, and their distinct differences create big clashes between these various tribes. When a mysterious threat puts all of the Trolls across the land in danger, Poppy, Branch, and their band of friends must embark on an epic quest to create harmony among the feuding Trolls to unite them against certain doom. | |
| Release Date: | Mar 11, 2020 |
|---|---|
| Director: | David P. Smith, Walt Dohrn |
| Writer: | Glenn Berger, Maya Forbes, Wallace Wolodarsky, Jonathan Aibel, Elizabeth Tippet |
| Genres: | Animation, Family, Comedy, Fantasy, Adventure, Music |
| Keywords | dancing, country music, guitar, saxophone, cloud, concert, friendship, sequel, jail, based on toy, rock music, alien abduction, singing, king, desert, pop music, flute, mirage, electronic music, k-pop, spaceship, jukebox musical |
| Production Companies | Universal Pictures, DreamWorks Animation, dentsu |
| Box Office |
Revenue: $49,276,818
Budget: $90,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Anna Kendrick | Poppy (voice) |
| Justin Timberlake | Branch (voice) |
| Ron Funches | Cooper (voice) |
| Rachel Bloom | Barb (voice) |
| James Corden | Biggie (voice) |
| Kelly Clarkson | Delta Dawn (voice) |
| Anderson .Paak | Prince D (voice) |
| Sam Rockwell | Hickory (voice) |
| George Clinton | King Quincy (voice) |
| Mary J. Blige | Queen Essence (voice) |
| Kenan Thompson | Tiny Diamond (voice) |
| Kunal Nayyar | Guy Diamond (voice) |
| Caroline Hjelt | Chenille (voice) |
| Aino Jawo | Satin (voice) |
| J Balvin | Tresillo (voice) |
| Flula Borg | Dickory (voice) |
| Ester Dean | Legsly (voice) |
| Jamie Dornan | Chaz (voice) |
| Gustavo Dudamel | Trollzart (voice) |
| Ozzy Osbourne | King Thrash (voice) |
| Anthony Ramos | King Trollex (voice) |
| Karan Soni | Riff (voice) |
| Charlyne Yi | Pennywhistle (voice) |
| Joy | Ari (voice) |
| Yeri | Kim-Petit (voice) |
| Irene | Baby Bun (voice) |
| Seulgi | Gomdori (voice) |
| Wendy | Wani (voice) |
| Zooey Deschanel | Bridget (voice) |
| Christopher Mintz-Plasse | King Gristle (voice) |
| Kevin Michael Richardson | Mr. Dinkles (voice) / Mr. Dinkles God (voice) / Growley Pete (voice) / Sid Fret (voice) |
| Walt Dohrn | Cloud Guy (voice) / Death Metal Mr. Dinkles (voice) / Fuzzbert (voice) / King Peppy (voice) / Smidge (voice) / Announcer (voice) / Country Music Baby (voice) / Country Music Farmer (voice) |
| David P. Smith | Country Music Rooster (voice) / Desert Sun (voice) / Eighth Goats (voice) / Licky Bug (voice) / Scrapbook Troll (voice) |
| Da'Vine Joy Randolph | Bliss Marina (voice) / Sheila B the Flowerface Balloon (voice) |
| Justin McElroy | Beat Drop Button (voice) / Tumbleweed (voice) / Skyscraper Troll (voice) |
| Griffin McElroy | Country Music Tear (voice) / Skyscraper Troll (voice) |
| Travis McElroy | Rocker Tear (voice) / Skyscraper Troll (voice) |
| Betsy Sodaro | Clampers Buttonwillow (voice) |
| Marcella Lentz-Pope | Carol (voice) |
| Berenice Amador | Marimba (voice) |
| Jamila Hache | Tambora (voice) |
| Name | Job |
|---|---|
| Glenn Berger | Story, Screenplay |
| Maya Forbes | Screenplay |
| Wallace Wolodarsky | Screenplay |
| Jonathan Aibel | Story, Screenplay |
| Tim Heitz | Head of Story |
| Kendal Cronkhite | Production Design |
| Theodore Shapiro | Original Music Composer |
| David P. Smith | Co-Director |
| Walt Dohrn | Director |
| Sean Charmatz | Storyboard Artist |
| Terri Douglas | ADR Voice Casting |
| Joseph Shirley | Music Producer |
| John Ashton Thomas | Orchestrator |
| Rachel Bolt | Musician |
| Bonnie Arnold | Thanks |
| Joel Crawford | Thanks |
| Christopher DeFaria | Thanks |
| Stephen Glover | Thanks |
| Jeffrey Katzenberg | Thanks |
| Tom McGrath | Thanks |
| Mike Mitchell | Thanks |
| Yeri | Songs |
| Jerry Schmitz | Thanks |
| Mireille Soria | Thanks |
| Chris Hewitt | Post Production Coordinator |
| Thomas Dam | Characters |
| Matt Baer | Visual Effects Supervisor |
| Timothy Lamb | Art Direction, Character Designer |
| Anthony Hodgson | Animation Supervisor |
