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Palm Springs Poster

Palm Springs

Live like there's no tomorrow
2020 | 90m | English

(204307 votes)

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Popularity: 7 (history)

Details

When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated when they find themselves unable to escape the venue, themselves, or each other.
Release Date: Jul 10, 2020
Director: Max Barbakow
Writer: Max Barbakow, Andy Siara
Genres: Comedy, Science Fiction, Romance
Keywords alcohol, cave, time travel, earthquake, swimming pool, drug use, palm springs, time loop, nemesis, wedding, maid of honor, carefree, older sister, groundhog day, stuck, absurd, sister's wedding, hilarious
Production Companies The Lonely Island, Limelight, Sun Entertainment Culture Los Angeles
Box Office Revenue: $164,000
Budget: $5,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Andy Samberg Nyles
Cristin Milioti Sarah
J.K. Simmons Roy
Peter Gallagher Howard
Meredith Hagner Misty
Camila Mendes Tala
Tyler Hoechlin Abe
Chris Pang Trevor
Jacqueline Obradors Pia
June Squibb Nana Schlieffen
Tongayi Chirisa Jerry
Dale Dickey Darla
Conner O'Malley Randy
Jena Friedman Daisy the Bartender
Brian Duffy Spuds
Martin Kildare Ted the Bartender
Lilli Birdsell Jamie
Ryan Sturtz Cop
Clifford V. Johnson Professor
Calki Garcia DJ Nice Height
Michelle Johnston Nosy Neighbor
Isla Sellers Roy's Daughter
Matt Smith Out of Town Dad
Rebecca Smith Out of Town Mom
Jake Smith Out of Town Older Son
Noah Smith Out of Town Younger Son
Rocky Bonifield Wedding Guest (uncredited)
Erin Flannery Wedding Guest (uncredited)
David Hutchison Biker (uncredited)
Mark Kubr Biker (uncredited)
David Philip Reed Truck Driver (uncredited)
Name Job
Max Barbakow Director, Story
Quyen Tran Director of Photography
Jason Kisvarday Production Design
Matthew Compton Original Music Composer
Allison Jones Casting
Andy Siara Screenplay, Story
Seth Duhame Stunts
Chris Carnel Stunts
David Hutchison Stunts
Rene Mousseux Stunts
Henry Kingi Jr. Stunts
Tim James Stunts
Mark Kubr Stunts
Miluette Nalin Stunts
Ray Siegle Stunts
Ben Harris Casting Associate
Bill Lynch Assistant Editor
Max Duck Set Dresser
Tim LeDoux Visual Effects Supervisor
John Brubaker Compositing Supervisor
Andrew Dickler Editor
Matthew Friedman Editor
Kelsi Ephraim Set Decoration
Colin Wilkes Costume Design
Dylan Acio Boom Operator
Robert Chen Sound Re-Recording Mixer, Supervising ADR Editor
Jon Wakeham Supervising Sound Editor
Tim Ford Art Direction
Robin Urdang Music Supervisor
Carlos Lugo Unit Production Manager
Jay Schwartz First Assistant Director
Kim Barnard Second Assistant Director
T.J. White Stunt Coordinator
Ilyana Eberhardt Stunts
Chad Bennett Stunts
Ken Fournier Stunts
Terry James Stunts
Susan Purkhiser Stunts
Jason Tubbs Stunts
James Zahnd Stunts
Joseph Suarez Consulting Producer
Jessica Olthof Production Coordinator
Marcy Silver Property Master
Kevin Beebe Assistant Property Master
Brandi Benkert Set Designer
Jonas Madden-Connor Graphic Designer
Mike Fisher Graphic Designer
Alex Nawrocki Leadman
Kristin Elshout Set Decoration Buyer
Erin Thiele Set Decoration Buyer
Katie Mamie Set Decoration Buyer
Fernando Acosta Set Dresser
Taylor Bentley Set Dresser
Ryan Salisbury Set Dresser
Grant Cdebaca Set Dresser
