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The Passion of the Christ Poster

The Passion of the Christ

By his wounds, we were healed.
2004 | 127m | English

(265648 votes)

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Popularity: 7 (history)

Details

A graphic portrayal of the last twelve hours of Jesus of Nazareth's life.
Release Date: Feb 25, 2004
Director: Mel Gibson
Writer: Benedict Fitzgerald, Mel Gibson
Genres: Drama
Keywords suffering, roman, bible, brutality, rosario, christianity, apostle, easter, christian film, sangre, mission, jewry, last supper, torture, aramaic, roman empire, crucifixion, satan, jesus christ, ancient language film
Production Companies Icon Productions
Box Office Revenue: $610,063,468
Budget: $30,000,000
Updates Updated: Aug 06, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Jim Caviezel Jesus
Maia Morgenstern Maria
Christo Jivkov Juan
Francesco De Vito Pedro
Monica Bellucci Magdalena
Mattia Sbragia Caifás
Toni Bertorelli Anás
Luca Lionello Judas
Hristo Shopov Poncio Pilato
Claudia Gerini Claudia Procles
Fabio Sartor Abenader
Giacinto Ferro Joseph of Arimathea
Aleksander Mincer Nicodemus
Sheila Mokhtari Mother in audience
Lucio Allocca Old Temple Guard
Paco Reconti Whipping Guard
Adel Bakri Temple Guard
Luciano Dragone Second Man
Adel Ben Ayed Thomas
Franco Costanzo Accuser
Lino Salemme Accuser
Emanuele Gullotto Accuser
Francesco De Rosa Accuser
Maurizio Di Carmine Elder
Francesco Gabriele Elder
Angelo Di Loreta Elder
Federico Pacifici Elder
Roberto Santi Elder
Giovanni Vettorazzo Elder
Ted Rusoff Elder
Tom Shaker Eyepatch
Andrea Coppola Grizzled Beard
Romuald Kłos Roman Soldier
Giuseppe Lo Console Roman Soldier
Dario D'Ambrosi Roman Soldier
Luciano Federico Man in Audience
Domenico Capalbo Boy
Valerio Esposito Boy
Antonello Iacovone Boy
Nicola Tagarelli Boy
Ivan Gaudiano Boy
Chokri Ben Zagden James
Roberto Bestazzoni Malchus
Luca De Dominicis King Herod Antipas
Pietro Sarubbi Barabbas
Abel Jafri 2nd Temple Officer
Lello Giulivo Brutish Roman
Emilio De Marchi Scornful Roman
Roberto Visconti Scornful Roman
Sergio Rubini Disma
Francesco Cabras Gesmas
Andrea Refuto Young Jesus
Giovanni Capalbo Cassius
Matt Patresi Janus
Sabrina Impacciatore Seraphia
Daniela Poti Young Girl
Jarreth J. Merz Simon of Cyrene
Noemi Marotta Woman
Rossella Longo Woman
Davide Marotta Baby
Rosalinda Celentano Satan
Danilo Di Ruzza Pilate's Servant
Vincenzo Monti Herod's Courtier
Danilo Maria Valli Herod's Courtier
Nuot Arquint Herod's Courtier
Abraam Fontana Herod's Courtier
Valerio Isidori Herod's Courtier
Paulo dos Santos Herod's Boy
Arianna Vitolo Herod's Court Woman
Gabriella Barbuti Herod's Court Woman
Ornella Giusto Herod's Court Woman
Michelle Bonev Herod's Court Woman
Lucia Stara Herod's Court Woman
Evelina Meghnagi Herod's Court Woman
Francis Dokyi Herod's Servant
Name Job
John Debney Original Music Composer
Gingger Shankar Original Music Composer
Shaila Rubin Casting
Caleb Deschanel Director of Photography
Steve Mirkovich Editor
Francesco Frigeri Production Design
Maurizio Argentieri Sound mixer
Stefano Maria Mioni Stunt Coordinator
Jeff Atmajian Orchestrator
Scott A. Jennings Sound Effects Editor
Kami Asgar Supervising Sound Editor
Claudio Zucchet Stunts
Paolo Antonini Stunts
Mariano Tufano Assistant Costume Designer
Christien Tinsley Makeup Artist, Prosthetic Designer
Alessandro Borgese Stunts
Bruno Di Luia Stunts
Danilo Capuzi Stunts
Emiliano Novelli Stunts
Raymond Arroyo Thanks
John M. Nelson First Assistant Director
Rachel Bolt Musician
Simon Rhodes Score Engineer
Bob Corna Set Production Assistant
Angelo Ragusa Stunts
Omero Capanna Stunts
Kelton Jones VFX Director of Photography
Evelina Meghnagi Dialogue Coach
Benedict Fitzgerald Screenplay
Rajeev Malhotra Post Production Supervisor
Scott G.G. Haller Dialogue Editor, Sound Editor
Matt Temple Sound Designer
Maurizio Millenotti Costume Design
