Popularity: 7 (history)
Director: | Mel Gibson |
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Writer: | Benedict Fitzgerald, Mel Gibson |
Staring: |
A graphic portrayal of the last twelve hours of Jesus of Nazareth's life. | |
Release Date: | Feb 25, 2004 |
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Director: | Mel Gibson |
Writer: | Benedict Fitzgerald, Mel Gibson |
Genres: | Drama |
Keywords | suffering, roman, bible, brutality, rosario, christianity, apostle, easter, christian film, sangre, mission, jewry, last supper, torture, aramaic, roman empire, crucifixion, satan, jesus christ, ancient language film |
Production Companies | Icon Productions |
Box Office |
Revenue: $610,063,468
Budget: $30,000,000 |
Updates |
Updated: Aug 06, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
---|---|
John Debney | Original Music Composer |
Gingger Shankar | Original Music Composer |
Shaila Rubin | Casting |
Caleb Deschanel | Director of Photography |
Steve Mirkovich | Editor |
Francesco Frigeri | Production Design |
Maurizio Argentieri | Sound mixer |
Stefano Maria Mioni | Stunt Coordinator |
Jeff Atmajian | Orchestrator |
Scott A. Jennings | Sound Effects Editor |
Kami Asgar | Supervising Sound Editor |
Claudio Zucchet | Stunts |
Paolo Antonini | Stunts |
Mariano Tufano | Assistant Costume Designer |
Christien Tinsley | Makeup Artist, Prosthetic Designer |
Alessandro Borgese | Stunts |
Bruno Di Luia | Stunts |
Danilo Capuzi | Stunts |
Emiliano Novelli | Stunts |
Raymond Arroyo | Thanks |
John M. Nelson | First Assistant Director |
Rachel Bolt | Musician |
Simon Rhodes | Score Engineer |
Bob Corna | Set Production Assistant |
Angelo Ragusa | Stunts |
Omero Capanna | Stunts |
Kelton Jones | VFX Director of Photography |
Evelina Meghnagi | Dialogue Coach |
Benedict Fitzgerald | Screenplay |
Rajeev Malhotra | Post Production Supervisor |
Scott G.G. Haller | Dialogue Editor, Sound Editor |
Matt Temple | Sound Designer |
Maurizio Millenotti | Costume Design |
Kevin Crehan | Music Editor |
Carlo Gervasi | Set Decoration |
John Wright | Editor |
Renato Agostini | Special Effects Supervisor, Special Effects |
Mickey Bergstrom | Video Assist Operator |
Dan Yale | Foley Editor |
Brian A. Metcalf | Compositors |
Tim Larsen | Painter |
Jack Lenz | Additional Music |
Chris Taft | Digital Intermediate |
Bryan Blair | Makeup Effects |
Riccardo Passanisi | Property Master |
Francesco Di Silvio | Location Manager |
Vincenzo Nardi | Boom Operator |
Arnaldo Bivi | Standby Painter |
Justin Ditter | Wigmaker |
Timothy Michael Cairns | Quality Control Supervisor |
Paolo Verrucci | Telecine Colorist |
Melissa Carter | Visual Effects Editor |
Andy Potvin | Dolby Consultant |
Daria Montagni | Art Department Coordinator |
Daniel Acon | Special Effects Coordinator |
Giorgio Catalano | Production Accountant |
Lisbeth Scott | Vocal Coach |
Giulia Chiara Crugnola | Assistant Art Director |
Giuseppe Avallone | Assistant Costume Designer |
Stefania Sisti | Production Office Assistant |
Federico Foti | Unit Manager |
Alec Boehm | First Assistant Camera |
Massimiliano Rocchetti | Transportation Captain |
Eleonora Baldwin | Script Supervisor |
Fabio Orfanó | Driver |
Peter Afterman | Music Supervisor |
Bob Beemer | Sound Re-Recording Mixer |
Davide Franconieri | Greensman |
Vito Colazzo | Unit Production Manager |
Everett Burrell | Digital Compositors |
Pierfranco Luscrì | Art Direction |
Constantine Sekeris | Conceptual Design |
Vincenzo Mastrantonio | Makeup Artist |
Jim Knell | Still Photographer |
Anthony 'Max' Ivins | Digital Effects Supervisor |
Anna Cannella | Set Production Assistant |