Gabriel DeMonte-Finn Set Dresser
Ellen Nielsen Set Dresser
Ellie O'Neill Set Dresser
Kieran Roberts Set Dresser
Mario Gonzalez Set Dresser
Alicia Pharris Second Assistant "B" Camera
Chris De La Riva Second Assistant "B" Camera
Alexandra Cason First Assistant "A" Camera
Shane Carlson First Assistant "B" Camera
Brian Wells First Assistant "A" Camera
Chad Persons "B" Camera Operator
Craig Fikse "B" Camera Operator
Megan Drayton Second Assistant "A" Camera
Renni Pollock Second Assistant "A" Camera
Matthew Berner First Assistant "B" Camera
Chris Willard Still Photographer
Michael Romano Digital Imaging Technician
Armando Macias Production Sound Mixer
Jay Golden Boom Operator
Stephan Dalyai Chief Lighting Technician
Pete Escobar Best Boy Grip
Patrick H. McGinness Key Grip
Edward C. Peters Dolly Grip
Tom Ceglia Special Effects Supervisor
Anthony Ceglia Special Effects Technician
Rene Diamante Special Effects Technician
Karrel Graves Special Effects Technician
Safowa Bright-Asare Costume Supervisor
Anne Kemmeter Set Costumer
Bridget Chapman Set Costumer
Dana Carr Costumer
Catherine Charpentier Costumer
Rachael Hranka Costumer
Margo Rombough Costumer
Kirsti Schroder Costumer
Sandra Waesche Costumer
Robyn Simms Tailor
Tesa Diaz Tailor
Galaxy San Juan Makeup Department Head
Chelsea Orduno Makeup Artist
Kimberley Spiteri Hair Department Head
Teresa Aguilera Makeup Artist
Patricia Vecchio Hairstylist
Peter Kukla Hairstylist
Laura Jean Bransky Script Supervisor
Julia Tasker Script Supervisor
S. Dylan Kirkland Location Manager
Lisa Wax Assistant Location Manager
Kevan Tucker Assistant Location Manager
Peggy Yen Production Accountant
Justin Olthof Production Secretary
Emily Buntyn Casting Assistant
Vanessa Portillo Extras Casting
Mark Webb Transportation Coordinator
Corey Askins Transportation Captain
Willie Berumen Transportation Captain
Chris Wienckowski Transportation Captain
Sarah Schueler Picture Car Coordinator
Cory Hart Aerial Director of Photography
Robert Settlemire Underwater Director of Photography
Brad McLaughlin Associate Editor
Tim Tuchrello First Assistant Sound Editor
Paul Pirola Sound Designer
Patrick Cyccone Jr. Sound Re-Recording Mixer
Tom Scott-Toft Sound Effects Editor
Brendan Hill Sound Effects Editor
Cory Milano Music Editor
Louie Schultz Music Editor
Scenery Samundra Music Coordinator
Jack Van Nuis Digital Compositor
Ndosi Anyabwile Digital Compositor
Joshua Bailor Digital Compositor
Adam Pere Visual Effects Producer
Brian Fortune Digital Compositor
Jasper M. Baltzersen Digital Compositor
Nicholas Daniels Digital Compositor
Daniel Dupre Matte Painter
Joshua Little CG Artist
Andrew Kalicki Visual Effects Coordinator
Tomohiko Fukuda Digital Compositor
Sam Winkler Visual Effects Supervisor
Name Title
Akiva Schaffer Producer
Jorma Taccone Producer
Becky Sloviter Producer
Dylan Sellers Producer
Alex Dong Executive Producer
Chris Parker Producer
C.J. Barbato Associate Producer
Andy Samberg Producer
Gabby Revilla Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 48 86 27
2024 5 99 125 80
2024 6 58 105 34
2024 7 38 102 18
2024 8 31 54 16
2024 9 25 61 17
2024 10 34 67 21
2024 11 31 55 22
2024 12 31 47 21
2025 1 36 56 26
2025 2 34 71 7
2025 3 12 54 3
2025 4 10 14 7
2025 5 10 14 8
2025 6 9 12 7
2025 7 8 10 6
2025 8 6 8 5

