 
  Popularity: 2 (history)
| Director: | Henk Pretorius | 
|---|---|
| Writer: | Jennifer Nicole Stang, Henk Pretorius | 
| Staring: | 
| A British Army doctor comes back from a war, thinking that she has PTSD only to discover that there is a more daunting malevolence at work making the life that she knew unfamiliar. | |
| Release Date: | Aug 21, 2020 | 
|---|---|
| Director: | Henk Pretorius | 
| Writer: | Jennifer Nicole Stang, Henk Pretorius | 
| Genres: | Horror, Thriller | 
| Keywords | |
| Production Companies | Trigger Films, Dark Matter Studios, Onsight | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Aug 10, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Jemima West | Elizabeth (Izzy) Cormack | 
| Christopher Dane | Ethan Cormack | 
| Rebecca Hanssen | Emma Cormack | 
| Harry McMillan-Hunt | Tommy Cormack | 
| Rachel Lin | Auntie Mae | 
| Tori Butler-Hart | Kaimoni | 
| Guy Warren-Thomas | Hugh Turner | 
| Beatrice Woolrych | Lilly Cormack | 
| Ben Lee | Richard Turner | 
| Name | Job | 
|---|---|
| Tori Butler-Hart | Casting Director, Casting Coordinator | 
| Ben Lee | Art Direction | 
| Jennifer Nicole Stang | Writer | 
| Walter Mair | Original Music Composer | 
| Henk Pretorius | Director, Writer | 
| Jacques Jay Loots | Editor | 
| Gini Godwin | Production Design | 
| Matat Levin | Assistant Hairstylist | 
| Emma J. Slater | Makeup Designer, Hair Designer | 
| Tom Beacham | Second Assistant Director | 
| Marco Alonso Monedero | First Assistant Camera | 
| Ian Stowe | Gaffer | 
| Christine Alexander | Second Assistant Camera | 
| Max MacGechan | Second Assistant Camera | 
| Ritchie Beacham-Paterson | Special Effects Supervisor | 
| Ella Askew | Visual Effects Producer | 
| Olivia Celeste Barry | Assistant Sound Editor | 
| Patrick Singer | Foley Artist | 
| James Matthews | Foley Editor | 
| Michael Medhurst | Sound Designer | 
| Mark Davis | Sound Effects Editor | 
| Jonathan Smith | Sound Effects Editor | 
| Jim Petrak | Sound Re-Recording Mixer | 
| Jack Hawthorn | Graphic Designer | 
| Rebecca Timlett | Production Assistant | 
| Nicci Hindson | Animal Wrangler | 
| Alexander Jeremy | Chaperone | 
| Pete Wallington | Director of Photography | 
| Sophie Holland | Casting Director | 
| Lindsey Archer | Costume Design | 
| Russell MacLeod | Stunt Coordinator | 
| Diandra Ferreira | Makeup Artist | 
| Ty Hack | First Assistant Director | 
| Matthew Butler-Hart | Production Manager, Casting Coordinator | 
| Ioanna Trikerioti Chatziioannou | Electrician | 
| Jay Coates | First Assistant Camera | 
| Paul Mark Synnott | Key Grip | 
| Tanmoye Khan | Second Assistant Camera | 
| Zac Macaulay | Underwater Camera | 
| Charlotte Curran | Visual Effects Coordinator | 
| Adrian Furdui | ADR Mixer | 
| Marek Forreiter | Dialogue Editor | 
| Christopher Piggins | Foley Artist | 
| Simon Gershon | Sound Designer | 
| Alison Stevens | Sound Editor | 
| Thapelo Masedi | Sound Effects Editor | 
| Ben Carr | Sound Re-Recording Mixer | 
| Israel Holtzhausen | Concept Artist | 
| Barend Kruger | Production Accountant | 
| Mandy Bainbridge | Animal Wrangler | 
| Gary Hutchinson | Chaperone | 
| Janette Perme | Driver | 
| Agnieszka Kukułka | Special Effects Makeup Artist | 
| Andrew Richards | Second Assistant Director | 
| Joe Lovelock | Digital Imaging Technician | 
| Murat Akyildiz | First Assistant Camera | 
