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Black Sunday

It could be tomorrow!
1977 | 143m | English

(9659 votes)

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Popularity: 4 (history)

Details

An Israeli anti-terrorist agent must stop a disgruntled Vietnam vet cooperating in a Black September PLO plot to commit a terrorist attack at the Super Bowl.
Release Date: Apr 01, 1977
Director: John Frankenheimer
Writer: Ernest Lehman, Ivan Moffat, Thomas Harris, Kenneth Ross
Genres: Action, Drama, Thriller
Keywords american football stadium, terrorist attack, dirigible
Production Companies Paramount Pictures, Robert Evans Productions
Box Office Revenue: $15,769,322
Budget: $8,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Robert Shaw Kabakov
Bruce Dern Lander
Marthe Keller Dahlia
Fritz Weaver FBI Agent Sam Corley
Steven Keats Moshevsky
Bekim Fehmiu Fasil
Michael V. Gazzo Muzi
William Daniels Pugh
Walter Gotell Colonel Riat
Pat Summerall Pat Summerall
Tom Brookshier Tom Brookshier
Walter Brooke Fowler
Clyde Kusatsu Freighter Captain
Robert Patten Vickers
Victor Campos Nageeb
Joseph Robbie Joseph Robbie
Robert J. Wussler Robert Wussler
James Jeter Watchman
Tom McFadden Farley
Than Wyenn Israeli Ambassador
Jack Rader Pearson
Nick Nickolary Simmons
Michael Joseph Reynolds Jackson
Frank Logan Lansing
Hunter von Leer Cameraman
Sarah Fankboner V.A. Receptionist
Kathy Thornton Head Nurse
Kenneth I. Harms SWAT Captain
Kim Nicholas Hostage
Bert Madrid Bellhop
Name Job
John Frankenheimer Director
Ernest Lehman Screenplay
Lynn Stalmaster Casting
Jerry Ziesmer Unit Production Manager, Assistant Director
Larry Franco Second Assistant Director
Ivan Moffat Screenplay
Thomas Harris Novel
Kenneth Ross Screenplay
Robert Dawn Makeup Artist
Ray Summers Costume Design
Tom Rolf Editor
Sugar Blymyer Hair Designer
Walter H. Tyler Art Direction
Brad Wilder Makeup Artist
Bobby Clark Stunts
Jerry Wunderlich Set Decoration
John A. Alonzo Director of Photography
Marc Monnet Second Unit Director
Ray Mercer Jr. Property Master
Howard Beals Sound Effects Editor
Gene S. Cantamessa Sound Mixer
John Wilkinson Sound Re-Recording Mixer
Everett Creach Stunt Coordinator
Ernest Robinson Stunt Driver
June Edgerton Music Editor
Herbert W. Spencer Orchestrator
Charlsie Bryant Script Supervisor
James W. Gavin Pilot
Nick Nickolary Pilot
Larry Holt Stunts
Dick Ziker Stunts
John Williams Original Music Composer
Jeannie Epper Stunts
Erik Cord Stunts
Bob Minor Stunts
Gene LeBell Stunts
Glenn R. Wilder Stunts
Name Title
Robert Evans Producer
Alan Levine Associate Producer
Robert L. Rosen Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 15 26 7
2024 5 17 41 8
2024 6 16 22 9
2024 7 15 26 8
2024 8 11 22 7
2024 9 9 18 5
2024 10 10 16 5
2024 11 8 12 5
2024 12 8 12 5
2025 1 10 24 5
2025 2 7 11 3
2025 3 4 8 1
2025 4 2 4 1
2025 5 1 4 1
2025 6 1 3 1
2025 7 0 1 0
2025 8 1 1 0
2025 9 2 4 1
2025 10 3 4 2

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Reviews

Dark Jedi
6.0

I read the book that the movie is based on a long time ago back in the times when books by definition where made out of paper. I honestly do not remember much from the book except that I thought it was a good enough book. I also generally like Robert Shaw as an actor so when I saw that this movie wa ... s given on Paramount Channel I decided to record it for a rainy day. Well, yesterday was not a rainy day but there was not really anything else on that I felt like watching so I put this one on. It is a fairly good movie. At least up until the end. It is a pretty much standard political thriller with the rather common basic story of a couple of terrorists planning a terrorist strike on US soil and a couple of good guys trying to stop them. Of course one of the good guys are a foreign operative with less restrained ideas about how to achieve the desired outcome. There is nothing hugely inventive about the story, although I guess it might have felt a bit more fresh in 1977 when the movie was produced, but it is mostly well implemented. I do like that the movie, as is all to often the case, does not try to “explain” the terrorists and justify their actions, at least not too much. Compared to many movie of this type (and that is why I generally do not like these movies) this one is rather neutral in terms of political sides. There are a few outbursts of “why” but in general the movie focuses on the preparations and the chase. As I wrote, in general the movie is well implemented. The acting of both Robert Shaw and Marthe Keller, who plays the female terrorist, is not at all bad. Maybe not Oscars material but definitely not bad and, as I also wrote before, I do like Robert Shaw. For most of the movie we get to follow the preparations of the terrorists and the work of the good guys trying to unravel the plot and stop it. A few sporadic outbursts of action breaks the otherwise not so fast pace of the movie. Classical thriller material and quite enjoyable to watch. Unfortunately by the time we come to the ending it appears like the classical Hollywood I-do-not-have-clue-but-lets-throw-in-some-action people took over and it drags down an otherwise fairly well-made movie. Once the plan is uncovered the movie turns into just another let’s-spot-the-faults Hollywood B-movie. For instance, once it is clear that there is a severe threat, why is the stadium not evacuated? At least they should have gotten the president out. Given the situation why did they not have an officer or agent on the blimp in the first place? Why did Kobakov have to run all over the stadium to talk to the TV-guys, there should have been someone with communication in their hut already? And then we have the blimp chase. There was a potential threat to the president and all they could muster was a single police chopper that got shot down and another chopper that they hijacked? Kobakov laying on the blimp fumbling to get hold of the hook was also dragged out in absurdum. As I wrote I do not remember much details from the book but this ending sure dragged down the movie for me. It is at least a star off for the ending. Still, most of the movie was enjoyable.

May 16, 2024