Trending Position


Year Month High Avg
2025 8 535 798
Year Month High Avg
2025 7 238 677
Year Month High Avg
2025 6 391 736
Year Month High Avg
2025 5 868 868
Year Month High Avg
2025 4 672 857
Year Month High Avg
2025 3 480 611
Year Month High Avg
2025 2 840 916
Year Month High Avg
2025 1 888 928
Year Month High Avg
2024 12 982 982
Year Month High Avg
2024 11 642 793
Year Month High Avg
2024 10 986 986
Year Month High Avg
2024 8 693 825

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Reviews

msbreviews
9.0

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com If you've been following me for a while, you know I'm not the biggest fan of rom-coms. It's not that I don't like the genre (I appreciate and enjoy every single one), but I find its movies tremendous ... ly difficult to *really* love. The massive majority follow the genre's formulas and cliches to such an extent that I rarely end up truly loving one of these films. Some are way too cheesy. Others are way too unrealistic and dream-like. But the aspect that throws me off the most is the lack of originality. I can't remember the last rom-com I watched that didn't borrow from countless other installments. I didn't know a thing about Palm Springs: no trailers, no knowledge of critics/audience's opinion, nothing... And I'm extremely happy about that! I usually watch the main trailer for every film I review *after* I've seen the actual movie. I ignore all other trailers, clips, images, and so on. I do this so I can have some sort of knowledge regarding how far I can take my spoiler-free reviews. This way, I'm sure that I don't write about something I shouldn't. The official trailer for this film doesn't ruin the experience in any way, but it does tell its viewers the most relevant aspect of its screenplay. So, I could address it in this review, but I won't... because I enjoyed this movie a lot more, not knowing a thing about it than if I knew how it developed its story. Therefore, I'll keep it really vague, and just write that Andy Siara's first feature-film screenplay can easily snatch a couple of nominations when the awards season comes around. This is a rom-com like no other due to its refreshingly unique concept. It's true that it's not an entirely new method of storytelling. Many other movies also employ this idea, but Siara holds so many surprises within his narrative and so few of the genre's common traits that the whole film is elevated by his outstanding writing. It's one of the most entertaining movies of the year. With a short runtime and a fast pace, Palm Springs is constantly being genuinely fun, engaging, and even mysteriously intriguing. Its original plot makes the viewer think and remember previous lines that take a whole different meaning a few minutes later. There are no predictably dumb narrative decisions, and its characters escape the cheesy and forced relationships that these films usually insert them in. The dialogues are hilariously captivating. Almost every single plot point packs an emotional punch, a jaw-dropping revelation that never crossed the viewer's mind. Andy Samberg and Cristin Milioti share such great chemistry. Their characters are exceptionally developed, and their relationship feels incredibly real. I'm rarely that viewer who requires the main characters to be together, kiss, fall in love, and all that, but Nyles and Sarah are two wonderful protagonists I can definitely root for. Both carry an interesting "baggage", which is also explored at a deep level. They deal very differently with the "situation" that the story puts them in, and it's so much fun to watch them go through it and evolve as characters. Oh, and J.K. Simmons (Roy)... this man doesn't know how not to be utterly remarkable! Max Barbakow (directorial debut) demonstrates his talents as well, by allowing Siara's screenplay to shine under impeccable direction. Tonally, it never loses its balance. It keeps its comedy pretty grounded, considering the craziness of its premise. It never relies on the genre's formulas, cliches, and cheesy outcomes. It really separates itself from the majority of modern rom-coms. I don't really have any flaws to point out... The ending does have a "just accept it" narrative component, and there are a couple of unnecessary scenes, but I'm nitpicking here. I can't believe I'm going to write this, but Palm Springs is not only one of the best rom-coms I've ever seen, but it's also one of the best (if not *the* best) movies of 2020, so far. With the help of their first-time director (Max Barbakow), Andy Samberg and Cristin Milioti spread their extraordinary chemistry all over the innovative, original narrative, written by the also debutant, Andy Siara. The latter is undoubtedly the main responsible for such an entertaining film. Siara takes an imaginative concept and develops it in the most captivating, fun, hilarious, and even intriguing way possible. A surprising screenplay packed with emotionally impactful plot points, revelations, and twists that keep the enjoyment levels extremely high. The two protagonists are exceptionally developed, as well as their compelling relationship. With a fast pace and a perfect balance of its tone, Palm Springs sets itself apart from the other movies of the genre, staying away from all of the cliches, formulas, and stereotypes associated with it. J.K. Simmons also lends his awesomeness because why not? Whether you're a fan of rom-coms or not, I definitely suggest giving this one a look. You won't be disappointed! Rating: A

Jun 23, 2021
niyumard
N/A

If you're looking for a wholesome heartwarming movie, This is the movie you're looking for. ...

Jun 23, 2021
Kamurai
8.0

Great watch, will watch again, and can recommend, especially for fans of "time shifting" tropes. Time shifting is where your mind goes back in time, but not your body. Essentially everything resets like a save point, except your have all this knowledge. "Time shifting" was made popular by "Gr ... oundhog's Day" and there have been several movies that mainly consist of dying / sleeping and repeating like a video game, and this isn't THAT different with a few exceptions that make all the difference in the experience. Andy Samberg (Brooklyn Nine-Nine) finally steps up and shows everyone that he can do a somewhat serious role, and not just a straight man. Cristin Milioti (How I Met Your Mother) does an excellent job in her lead role, with a great supporting cast, to include J.K. Simmons (Cave Johnson) leading a wonderful supporting cast, except for Tyler Hoechlin (CW Superman: "Supergirl", "Flash", etc.), who I might just not like because he was Superman, but it's supposed to be an disliked character...so....good job? The medium of the transfer being shown is an interesting option as we saw in the "Happy Death Day" movies, but it does allow for a reasoning of how it works, can it be broken / manipulated as opposed to divine will. Most importantly, it allows for more than just one subject being affected, which is really where it gets set apart. The trope bleeds a little when you have multiple people trapped in the loop: you have multiple people trapped in a thing: you have multiple people trapped in a prison. When multiple people are trapped in a environment together, they tend to get a little strange, and we get that sort of thing a plenty. Because we have multiple story threads to follow, we're almost seeing 3 stories all overlapping, and the movie does a great job of showing those, whether or not their in chronological order, or happening at the same time. Whether you see it as a prison break movie, or a time loop movie, this movie has a lot of fun in it, along with deep metaphysical philosophy, so there is something for everyone.