| Aubrey Pascoe | Key Grip | 
| Murat Ersahin | Second Assistant Camera | 
| Wihan Ellman | Still Photographer | 
| Matthew Strange | Special Effects Supervisor | 
| Grant Hewlett | Visual Effects Supervisor | 
| Rory Rea | Boom Operator | 
| Kristiana Udre | Foley Artist | 
| Stefania Fantini | Location Sound Mixer | 
| Tanay Nambiar | Sound Editor | 
| Thomas Holroyd | Sound Effects Editor | 
| Alyssa Ten Doeschate | Sound Effects Editor | 
| Nick Baldock | Supervising Sound Editor | 
| Daniela Brandano | Script Supervisor | 
| Dylan Rees | Production Coordinator | 
| Matthew Hunt | Chaperone | 
| Kate McMillan | Chaperone | 
| Name | Title | 
|---|---|
| Henk Pretorius | Executive Producer | 
| Gareth Jones | Executive Producer | 
| Barend Kruger | Producer | 
| Reinhard Besser | Executive Producer | 
| Walter Mair | Executive Producer | 
| Jennifer Nicole Stang | Associate Producer | 
| Llewelynn Greeff | Producer | 
| Ana Marina Smith-Suarez | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 11 | 18 | 6 | 
| 2024 | 5 | 12 | 22 | 7 | 
| 2024 | 6 | 12 | 30 | 5 | 
| 2024 | 7 | 13 | 17 | 8 | 
| 2024 | 8 | 9 | 15 | 6 | 
| 2024 | 9 | 9 | 12 | 5 | 
| 2024 | 10 | 8 | 14 | 5 | 
| 2024 | 11 | 8 | 14 | 5 | 
| 2024 | 12 | 8 | 13 | 5 | 
| 2025 | 1 | 8 | 11 | 6 | 
| 2025 | 2 | 6 | 10 | 3 | 
| 2025 | 3 | 4 | 9 | 1 | 
| 2025 | 4 | 1 | 1 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 1 | 1 | 0 | 
| 2025 | 9 | 1 | 1 | 0 | 
| 2025 | 10 | 1 | 2 | 1 | 
Trending Position
**Could have been good, if it weren't so mediocre.** I've always liked horror movies, but the truth is horror doesn't work in this movie. It's not a scary movie or even original or striking. It starts well, develops pleasantly, there is a sense of paranoia that makes you really doubt whether that ... woman is sane, or wonder what happened to her in the war. However, halfway through, the film ends up being completely ruined thanks to an absurd anecdote about the exchange of souls, as if human bodies were clothes to wear. I don't really feel like talking too much about the plot. Suffice it, perhaps, to say that it all begins with the return of a military doctor who has been in the East, and who returns home, where her husband is a university researcher who specializes in Polynesian traditions and folklore. However, she begins to feel bad, as if there is an oppressive force there. None of this is original, we've seen a lot of films that start from these same premises and that developed much more effectively. Taking into account the weaknesses of the plot and the poor direction of Henk Pretorius, I think it is wrong to ask too much of the actors. They did what they could with what they were given to work with, and there is a very commendable effort on the part of the cast to raise the bar for the film and make something worthwhile. Unfortunately, you can't make omelettes without eggs, and all the effort came up against horrible dialogue and situations. Jemima West deserves praise for her work, as does young Harlym McMillan-Hunt. Christopher Dane and Rebecca Hansen didn't do a bad job either. Technically, it is a relatively mediocre film, without great reasons of merit. There are some good visual and special effects, and the first part of the film works very well in terms of building and managing the atmosphere and suspense. But that's just it.