Kevin Crehan Music Editor
Carlo Gervasi Set Decoration
John Wright Editor
Renato Agostini Special Effects Supervisor, Special Effects
Mickey Bergstrom Video Assist Operator
Dan Yale Foley Editor
Brian A. Metcalf Compositors
Tim Larsen Painter
Jack Lenz Additional Music
Chris Taft Digital Intermediate
Bryan Blair Makeup Effects
Riccardo Passanisi Property Master
Francesco Di Silvio Location Manager
Vincenzo Nardi Boom Operator
Arnaldo Bivi Standby Painter
Justin Ditter Wigmaker
Timothy Michael Cairns Quality Control Supervisor
Paolo Verrucci Telecine Colorist
Melissa Carter Visual Effects Editor
Andy Potvin Dolby Consultant
Daria Montagni Art Department Coordinator
Daniel Acon Special Effects Coordinator
Giorgio Catalano Production Accountant
Lisbeth Scott Vocal Coach
Giulia Chiara Crugnola Assistant Art Director
Giuseppe Avallone Assistant Costume Designer
Stefania Sisti Production Office Assistant
Federico Foti Unit Manager
Alec Boehm First Assistant Camera
Massimiliano Rocchetti Transportation Captain
Eleonora Baldwin Script Supervisor
Fabio Orfanó Driver
Peter Afterman Music Supervisor
Bob Beemer Sound Re-Recording Mixer
Davide Franconieri Greensman
Vito Colazzo Unit Production Manager
Everett Burrell Digital Compositors
Pierfranco Luscrì Art Direction
Constantine Sekeris Conceptual Design
Vincenzo Mastrantonio Makeup Artist
Jim Knell Still Photographer
Anthony 'Max' Ivins Digital Effects Supervisor
Anna Cannella Set Production Assistant
Cris Borgnine Best Boy Electric
Riley Sidore Lighting Technician
Mario Bramucci Rigging Gaffer
Cecilia Alvarenga Production Coordinator
Jeff Schweikart Post Production Assistant
Antonio Pupillo Security
Daniele Abeille Transportation Coordinator
Marcus Andexler Visual Effects Coordinator
Desideria Corridoni Hairstylist
Aldo Urzini Armorer
Juliet Hirata Editorial Production Assistant
Paolo Di Stefano Electrician
Ted Rae Visual Effects Supervisor, Second Unit Director
Daniela Pareschi Art Direction
Carlo Vinciguerra Gaffer
Christopher Edwards Manager of Operations
Maria Teresa Corridoni Key Hair Stylist
Giorgio Antonini Stunts
Lilio Rosato Sound Engineer
William J. Fulco Translator
Alberto Emidi Key Grip
Sergio Ercolessi First Assistant Director
Mimosa Nistri Ranalletti Second Assistant Director
Marina Roberti Key Set Costumer
Renée Tondelli ADR Supervisor
Nunzia Nusdeo Set Dresser
Danilo Di Ruzza Assistant Property Master
Mario Michisanti Key Makeup Artist
Christopher Xavier Lozano Prosthetic Makeup Artist
Andrea Danek Assistant Sound Editor
Michael T. Ryan Supervising Music Editor
Tefft Smith CG Animator
Nadia Salvatore Set Costumer
Patrizia Roletti Assistant Production Coordinator
Keith VanderLaan Visual Effects Designer, Makeup Effects Designer, Visual Effects Producer
Nick Ingman Conductor
Ken Duncan Additional Still Photographer
Massimo Barbona Grip
Mehrdad Arabi Musician
Michela Forbicioni Casting Assistant
Tom Bristow I/O Manager
Tom Gleason First Assistant Camera
Bob Angelotti Thanks
Scott Rathner First Assistant Camera
Sabina Piscopo Set Production Assistant
Philippe Antonello Still Photographer
Ionut Iftimoaie Stunts
Riccardo Mioni Stunts
Jim Meenaghan Legal Services
Bruce White Musician
Mark Berrow Musician
Mark Perzely Assistant Editor
Marco Contaldo Best Boy Electric
Marco Romagnoli Electrician
Lucilla Simbari Key Set Costumer
Jen Monnar Music Editor
Riccardo Umetelli First Assistant Camera
Danilo Rossiello Greensman
Brad Dechter Orchestrator
Simone Barbona Grip
Stefano Grossi Grip
Sharon Kelly-Russo Production Coordinator
Amy Tillman Legal Services
Barbara Spoletini Set Costumer
Francesca Di Vella Set Production Assistant
Paolo Merosi Set Production Assistant
Alessandro Novelli Stunts
Tom Allen Thanks
Alan Nierob Thanks
Laura Alecci Assistant Editor
Antonio Barba Cableman
Anthony Francisco Conceptual Design
Bryan Cooke Digital Compositors
Laurel Klick Digital Compositors