Cris Borgnine | Best Boy Electric |
Riley Sidore | Lighting Technician |
Mario Bramucci | Rigging Gaffer |
Cecilia Alvarenga | Production Coordinator |
Jeff Schweikart | Post Production Assistant |
Antonio Pupillo | Security |
Daniele Abeille | Transportation Coordinator |
Marcus Andexler | Visual Effects Coordinator |
Desideria Corridoni | Hairstylist |
Aldo Urzini | Armorer |
Juliet Hirata | Editorial Production Assistant |
Paolo Di Stefano | Electrician |
Ted Rae | Visual Effects Supervisor, Second Unit Director |
Daniela Pareschi | Art Direction |
Carlo Vinciguerra | Gaffer |
Christopher Edwards | Manager of Operations |
Maria Teresa Corridoni | Key Hair Stylist |
Giorgio Antonini | Stunts |
Lilio Rosato | Sound Engineer |
William J. Fulco | Translator |
Alberto Emidi | Key Grip |
Sergio Ercolessi | First Assistant Director |
Mimosa Nistri Ranalletti | Second Assistant Director |
Marina Roberti | Key Set Costumer |
Renée Tondelli | ADR Supervisor |
Nunzia Nusdeo | Set Dresser |
Danilo Di Ruzza | Assistant Property Master |
Mario Michisanti | Key Makeup Artist |
Christopher Xavier Lozano | Prosthetic Makeup Artist |
Andrea Danek | Assistant Sound Editor |
Michael T. Ryan | Supervising Music Editor |
Tefft Smith | CG Animator |
Nadia Salvatore | Set Costumer |
Patrizia Roletti | Assistant Production Coordinator |
Keith VanderLaan | Visual Effects Designer, Makeup Effects Designer, Visual Effects Producer |
Nick Ingman | Conductor |
Ken Duncan | Additional Still Photographer |
Massimo Barbona | Grip |
Mehrdad Arabi | Musician |
Michela Forbicioni | Casting Assistant |
Tom Bristow | I/O Manager |
Tom Gleason | First Assistant Camera |
Bob Angelotti | Thanks |
Scott Rathner | First Assistant Camera |
Sabina Piscopo | Set Production Assistant |
Philippe Antonello | Still Photographer |
Ionut Iftimoaie | Stunts |
Riccardo Mioni | Stunts |
Jim Meenaghan | Legal Services |
Bruce White | Musician |
Mark Berrow | Musician |
Mark Perzely | Assistant Editor |
Marco Contaldo | Best Boy Electric |
Marco Romagnoli | Electrician |
Lucilla Simbari | Key Set Costumer |
Jen Monnar | Music Editor |
Riccardo Umetelli | First Assistant Camera |
Danilo Rossiello | Greensman |
Brad Dechter | Orchestrator |
Simone Barbona | Grip |
Stefano Grossi | Grip |
Sharon Kelly-Russo | Production Coordinator |
Amy Tillman | Legal Services |
Barbara Spoletini | Set Costumer |
Francesca Di Vella | Set Production Assistant |
Paolo Merosi | Set Production Assistant |
Alessandro Novelli | Stunts |
Tom Allen | Thanks |
Alan Nierob | Thanks |
Laura Alecci | Assistant Editor |
Antonio Barba | Cableman |
Anthony Francisco | Conceptual Design |
Bryan Cooke | Digital Compositors |
Laurel Klick | Digital Compositors |
Frank Bennett | Orchestrator |
Bob Kretschmer | Wigmaker |
Giorgio Conti | Assistant Editor |
Robert James Ashe | Editor |
Maurizio Lupi | Hairstylist |
Lesli Carroll | Orchestrator |
Alessandro Fiorito | Production Accountant |
Michele Santantonio | Production Office Assistant |
Davide Sacchetti | Set Production Assistant |
Kevin O'Connell | Sound Mixer |
Tatiana Romanova | Stunts |
Liberata Zocchi | Assistant Editor |
John Teska | CG Animator |
Michael M. Walsh | Digital Compositors |
Mike Uguccioni | Digital Compositors |
Stefano Riolo | Production Office Assistant |
Barbara Pastrovich | Second Assistant Director |
Paul Lauer | Thanks |
Krassimir Ivanov | Casting Assistant |
Simone Lucchetti | Electrician |
Andrew Robison | Key Grip |
Christos Michaels | Legal Services |
Giancarlo J. Sini | Production Accountant |
Marco Olivieri | Unit Manager |
W. Layne Mcdonald | Additional Editing |
