Popularity: 9 (history)
| Director: | Kim Jee-woon |
|---|---|
| Writer: | Kim Jee-woon, Park Hoon-jung |
| Staring: |
| Kyung-chul is a dangerous psychopath who kills for pleasure. Soo-hyeon, a top-secret agent, decides to track down the murderer himself. He promises himself that he will do everything in his power to take vengeance against the killer, even if it means that he must become a monster himself. | |
| Release Date: | Aug 12, 2010 |
|---|---|
| Director: | Kim Jee-woon |
| Writer: | Kim Jee-woon, Park Hoon-jung |
| Genres: | Horror, Thriller |
| Keywords | cemetery, police chief, secret agent, psychopath, revenge, murder, serial killer, severed head, mercilessness, brutality, cannibal, blunt, tracking device, grim, south korea, sadistic killer |
| Production Companies | CJ Investment, Showbox, Softbank Ventures, Peppermint & Company, Siz Entertainment, Finecut, Michigan Venture Capital |
| Box Office |
Revenue: $12,966,357
Budget: $6,000,000 |
| Updates |
Updated: Oct 25, 2025 Entered: Oct 25, 2025 |
| Name | Character |
|---|---|
| Lee Byung-hun | Kim Soo-hyeon |
| Choi Min-sik | Kyung-chul |
| Jeon Kuk-hwan | Squad Chief Jang |
| Cheon Ho-jin | Section Chief Oh |
| Oh San-ha | Joo-yeon |
| Kim Yoon-seo | Se-yeon |
| Nam Bo-ra | Section Chief's Daughter |
| Lee Jun-hyuk | NIS Agent |
| Yoon Chae-yeong | Nurse Han Song-i |
| Choi Moo-seong | Tae-joo |
| Kim In-seo | Se-jung |
| Kim Kap-soo | Planning Team Deputy Head |
| Um Tae-goo | Detective |
| Choi Jin-ho | Planning Director |
| Mi-nam Jeong | Gangster in Taxi |
| Jo Deok-jae | Detective Kang |
| Jang Jeong-won | Kyung-chul's Son |
| Park Seo-yeon | Woman at Pension |
| Lee Seol-gu | Gangster in Taxi |
| Kim Yeong-chan | Young Pharmacist |
| Goo Yong-wan | Corporal |
| Kim Dae-hye | Hospital Worker |
| Kim Jae-geon | Old Doctor |
| Park Ji-yeon | Teacher |
| Son Young-soon | Kyung-chul's Mother |
| Nam Hyeon-joo | Section Chief Oh's Wife |
| Han Chul-woo | Detective Park |
| Sin Jeong-hoon | Policeman at Stream |
| Han Se-joo | Woman on Bus |
| Park Jeong-gi | Sergeant |
| Jo Myeong-yeon | Detective |
| Kim Bong-soo | Kyung-chul's Father |
| Kim Kang-il | Park Han-gi |
| Sin Sin-Beom | Old Pharmacist |
| Seol Chang-hee | Detective |
| Yoon Byung-hee | Jang-goo |
| Jung Tae-sung | Hotel Agent |
| Jang In-seo | Student |
| Name | Job |
|---|---|
| Kang Jong-ik | VFX Supervisor |
| Kim Kyung-tae | Production Sound Mixer |
| Lee Mo-gae | Director of Photography |
| Kim Hyung-shek | Digital Colorist |
| Kim Jee-woon | Director, Screenplay |
| Jung Do-ahn | Special Effects Supervisor |
| Oh Seung-chul | Gaffer |
| Park Hoon-jung | Screenplay |
| Lee Jong-woo | Camera Operator |
| Choi Tae-young | Supervising Sound Editor, Sound Re-Recording Mixer |
| Kwak Tae-yong | Makeup Effects Designer |
| Lee Hee-eun | Makeup Effects Designer |
| Jeon Sung-ho | Set Decoration |
| Mowg | Original Music Composer |
| Lee Hee Kyung | Special Effects |
| Yang Il-seok | VFX Supervisor |
| Cho Hwa-sung | Production Design |
| Jung Doo-hong | Fight Choreographer |
| Son Min-jeong | Conceptual Design |
