 
  Popularity: 1 (history)
| Director: | Carlo Shalom Hintermann | 
|---|---|
| Writer: | Carlo Shalom Hintermann, Marco Saura | 
| Staring: | 
| Eva, a mysterious doctor, searches for an answer to her urgent dilemma as she unravels Dr. Anmuth's Book of Vision. Henry gets involved in her life and is forced to confront his own nature, as Eva faces the biggest decision of her life. | |
| Release Date: | Jul 08, 2021 | 
|---|---|
| Director: | Carlo Shalom Hintermann | 
| Writer: | Carlo Shalom Hintermann, Marco Saura | 
| Genres: | Drama, Mystery, History | 
| Keywords | 18th century, prussia, ancient manuscript, meditative, childbirth, history of medicine, metempsychosis | 
| Production Companies | RAI, Entre Chien et Loup, Citrullo International, Luminous Arts Productions | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 04, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Lotte Verbeek | Eva | 
| Charles Dance | Dr. Johan Anmuth | 
| Sverrir Gudnason | |
| Isolda Dychauk | |
| Filippo Nigro | |
| Vera Filatova | Rivka Sorkin - Miss Dobileit | 
| Giselda Volodi | |
| Marco Quaglia | Chris | 
| Rocco Gottlieb | |
| Douglas Dean | Tutor | 
| Justin Alexander Korovkin | Günter | 
| Name | Job | 
|---|---|
| Giuseppe D'Amato | Sound Designer | 
| Carlo Shalom Hintermann | Writer, Director | 
| Stefano Grosso | Sound Designer | 
| Desideria Corridoni | Key Hair Stylist, Hair Designer | 
| Piero Lassandro | Editor | 
| Marco Saura | Writer | 
| Simone Bachini | Line Producer | 
| David Crank | Production Design | 
| Tamara Marini | Art Direction | 
| Anca Rafan | Set Decoration | 
| Pascalle Willame | Set Decoration | 
| Antonello Resch | Key Makeup Artist | 
| Alessandra Masi | Unit Production Manager | 
| Daniele Modina | Unit Manager | 
| Federico Verdinelli | Unit Manager | 
| Paola Bonsembiante | Second Assistant Director | 
| Kevin Dardenne | Third Assistant Director | 
| Giuseppe Tedeschi | First Assistant Director | 
| Michela Tomasi | Third Assistant Director | 
| Roberto Benetti | Leadman | 
| Matteo Bertelli | Painter | 
| Toon De Clercq | Painter | 
| Juliette Fassin | Assistant Property Master | 
| Riccardo Fedrizzi | Art Department Assistant | 
| Nicolas van der Biest | Property Master | 
| Elsa Ruhlmann | Boom Operator | 
| Paolo Galiano | Special Effects | 
| Nicolas Blampain | Electrician | 
| Dominique Degand | Grip | 
| Katharina Dießner | Second Unit Director of Photography | 
| Paolo Furlanelli | Video Assist Operator | 
| Massimo Galiano | Key Grip | 
| Korneel Moeyaert | Electrician | 
| Benoît Theunissen | Key Grip | 
| Federico Vagliati | Still Photographer | 
| Bruno Verstraete | Gaffer | 
| Chiara Coller | Casting Consultant | 
| Sophia Tamaro | Casting Assistant | 
| Massimo Lorenzato | Location Manager | 
| Roger Schins | Location Manager | 
| Giovanna Cané | Production Coordinator | 
| Clifford De Spenser | Dialect Coach, Vocal Coach | 
| Julie Ghesquiere | Continuity | 
| Henri Morelle | Sound Engineer | 
| Béatrice Kruger | Casting | 
| André Fonsny | Art Direction | 
| Philippe Groff | Production Manager | 
| Stéphane Bidault | Visual Effects Supervisor | 
| Jörg Widmer | Director of Photography | 
| Mariano Tufano | Costume Designer | 
| Aldo Signoretti | Key Hair Stylist | 
| Lorenzo Ceccotti | Conceptual Design | 
| Name | Title | 
|---|---|
| Jerome Bellavista Caltagirone | Producer | 
| Robin Monotti Graziadei | Producer | 
| Gerardo Panichi | Producer | 
| Michele Petochi | Producer | 
| Sébastien Delloye | Producer | 
| Vera Filatova | Producer | 
| Terrence Malick | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 5 | 7 | 2 | 
| 2024 | 5 | 7 | 10 | 3 | 
| 2024 | 6 | 4 | 9 | 2 | 
| 2024 | 7 | 8 | 23 | 4 | 
| 2024 | 8 | 4 | 8 | 2 | 
| 2024 | 9 | 4 | 6 | 2 | 
| 2024 | 10 | 4 | 9 | 1 | 
| 2024 | 11 | 4 | 16 | 2 | 
| 2024 | 12 | 3 | 6 | 2 | 
| 2025 | 1 | 3 | 5 | 2 | 
| 2025 | 2 | 3 | 5 | 1 | 
| 2025 | 3 | 2 | 4 | 1 | 
| 2025 | 4 | 1 | 1 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 1 | 1 | 0 | 
| 2025 | 10 | 1 | 2 | 0 | 
Trending Position
It's been a while since seeing Charles Dance's name on a cast list has suggested anything compelling to follow, and here is just another story that allows him to don a wig, doublet and hoes and help us solve a time-shift mystery. "Eva" (Lotte Verbeek) is studying the history of medicine at a remote ... facility where "Dr. Anmuth" (Dance) is her supervisor. As she delves deeper into the mysteries of her science, she discovers that he was also an 18th century physician at the cutting edge (depending on your perspective) of clinical practise diverting from that hardly evolved since God was a boy and leeches were ten for a pound down the apothecary. Her research uncovers the eponymous piece of literature and that's when we all start to experience the parallel timelines of this story as her 21st century, pregnant, character shows startling similarities to that of an 18th century counterpart "Elizabeth" - a wealthy woman in the care of "Anmuth". Facing modern day pressures from colleagues and latter day pressures from family and friends entirely suspicious of any kind of new thinking, she must walk a perilous tightrope. Verbeek is not a very imposing actor, and here she is supported by the equally unimpressive Sverrir Gudnason ("Lindgren") and though, admittedly, Dance does bring a little gravitas to the proceedings, he too struggles to get what could have been quite an intriguing story off the ground. It looks quite good, cash has clearly been spent, but not on the writing and the talent and that's disappointing.