Massimiliano Sticchi | Electrician |
Roger Linley | Musician |
Kenneth E. Grassi | Production Coordinator |
Linda Avitabile | Schedule Coordinator |
Ilaria Pizzilli | Set Production Assistant |
Fabrizio Vicari | Camera Operator |
Vera Mitchell | Hairstylist |
Maria Fiorito | Production Accountant |
Diane Howard | Publicist |
Sonia Troiani | Set Production Assistant |
Herwig Maurer | Sound Effects Editor |
Gabor Szitanyi | Visual Effects Editor |
Spartaco Sardini | Electrician |
Alessandra Fortuna | Set Production Assistant |
Valentina Monticelli | Assistant Costume Designer |
Danny Rafic | Assistant Editor |
Drew Redford | Digital Compositors |
Rachel Griffiths | First Assistant Director |
Barbara Dunning | First Assistant Editor |
Gianna Viola | Hairstylist |
Lorella De Rossi | Makeup Artist |
Scott Millan | Sound Mixer |
Pam Vick | Digital Compositors |
Carla Indoni | Hairstylist |
Shawn Murphy | Scoring Mixer |
Raphael Poggi | Set Production Assistant |
Brian Van Leer | Sound Engineer |
Gabriele Ragusa | Stunts |
Mauro Antonini | Stunts |
Charles Morton | Thanks |
Tim Tuchrello | First Assistant Sound Editor |
Pamela Kahn | Foley |
Andrea Passalacqua | Location Manager |
Steve Mair | Musician |
Mike Watts | Orchestrator |
Edoardo Finocchi | Stunts |
Kate Carlin | ADR Voice Casting |
Maurizio Di Coste | Cableman |
Cristiano Biagioli | Grip |
Nicola Di Marzio | Production Office Assistant |
Paolo Susani | Stunts |
Rocco Russo | Stunts |
Cassidy Watkins | Actor's Assistant |
Alberto Torrecilla | First Assistant Camera |
Gianpaolo Majorana | Grip |
Rosa Luciani | Hairstylist |
Roberto Radicchi | Production Office Assistant |
Stefano Veneruso | Set Production Assistant |
Federico Ciuffolini | Stunts |
Sean McCormack | Supervising Sound Editor |
Veronika Kostrhounova | Assistant Makeup Artist |
Lorene Simpson | Digital Intermediate Producer |
Howard London | ADR Mixer |
Vincent Guisetti | Foley Artist |
Steve Bowen | Digital Color Timer |
Daniel de Rossi | Production Assistant |
Emanuela Minoli | Second Second Assistant Director |
Antonio Beccarisi | Head Carpenter |
Jonathan Klein | Foley Supervisor |
Harvey Lowry | Director of Operations |
Marco Corridori | Special Effects Technician |
Cristian De Mattheis | Storyboard Artist |
Mauro Pezzotti | Additional Grip |
Alfredo Ecolangeli | Assistant Unit Manager |
Massimiliano Ubaldi | Stunt Double |
Claudia Moscatello | Location Coordinator |
Silvia Riolo | Production Secretary |
Corrado Serri | Assistant Camera |
Seth Saint Vincent | Best Boy Grip |
Andrea Tolomei | Camera Trainee |
Kyle Rochlin | Foley Mixer |
Zack Fox | Visual Effects Production Assistant |
Curtis Lindersmith | Digital Intermediate Editor |
Gary J. Gross | Production Consultant |
Alessandro Di Meo | Second Assistant Camera |
Dan Savant | Music Producer |
Alberto De Stefani | Accountant |
Jan Michelini | Key Set Production Assistant |
Ben Estrada | Digital Colorist |
Bruno Falconi | Swing |
Sean Landeros | Sound Recordist |
Marcostavros Maggi | Camera Loader |
Mel Gibson | Screenplay, Director |
Nazzareno Piana | Art Direction |
Roberto De Angelis | Steadicam Operator |
Jessica Clements | Assistant Music Supervisor |
William Hoy | Additional Editing |
Name | Title |
---|---|
Bruce Davey | Producer |
Stephen McEveety | Producer |
Enzo Sisti | Executive Producer |
Mel Gibson | Producer |
Organization | Category | Person | |
---|---|---|---|
SAG Awards | Best Director | Mel Gibson | Won |
SAG Awards | Best Actor | Jim Caviezel | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 86 | 108 | 68 |
2024 | 5 | 77 | 120 | 50 |