Frank Bennett Orchestrator
Bob Kretschmer Wigmaker
Giorgio Conti Assistant Editor
Robert James Ashe Editor
Maurizio Lupi Hairstylist
Lesli Carroll Orchestrator
Alessandro Fiorito Production Accountant
Michele Santantonio Production Office Assistant
Davide Sacchetti Set Production Assistant
Kevin O'Connell Sound Mixer
Tatiana Romanova Stunts
Liberata Zocchi Assistant Editor
John Teska CG Animator
Michael M. Walsh Digital Compositors
Mike Uguccioni Digital Compositors
Stefano Riolo Production Office Assistant
Barbara Pastrovich Second Assistant Director
Paul Lauer Thanks
Krassimir Ivanov Casting Assistant
Simone Lucchetti Electrician
Andrew Robison Key Grip
Christos Michaels Legal Services
Giancarlo J. Sini Production Accountant
Marco Olivieri Unit Manager
W. Layne Mcdonald Additional Editing
Massimiliano Sticchi Electrician
Roger Linley Musician
Kenneth E. Grassi Production Coordinator
Linda Avitabile Schedule Coordinator
Ilaria Pizzilli Set Production Assistant
Fabrizio Vicari Camera Operator
Vera Mitchell Hairstylist
Maria Fiorito Production Accountant
Diane Howard Publicist
Sonia Troiani Set Production Assistant
Herwig Maurer Sound Effects Editor
Gabor Szitanyi Visual Effects Editor
Spartaco Sardini Electrician
Alessandra Fortuna Set Production Assistant
Valentina Monticelli Assistant Costume Designer
Danny Rafic Assistant Editor
Drew Redford Digital Compositors
Rachel Griffiths First Assistant Director
Barbara Dunning First Assistant Editor
Gianna Viola Hairstylist
Lorella De Rossi Makeup Artist
Scott Millan Sound Mixer
Pam Vick Digital Compositors
Carla Indoni Hairstylist
Shawn Murphy Scoring Mixer
Raphael Poggi Set Production Assistant
Brian Van Leer Sound Engineer
Gabriele Ragusa Stunts
Mauro Antonini Stunts
Charles Morton Thanks
Tim Tuchrello First Assistant Sound Editor
Pamela Kahn Foley
Andrea Passalacqua Location Manager
Steve Mair Musician
Mike Watts Orchestrator
Edoardo Finocchi Stunts
Kate Carlin ADR Voice Casting
Maurizio Di Coste Cableman
Cristiano Biagioli Grip
Nicola Di Marzio Production Office Assistant
Paolo Susani Stunts
Rocco Russo Stunts
Cassidy Watkins Actor's Assistant
Alberto Torrecilla First Assistant Camera
Gianpaolo Majorana Grip
Rosa Luciani Hairstylist
Roberto Radicchi Production Office Assistant
Stefano Veneruso Set Production Assistant
Federico Ciuffolini Stunts
Sean McCormack Supervising Sound Editor
Veronika Kostrhounova Assistant Makeup Artist
Lorene Simpson Digital Intermediate Producer
Howard London ADR Mixer
Vincent Guisetti Foley Artist
Steve Bowen Digital Color Timer
Daniel de Rossi Production Assistant
Emanuela Minoli Second Second Assistant Director
Antonio Beccarisi Head Carpenter
Jonathan Klein Foley Supervisor
Harvey Lowry Director of Operations
Marco Corridori Special Effects Technician
Cristian De Mattheis Storyboard Artist
Mauro Pezzotti Additional Grip
Alfredo Ecolangeli Assistant Unit Manager
Massimiliano Ubaldi Stunt Double
Claudia Moscatello Location Coordinator
Silvia Riolo Production Secretary
Corrado Serri Assistant Camera
Seth Saint Vincent Best Boy Grip
Andrea Tolomei Camera Trainee
Kyle Rochlin Foley Mixer
Zack Fox Visual Effects Production Assistant
Curtis Lindersmith Digital Intermediate Editor
Gary J. Gross Production Consultant
Alessandro Di Meo Second Assistant Camera
Dan Savant Music Producer
Alberto De Stefani Accountant
Jan Michelini Key Set Production Assistant
Ben Estrada Digital Colorist
Bruno Falconi Swing
Sean Landeros Sound Recordist
Marcostavros Maggi Camera Loader
Mel Gibson Screenplay, Director
Nazzareno Piana Art Direction
Roberto De Angelis Steadicam Operator
Jessica Clements Assistant Music Supervisor
William Hoy Additional Editing
Name Title
Bruce Davey Producer
Stephen McEveety Producer
Enzo Sisti Executive Producer
Mel Gibson Producer
Organization Category Person
SAG Awards Best Director Mel Gibson Won
SAG Awards Best Actor Jim Caviezel Nominated
Popularity Metrics