| Benjamin Willis | Supervising Animator, Animation Supervisor |
| Ludovic Bouancheau | Animation Supervisor |
| Elizabeth Tippet | Screenplay |
| Carlos Fernandez Puertolas | Head of Animation |
| Tracy Larson | Production Manager |
| Willy Harber | Supervising Animator, Animation Supervisor |
| Bryce McGovern | Animation Supervisor |
| Todd Jansen | Head of Layout |
| Christi Soper Hilt | Casting |
| Nick Fletcher | Editor |
| Onur Yeldan | Supervising Animator, Animation Supervisor |
| Jeremy Bernstein | Storyboard Artist |
| Lisa Curtis Saunders | Pipeline Technical Director |
| Stephanie Keider | Production Supervisor |
| Alex Weiss Morgan | Production Supervisor |
| Lillian Ritchie | Production Supervisor |
| Sue Schaller | Production Supervisor |
| Jesse Aclin | Character Designer |
| Samantha Adler | Set Dresser |
| Christina Catucci | Storyboard Artist |
| Clio Chiang | Storyboard Artist |
| Amelie Flechais | Visual Development |
| Amanda Fujita | Lighting Artist |
| Chris Heltzel | Storyboard Artist |
| Danny Langston | Storyboard Artist |
| Jon Magram | Storyboard Artist |
| William Mata | Storyboard Artist |
| Faryn Pearl | Storyboard Artist |
| John Puglisi | Storyboard Artist |
| Guillermo Willie Real | Character Designer |
| Daniel Tal | Storyboard Artist |
| J.C. Wegman | Storyboard Artist |
| Mario De Socio | ADR Recordist |
| Susan Dudeck | ADR Supervisor |
| Paul Hackner | Supervising Sound Editor |
| Catherine Harper | Foley Artist |
| Mark Larry | Sound Effects Editor |
| Jeff Levy | ADR Mixer |
| Doug Madick | Foley Artist |
| Scott Millan | Sound Re-Recording Mixer |
| Jessie Pariseau | Sound Effects Editor |
| George Ramantanis | Dialogue Editor |
| Randy Singer | Foley Mixer |
| Bart Vanderzee | Sound Recordist |
| Felicia Villarreal | ADR Coordinator |
| Emily Abele | Digital Compositor |
| Brooke Beane | Lighting Artist |
| Brett Bronson | Software Engineer |
| Max Bruce | CG Supervisor |
| Joe DiCesare | Matte Painter |
| Willem Drees | Stereoscopic Supervisor |
| Csaba László Eröss | Visual Effects Coordinator |
| Shane Glading | Lighting Artist |
| Dan Golembeski | Production Executive |
| Elias Gonzalez | Matte Painter |
| Michael P. Hamler | CG Supervisor |
| Luke Heathcock | Visual Effects |
| Pamela Hobbs | Matte Painter |
| Carl Hooper | Effects Supervisor |
| Lok Ming Hwa | Lighting Artist |
| David Illes | Software Engineer |
| Lea Antonette Lorenzo Irlanda | Production Coordinator |
| Lauren Kaczor | Lighting Artist |
| Kelly Koay | Lighting Artist |
| Brian La France | Matte Painter |
| Aiden Kyungik Lee | Visual Effects |
| Marc Machuca | Lighting Artist |
| Brett McConnell | Lighting Artist |
| Ashwin Nagavelli | Software Engineer |
| Onesimus Nuernberger | Matte Painter |
| Jason Pethtel | Matte Painter |
| R.J. Peña | Lighting Artist, Compositor |
| Ryan Prestridge | Matte Painter |
| Kathryn Rumohr | Supervising Technical Director |
| Christopher Sprunger | Lighting Artist |
| Terry Ziegelman | Lighting Artist |
| Leticia Reinaldo Gillett | 3D Modeller |
| Colin Jack | Story Artist |
| Janie Kahan | Production Assistant |
| Robert Koo | Story Artist |
| Jonathan Lin | Modeling |
| Desiree Montalvo | Production Supervisor |
| Gabriel Portnof | Lighting Supervisor |
| JP Sans | Supervising Animator |
| Libby Smith | Production Coordinator |
| Sondra Verlander | CG Supervisor |
| Nadia Sheen | Casting Associate |
| Jay Bixsen | Assistant Editor |
| Alex Cardullo | Post Production Supervisor |
| R. Orlando Duenas | Associate Editor |
| Christine Lojko Haslett | Associate Editor |
| Krista Henrickson | Assistant Editor |
| David M. Poole | First Assistant Editor |
| Brianna Rivera | Post Production Coordinator |
| Panos Asimenios | Lyricist |
| Daniel Bhattacharya | Musician |
| Thomas S. Drescher | Music Editor |
| Chris Fogel | Scoring Mixer |
| Mark Graham | Conductor |
| Nicki Richards | Music Coordinator |
| Forrest Williams | Musician |
| Angela Leus | Music Supervisor |