Jun 23, 2021
narrator56
7.0

This is a reimagining of Groundhog Day, but I think it stands pretty well on its own merits. Groundhog Day did not attempt to explain what was going on, but in Palm Springs, some talk of physics and what might happen if they tried - well, never mind. Who am I to give anything away? The plot is mo ... re complicated than it seemed, and that is a good thing. There is humor, of course, and good chemistry between the two leads, I thought. There was enough difference between each of the replays of the day that it didn’t feel like, here we go again with 90% of the same stuff happening with a slight change thrown in. So it was an entertaining movie overall. It isn’t one that I will watch multiple times, but if the opportunity arises to watch it again, say with someone who hasn’t seen it, I wouldn’t hesitate. We all love to spoil movies for people by telling them what is coming up! (Just kidding. I don’t like it when it is done to me, so I just sit and let them experience it the same way I did.)

Aug 03, 2021
screenzealots
6.0

The multi-genre “Palm Springs” is an oddball, sci-fi rom-com about loneliness and love, a thoughtful story of existential consternation with a sharp-witted joke library. The film, written by Andy Siara and directed by Max Barbakow, is a weird hipster version of “Groundhog Day,” with a story about tw ... o semi-dorks stuck in an infinite loop where they must relive the same sunrise to sunset over and over again. November 9th is the perfect date for a Palm Springs destination wedding, and Sarah (Cristin Milioti) is there for her younger sister’s big day. The elder sibling has a real chip on her shoulder, reluctant to serve as the maid of honor and not a big fan of formal events. At the reception, she meets Nyles (Andy Samberg), a carefree dude who is trapped with his shallow, cheating, bridesmaid girlfriend Misty (Meredith Hagner). Sarah and Nyles hit it off with their shared offbeat sense of humor, and the duo sneak off into the desert for a late-night rendezvous. Something really, really weird interrupts their plans, turning the two into a powerhouse of cynical anarchy when they discover they’re able to endlessly reprise that day. It’s a fun idea that’s given a refresh with smart-aleck humor from Milioti and Samberg. They’re a charismatic pair, even if they’re not the easiest couple to root for. The film has a jaded, “too cool for school” angle that may turn off some viewers, but it tries to remain lighthearted. An all-too-brief supporting turn from J.K. Simmons adds a bizarre but unexpectedly touching side plot, lending a lot of heart to the story. As is the case with many films that premiere at Sundance, “Palm Springs” doesn’t come close to living up to the initial film festival audience reaction. The dark comedy is entertaining, but it’s not as funny as it could be, and it’s not as clever as it wishes it was.

Jun 23, 2021
TitanGusang
9.0

Palm Springs puts a new spin on the old time loop story, and I am surprised at how well it works. Andy Samberg is fantastic as ever and shows off a little more acting chops than I give him credit for with the more emotional scenes in the film. The chemistry that he and Christin Milloti share is spec ... tacular and felt so incredibly genuine. I felt so many things during this movie ranging from happiness, sadness, and laughter, it really takes you for a ride and it is such a fantastic one at that. This is such an underrated film and I cannot recommend this enough. **Verdict:** _Excellent_

Jul 15, 2022
oswaldovzki
N/A

I've always had a soft spot for time loop movies since *Groundhog Day* (1993), and I'm happy to say that *Palm Springs* delivers a fresh and funny take on the genre. It's a well-crafted comedy that not only entertains but also leaves you with a few curious questions by the end. The cast does an e ... xcellent job of making us care about the characters, which is crucial for a time loop movie. The challenge with this type of plot is keeping the repetition from becoming dull, and *Palm Springs* handles that with excellence. Each loop feels engaging, and I found myself enjoying the ride over and over again. Honestly, I wouldn’t have minded if the movie ran a bit longer—I was that entertained. That said, I could have done with a bit less romance. The shift in tone was a little abrupt at the third arc, but at the same time, it’s hard to complain when the love story plays such a central role in the narrative. After all, love has a way of sneaking into even the most unexpected places. Overall, *Palm Springs* is a standout time loop movie that keeps you hooked until the end. While I think the final act could have used a bit more development, it’s still a solid film that’s definitely worth watching.

Aug 19, 2024