Popularity History


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2024 5 77 120 50
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Reviews

Geronimo1967
7.0

The fact that there is precious little English spoken here can come across as a little off-putting at the start. Until, that is, you remember that this is a story that has been told several times - not least in the bible, and so actually the language of the dialogue doesn't really matter so much. On ... ce I was over that, I was rather impressed by the standard of production presented here by Mel Gibson. Jim Caviezel has a wonderful vulnerability and potency in his portrayal of the last day spent by Jesus before his crucifixion. The cinematography is very good, as is the glorious attention to detail with the costumes and settings rich and authentic to behold. The last half hour demonstrates a degree of brutality that is very difficult to watch but somehow that, too, enhances the plausibility of this speculative depiction of events. The supporting cast of relatively unknown talent work well to generate a sense of the inevitability of the proceedings and John Debney's score is rousing and effective too. It does play a little bit fast and loose with the text of the bible, and the very graphic nature of the lives (and loves!) of some of the characters - and their flaws - is provocative and challenges the more traditional (i.e. Cecil B. de Mille) interpretations of this ultimate example of man's inhumanity to man. It is far too long, though. It really does take it's time to get going - perhaps expending a little too much effort on scenario development for subjects that most of us already know (regardless of our own personal faith). At times the direction is also a little bit heavy-handed. It forces us to accept the conclusions drawn by the screenplay, rather than allow us much scope to evaluate, even judge, the unfolding events for ourselves. That said, Gibson has not delivered anything elegiac here, he successfully offers us something illustrating the warts and all existence of biblical-time, Roman occupied, Judea and it is well worth a watch.

Sep 17, 2022
Wuchak
9.0

**_The Suffering of The Christ_** Helmed by Mel Gibson, “The Passion of the Christ” (2004) details the excruciating last 12 hours of the life of Jesus (Yeshua) Christ as detailed in the Bible, as well as various devotional writings. Jim Caviezel stars in the eponymous role and it’s hard to imagin ... e a more fitting person in the part. Also notable are Monica Bellucci as Mary Magdalene, Hristo Naumov Shopov as Pontius Pilate and Jarreth Merz as Simon of Cyrene. Obviously, this isn’t a fun movie. You have to be braced for it, as it’s shocking in a reverent way. This explains why one critic denounced it as "a two-hour-and-six-minute snuff movie." Nevertheless, it artistically brings to life that particular turning point in history and gives the viewer a great visual of what went down. Christ’s death appeased God’s just wrath in a substitutionary sense and opened the door to immortality and eternal life, as noted in Romans 6:23 and 2 Timothy 1:10. Research the evidence and decide for yourself whether this is historical fact or just myth. The film was shot entirely in Italy. GRADE: A

Apr 02, 2024