| Kim Byung-han | Conceptual Design |
| Jung Sung-jin | Visual Effects Supervisor |
| Han Jeong-uk | Stunts |
| Nam Na-young | Editor |
| Lee Yoon-ho | Storyboard |
| Lee Jae-hyeok | Still Photographer |
| Park Yong-ki | Sound Re-Recording Mixer |
| Romain Bigorgne | Sound Effects Editor |
| Kim Byung-seo | Camera Operator |
| Kim Hyun-jung | Makeup & Hair |
| Nam Sung-ho | Line Producer |
| Pi Dae-seong | Special Effects Makeup Artist |
| Dong-Han Kim | Sound Effects Editor |
| Gang Hye-yeong | Sound Editor |
| Kwon Yoo-jin | Costume Design |
| Kim Cho-hea | Set Decoration |
| Jang Han-seung | Stunts |
| Seok Min-u | Assistant Director |
| Kim Mi-young | Editor |
| Heo Myeong-haeng | Fight Choreographer |
| Son Seung-hyun | VFX Supervisor |
| Name | Title |
|---|---|
| Cho Seong-won | Co-Executive Producer |
| Suh Young-joo | Co-Executive Producer |
| Kim Hyun-woo | Executive Producer |
| Kim Jung-hwa | Producer |
| Kim Jae-young | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 33 | 39 | 26 |
| 2024 | 5 | 37 | 47 | 30 |
| 2024 | 6 | 34 | 47 | 24 |
| 2024 | 7 | 41 | 63 | 27 |
| 2024 | 8 | 31 | 45 | 25 |
| 2024 | 9 | 27 | 44 | 21 |
| 2024 | 10 | 29 | 40 | 17 |
| 2024 | 11 | 29 | 38 | 19 |
| 2024 | 12 | 30 | 42 | 21 |
| 2025 | 1 | 45 | 54 | 34 |
| 2025 | 2 | 39 | 83 | 7 |
| 2025 | 3 | 11 | 36 | 3 |
| 2025 | 4 | 7 | 9 | 4 |
| 2025 | 5 | 6 | 9 | 5 |
| 2025 | 6 | 7 | 11 | 6 |
| 2025 | 7 | 6 | 7 | 4 |
| 2025 | 8 | 5 | 6 | 3 |
| 2025 | 9 | 6 | 7 | 4 |
| 2025 | 10 | 6 | 9 | 5 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 816 | 825 |
Brutal South Korean film about a serial rapist/killer (Min-sik Choi, Oldboy) who picks on the wrong girl when he kills and chops up the pregnant fiancee of a government secret agent (Byung-hun Lee, A Bittersweet Life, The Good, The Bad, The Weird) who proceeds to track him down, beat him to a pulp, ... place a tracking device on him, give him some money and release him. The idea being that he wants the killer to suffer and suffer and suffer, again and again, until his fear is as great as that of his victims, before he kills him. I Saw The Devil is not without its faults; at almost two-and-a-half hours, it's too long, the brutal nature of the characters threatens to slide into absurdity especially when our killer takes refuge with a cannibalistic mate who doesn't mind his wife being raped (she doesn't mind, either; I guess your standards slip when your old man eats people for shits & giggles), and the concept of getting this serial rapist/killer to a point of sheer terror, like his victims - is flawed; this guy, as played by Min-sik Choi, is NEVER going to feel any fear. And so it is, by the end, rendering the whole catch/release premise redundant. That said, it's gripping, it's tense throughout much of the runtime, the lead performances are superb, it's astonishingly violent and gory, but it's meted out just right; more Seven than Saw, and it is photographed exquisitely. A serial killer movie bordering on torture porn, set in Korea in the snow, shouldn't logically have a colour palette this vivid, but every frame is just beautiful.