| Dorina Markoff | Musician |
| Demi Chen | Production Manager |
| Emily Cirillo | Production Coordinator |
| Margaret A. Decker | Software Engineer |
| Jennifer Howell | Head of Production |
| Glenn A. Kelly | Project Manager |
| David Khudaverdyan | Software Engineer |
| Ali Kouhzadi | Software Engineer |
| Katherine E. Lewis | Production Coordinator |
| Collin Mehring | Software Engineer |
| Jenna Rasmussen | Production Assistant |
| Jacquelyn Robbins | Production Accountant |
| Ann Daly | Thanks |
| Justin Timberlake | Songs, Executive Music Producer |
| Ludwig Göransson | Executive Music Producer |
| Brynn Orlowski | Post Production Consulting |
| Cyndi Lauper | Thanks |
| SZA | Songs |
| Name | Title |
|---|---|
| Gina Shay | Producer |
| Dannie Festa | Executive Producer |
| Kelly Cooney Cilella | Co-Producer |
| John Swanson | Associate Producer |
| Jana Spotts | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 56 | 78 | 48 |
| 2024 | 5 | 60 | 88 | 37 |
| 2024 | 6 | 61 | 82 | 33 |
| 2024 | 7 | 70 | 104 | 52 |
| 2024 | 8 | 49 | 64 | 32 |
| 2024 | 9 | 38 | 52 | 27 |
| 2024 | 10 | 45 | 85 | 28 |
| 2024 | 11 | 39 | 68 | 28 |
| 2024 | 12 | 43 | 68 | 31 |
| 2025 | 1 | 39 | 62 | 32 |
| 2025 | 2 | 29 | 43 | 6 |
| 2025 | 3 | 11 | 47 | 3 |
| 2025 | 4 | 11 | 17 | 5 |
| 2025 | 5 | 8 | 20 | 5 |
| 2025 | 6 | 7 | 12 | 5 |
| 2025 | 7 | 6 | 7 | 4 |
| 2025 | 8 | 6 | 12 | 5 |
| 2025 | 9 | 7 | 15 | 4 |
| 2025 | 10 | 5 | 9 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 979 | 979 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 501 | 751 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 698 | 772 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 759 | 796 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 526 | 741 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 499 | 677 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 524 | 771 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 463 | 762 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 627 | 855 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 844 | 941 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 620 | 708 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 563 | 583 |
The 'Trolls' franchise could have been another cheap brand name recognition film, like 'The Grinch' or the upcoming 'Scoob!', but when you have a team that cares about the project at every level, you end up with not only a fun kid's film, but one with a powerful message. - Chris dos Santos Read ... Chris' full article... https://www.maketheswitch.com.au/article/review-trolls-world-tour-poppy-and-the-gang-are-back-and-rocking-harder-than-ever
"Thrash" and "Barb" have discovered thanks to "Poppy" and "Branch" that it's not just rock that makes the music world tick in Troll land. They are not impressed, and so set about on a unification drive that will eliminate just about everything from techno to pop so that it's just their favourite mus ... ic that prevails. "Poppy" gets wind of their not so cunning plan and they decide that they need to galvanise all Trollkind to thwart this regal plan. This sequel is a bit bland but still offers some perfectly watchable fayre to plonk the kids in front of on the television. Otherwise it's all just a bit lazily disappointing with a few ballads and mediocre AOR tracks peppered throughout a soundtrack that turns a battle of the genres into more of a limp skirmish. The animation looks pretty fake from start to finish and though there is actually the semblance of a story here, the characterisations are undercooked leaving us with something remarkably sterile - despite it's vibrancy. I'm not really the demographic, but Dreamworks seem to be determined here to capitalise on the brand and an awkwardly delivered mixed message about equality and individualism rather than create something remotely memorable or that might resonate with the younger audience above whose heads most of this will probably wash.