2024 | 6 | 70 | 110 | 54 |
2024 | 7 | 77 | 112 | 56 |
2024 | 8 | 76 | 133 | 54 |
2024 | 9 | 69 | 77 | 50 |
2024 | 10 | 79 | 121 | 59 |
2024 | 11 | 70 | 113 | 53 |
2024 | 12 | 67 | 97 | 50 |
2025 | 1 | 74 | 93 | 56 |
2025 | 2 | 57 | 79 | 11 |
2025 | 3 | 22 | 78 | 3 |
2025 | 4 | 73 | 222 | 16 |
2025 | 5 | 17 | 32 | 9 |
2025 | 6 | 9 | 11 | 6 |
2025 | 7 | 7 | 12 | 6 |
2025 | 8 | 7 | 11 | 5 |
2025 | 9 | 9 | 10 | 7 |
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2024 | 9 | 675 | 797 |
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2024 | 8 | 699 | 848 |
The fact that there is precious little English spoken here can come across as a little off-putting at the start. Until, that is, you remember that this is a story that has been told several times - not least in the bible, and so actually the language of the dialogue doesn't really matter so much. On ... ce I was over that, I was rather impressed by the standard of production presented here by Mel Gibson. Jim Caviezel has a wonderful vulnerability and potency in his portrayal of the last day spent by Jesus before his crucifixion. The cinematography is very good, as is the glorious attention to detail with the costumes and settings rich and authentic to behold. The last half hour demonstrates a degree of brutality that is very difficult to watch but somehow that, too, enhances the plausibility of this speculative depiction of events. The supporting cast of relatively unknown talent work well to generate a sense of the inevitability of the proceedings and John Debney's score is rousing and effective too. It does play a little bit fast and loose with the text of the bible, and the very graphic nature of the lives (and loves!) of some of the characters - and their flaws - is provocative and challenges the more traditional (i.e. Cecil B. de Mille) interpretations of this ultimate example of man's inhumanity to man. It is far too long, though. It really does take it's time to get going - perhaps expending a little too much effort on scenario development for subjects that most of us already know (regardless of our own personal faith). At times the direction is also a little bit heavy-handed. It forces us to accept the conclusions drawn by the screenplay, rather than allow us much scope to evaluate, even judge, the unfolding events for ourselves. That said, Gibson has not delivered anything elegiac here, he successfully offers us something illustrating the warts and all existence of biblical-time, Roman occupied, Judea and it is well worth a watch.
**_The Suffering of The Christ_** Helmed by Mel Gibson, “The Passion of the Christ” (2004) details the excruciating last 12 hours of the life of Jesus (Yeshua) Christ as detailed in the Bible, as well as various devotional writings. Jim Caviezel stars in the eponymous role and it’s hard to imagin ... e a more fitting person in the part. Also notable are Monica Bellucci as Mary Magdalene, Hristo Naumov Shopov as Pontius Pilate and Jarreth Merz as Simon of Cyrene. Obviously, this isn’t a fun movie. You have to be braced for it, as it’s shocking in a reverent way. This explains why one critic denounced it as "a two-hour-and-six-minute snuff movie." Nevertheless, it artistically brings to life that particular turning point in history and gives the viewer a great visual of what went down. Christ’s death appeased God’s just wrath in a substitutionary sense and opened the door to immortality and eternal life, as noted in Romans 6:23 and 2 Timothy 1:10. Research the evidence and decide for yourself whether this is historical fact or just myth. The film was shot entirely in Italy. GRADE: A