Popularity: 4 (history)
Director: | Max Nosseck |
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Writer: | Sam Neuman, Nat Tanchuck |
Staring: |
Vincent Lubeck is a vicious ex-convict. His criminal activities are despised by his family, but he uses and abuses them in the course of his crimes. Eventually his own brother must stand up to him. | |
Release Date: | Jul 05, 1951 |
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Director: | Max Nosseck |
Writer: | Sam Neuman, Nat Tanchuck |
Genres: | Drama, Crime, Thriller |
Keywords | film noir, b movie |
Production Companies | Jack Schwarz Productions, Eagle-Lion Classics |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 02, 2025 Entered: Apr 20, 2024 |
Name | Character |
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Lawrence Tierney | Vincent Lubeck |
Allene Roberts | Rosa |
Marjorie Riordan | Eileen |
Lisa Golm | Mrs. Lubeck |
Edward Tierney | Johnny Lubeck |
Stuart Randall | Police Lt. Burdick |
Angela Stevens | Christie Lang (as Ann Zika) |
O.Z. Whitehead | Breckenridge |
Eddie Foster | Mickey Sessions |
Tom Hubbard | Police Sgt. Schmidt |
John De Simone | Marty Connell |
Richard Barron | Eddie Bright |
Rudy Rama | Harry Hill |
Name | Job |
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Max Nosseck | Director |
Sam Neuman | Story, Screenplay |
Nat Tanchuck | Story, Screenplay |
Darrell Calker | Original Music Composer |
Clark Ramsey | Director of Photography |
Jack Killifer | Editor |
Fred Preble | Art Direction |
Arthur Hammond | Assistant Director |
Earl Snyder | Sound Engineer |
Harry Reif | Set Dresser |
Harry Thomas | Makeup Artist |
Peg Thompson | Hairdresser |
Fred Bahr | Property Master |
Theodore Bendet | Technical Advisor |
Ray Mercer | Special Effects |
Oscar Rodriguez | Wardrobe Master |
Name | Title |
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Maurice Kosloff | Producer |
Sam Neuman | Associate Producer |
Nat Tanchuck | Associate Producer |
Jack Schwarz | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 5 | 8 | 3 |
2024 | 5 | 7 | 17 | 3 |
2024 | 6 | 7 | 20 | 2 |
2024 | 7 | 4 | 8 | 2 |
2024 | 8 | 6 | 18 | 3 |
2024 | 9 | 5 | 8 | 2 |
2024 | 10 | 4 | 6 | 2 |
2024 | 11 | 3 | 6 | 2 |
2024 | 12 | 3 | 10 | 2 |
2025 | 1 | 5 | 13 | 2 |
2025 | 2 | 2 | 4 | 1 |
2025 | 3 | 3 | 8 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 3 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 0 | 2 | 0 |
2025 | 8 | 1 | 3 | 0 |
2025 | 9 | 2 | 4 | 1 |
2025 | 10 | 4 | 4 | 4 |
Trending Position
Hoodlum Glum! The Hoodlum is directed by Max Nosseck and written by Sam Neuman and Nat Tanchuck. It stars Lawrence Tierney, Allene Roberts, Marjorie Riordan, Edward Tierney and Lisa Golm. Music is by Darrell Calker and cinematography by Clark Ramsey. Career criminal Vincent Lubeck (L. Tierney) ... is paroled five years into a ten year stretch for armed robbery. Moving in with his Mother (Golm) and Brother Johnny (E. Tierney), he goes to work for Johnny pumping gas at the family gas station. Sure enough though, with a bank over the road from the gas station, it's not long before Vincent is up to his old tricks again. "It's like a kid working in a candy factory. First he tastes everything that comes along, after a while the only thing he touches is the silver wrapped stuff. Then he's sick of that and he looks for something real special - like you!" Real life tough guy Lawrence Tierney slots seamlessly into another portrayal of a remorseless thug, the actor and the characterisation at home in such a low budget short length (61 minutes) feature. Vincent doesn't care about who he tramples on, he is all about self preservation. Using family and women alike to further his ends, it's the character's traits that give the pic its edgy appeal. In the mix is sexual menace, bolstered by Calker's imposing music which paints the picture for us. Suicide features, as of course does murder and robbery, so the makers get some good story strands into the hour long play, but they feel like vignettes, with so many promising ideas undeveloped. Things aren't helped by the poor acting around L. Tierney, while crude back projection and old stock footage shots compound the cheap feel of it all. Ramsey's photography is suitably dark in filters, befitting the story of course, but the key robbery scene is poorly constructed by Nosseck to leave the viewer confused as well as disappointed. There's still enough to enjoy here for fans of 50s crime or noir in tone pictures, and it's a must for fans of big bad Lawrence, even if ultimately it's just a short sharp shock type filler piece. 6/10