| Wayward Canadian, Matthew, crushed by the isolation of being new to Berlin, turns his sexual desires toward Matthias that spiral into a dark fixation of assumed identity. Soon, this obsessive power struggle between the two, careens toward brutal passion and violence in a bid for dominance. | |
| Release Date: | Jan 19, 2018 |
|---|---|
| Director: | Drew Lint |
| Writer: | Drew Lint |
| Genres: | Mystery, Thriller |
| Keywords | obsession, nightclub, techno, sculpture, stalker, muse, lgbt, intimacy, techno music, self-harm, gay erotica, queer, codependency, gay theme, copycat |
| Production Companies | Film Forge Productions |
| Box Office |
Revenue: $0
Budget: $60,000 |
| Updates |
Updated: Aug 03, 2024 Entered: Apr 26, 2024 |
| Name | Job |
|---|---|
| Drew Lint | Writer, Director, Editor |
| Zazu Myers | Production Design |
| Yotam Ishay | First Assistant Director |
| Ryan MacNeill | Foley Artist |
| Ann Tipper | Director of Photography, Camera Operator |
| Emma Rebecka Borg | Line Producer |
| Andi Pek | Editor |
| Steven Ejbick | Foley Recording Engineer |
| Erin Lewis | Sound Post Production Coordinator, Post-Production Manager |
| Aaron Mirkin | Sound Editor |
| Graham Rogers | Sound Re-Recording Mixer |
| Andrea Rusch | Sound Re-Recording Assistant |
| Arthur Ditner | Colorist |
| Kali Raigh | Editorial Staff |
| Katarina Duma | Line Producer |
| Valeria Farina | Line Producer |
| Tim Heyduck | Line Producer |
| Eva Mularonek | Production Manager |
| Jalil Romo Corro | Key Makeup Artist, Special Effects Key Makeup Artist |
| Oliver McGarvey | First Assistant Camera |
| Amogh Deshpande | Key Grip |
| Jamison Gilmour | Swing |
| Arron Hazel | Grip |
| Erik Mortagne | Grip |
| Mark Peckmezian | Still Photographer |
| Martin Sulzer | 3D Animator |
| Charlie H. Ellis | Compositor |
| Alizée Lenox | Compositor |
| Easton West | Music Supervisor |
| Nikolaj Jakobsen | Music Supervisor |
| Nikolas Maxim Endlicher | Researcher |
| Jordan Davidson | Researcher |
| Fritz Marlon Schiffers | Title Designer |
| Name | Title |
|---|---|
| Karen Harnisch | Producer |
| Drew Lint | Producer |
| Jere B. Ford | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 3 | 9 | 1 |
| 2024 | 5 | 6 | 12 | 2 |
| 2024 | 6 | 6 | 22 | 2 |
| 2024 | 7 | 7 | 12 | 2 |
| 2024 | 8 | 4 | 8 | 1 |
| 2024 | 9 | 3 | 5 | 2 |
| 2024 | 10 | 2 | 4 | 1 |
| 2024 | 11 | 3 | 8 | 1 |
| 2024 | 12 | 2 | 4 | 1 |
| 2025 | 1 | 3 | 8 | 1 |
| 2025 | 2 | 2 | 3 | 1 |
| 2025 | 3 | 3 | 6 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 0 | 0 |
| 2025 | 9 | 0 | 0 | 0 |
| 2025 | 10 | 0 | 0 | 0 |
Trending Position
Yikes, but this is all over the shop. For much of the film, I can safely say I had little, if any, idea what was going on. Who/what is real, or not? I have to say that I didn't really care after about ten minutes of this uniquely indulgent nonsense from auteur Andrew Lint. "Matthew" (Antoine Lahaie) ... takes a shine to cutie Nicolas Endlicher ("Matthias") at the swimming pool where he works. What follows is the dreariest of sexual cat and mouse games peppered with scenes that don't make sense; incoherent photography pretty much across the board (especially the sex) and a dialogue that is almost Neanderthal in nature. I'll admit I never do surreal particularly well, but this is really beyond the pale.