Popularity: 2 (history)
Director: | Jim Capobianco, Pierre-Luc Granjon |
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Writer: | Jim Capobianco |
Staring: |
The insatiably curious and headstrong inventor Leonardo da Vinci leaves Italy to join the French court, where he can experiment freely, inventing flying contraptions, incredible machines, and study the human body. There, joined in his adventure by the audacious princess Marguerite, Leonardo will uncover the answer to the ultimate question – "What is the meaning of it all?" | |
Release Date: | Sep 15, 2023 |
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Director: | Jim Capobianco, Pierre-Luc Granjon |
Writer: | Jim Capobianco |
Genres: | Animation, Family, Drama, History |
Keywords | inventor, leonardo da vinci, stop motion, historical fiction |
Production Companies | Foliascope, The Exchange, Tip-Top Productions, Blue Fox Entertainment, Leo & King, SIE Films, Moo Studios, Carte Blanche, Curiosity Studio, Aerial Contrivance Workshop, Slated, Former Prodigy Media, Leveller Media, Curiosity Rights |
Box Office |
Revenue: $2,037,563
Budget: $10,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Stephen Fry | Leonardo da Vinci (voice) |
Daisy Ridley | Princess Marguerite (voice) |
Marion Cotillard | Louise de Savoy (voice) |
Matt Berry | Pope Leo XI (voice) |
Natalie Palamides | Pierre Nepveu / Antonio de Beatis (voice) |
Jim Capobianco | Cardinal of Aragon (voice) |
Ben Stranahan | Page (voice) |
Jane Osborn | Gravedigger Jane (voice) |
Gauthier Battoue | Francis I of France (voice) |
John Gilkey | Gravedigger John / Giuliano (voice) |
Max Baumgarten | Il Boccador / King Charles of Spain (voice) |
Daniel Swan | King Henry the VIII (voice) |
Angelino Sandri | Francesco Melzi (voice) |
Name | Job |
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Jim Capobianco | Writer, Director |
Tomm Moore | Animation |
Marion Cotillard | Songs |
Daisy Ridley | Songs |
Peter Sorg | Cinematography |
Tatiana Moniz | Story Artist, Storyboard Artist |
Alex Mandel | Music |
Kat Alioshin | Line Producer |
Roger Goff | Legal Services |
Marijke Van Kets | Director of Photography |
Samuel Ribeyron | Production Design |
Christophe Felix | Production Manager |
Lou Bonelli | Costumer |
Krystina Vorobyeva | Costumer |
Jamie Baker | Storyboard Artist |
Camille Besnard | Set Painter |
Virginie Dollat | Set Painter |
Nicola Sammarco | Storyboard Artist |
Pauline Valls | Costume Design |
Aubin Feroussier | Production Manager |
Clotilde Laude | Costumer |
Quentin Zahaf | Costumer |
Morgane Baux | Set Painter |
Claire Bochet | Set Painter |
Sarah Leuver | Storyboard Artist |
Nate Stanton | Storyboard Artist |
Arna Selznick | Storyboard Artist |
Pierre-Luc Granjon | Director |
James S. Baker | Additional Storyboarding |
Name | Title |
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Jim Capobianco | Producer |
Robert Rippberger | Producer |
Don Hahn | Executive Producer |
Rob McGillivray | Executive Producer |
Adrian Politowski | Producer |
Steve Muench | Executive Producer |
Jeremy Walton | Executive Producer |
Dave Lugo | Executive Producer |
William Nix | Executive Producer |
Kat Alioshin | Executive Producer |
Jay Burnley | Executive Producer |
Chris Capobianco | Executive Producer |
Raymond Fino | Executive Producer |
Christopher Massimine | Executive Producer |
Vince McCarthy | Co-Producer |
Habib Paracha | Executive Producer |
Jarnell Stokes | Executive Producer |
Carmella Casinelli | Executive Producer |
Sita Saviolo | Executive Producer |
Lorenz Evans | Executive Producer |
Ilan Urroz | Executive Producer |
Jacob Michael Silva | Co-Executive Producer |
Wes Hull | Executive Producer |
David Lyons | Executive Producer |
Joshua A. Bevan | Co-Executive Producer |
Ellen Byrne | Co-Producer |
Ryan Clarkson | Executive Producer |
Nicolas Flory | Executive Producer |
Keanu Mayo | Executive Producer |
Raymond Sandra | Executive Producer |
Ben Stranahan | Executive Producer |
Chelsea Tieu | Executive Producer |
Eric Vonfeldt | Executive Producer |
Katherine Waddell | Executive Producer |
Kyle Stroud | Executive Producer |
Phil Viardo | Executive Producer |
Neuman Vong | Executive Producer |
J.D. Zacharias | Executive Producer |
Chris Ihlenfeldt | Co-Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 54 | 82 | 40 |
2024 | 5 | 42 | 69 | 27 |
2024 | 6 | 46 | 74 | 26 |
2024 | 7 | 35 | 46 | 25 |
2024 | 8 | 29 | 41 | 20 |
2024 | 9 | 23 | 33 | 16 |
2024 | 10 | 21 | 33 | 14 |
2024 | 11 | 18 | 26 | 10 |
2024 | 12 | 15 | 23 | 10 |
2025 | 1 | 17 | 33 | 9 |
2025 | 2 | 8 | 14 | 1 |
2025 | 3 | 4 | 13 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 2 | 3 | 1 |
2025 | 6 | 1 | 3 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 1 | 2 | 0 |
2025 | 10 | 2 | 3 | 1 |
Trending Position
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/the-inventor-review-too-generic-yet-still-satisfying/ "The Inventor cannot escape its script's creative limitations and generic messages, but it remains a somewhat interesting viewing, full of humorous moments and pure audiovisual beauty. The f ... antastic stop-motion animation stands out, but the 2D sequences are just as, if not more, captivating. Alex Mandel's score is crucial to the film's entertainment levels, along with the vocal performances of the cast, especially Stephen Fry as Leonardo da Vinci. Apart from a few more sound mixing problems, Jim Capobianco doesn't disappoint, but I'll be waiting for a deeper, more memorable sophomore feature film." Rating: B-
I was quite nervous at the start here when I saw how many production companies were involved - it looked like a recipe for a mess. Well it isn't. It's certainly an amalgam of animated styles featuring everything from flat 2-D drawing to complex technical sketching and some stop-motion characterisati ... ons that really worked quite quirkily. It's the briefest of potted histories of the life of Leonardo da Vinci. We start in Rome where his sponsor - Cardinal de Medici - is constantly firefighting for him with Pope Leo X who wants him to do something a little more useful, and not dissect dead bodies in the middle of the night! It's that latter habit that sees him flee to the relative safety of King Francis I of France. The King wants the maestro to build him a castle, or a new city, or some fancy weapons - or probably all of the above. Leonardo doesn't really react well to commissions though, and soon his new benefactor is also beginning to lose his patience. Luckily, he has the princess Marguerite in his corner, and gradually the grudging support of their mother, the Queen. It can look a bit disjointed at times, the art is frequently quite contrasting - but that just makes the whole proposition a little more interesting and innovative. The drawings reminded me a little of the opening titles to Tom Riley's "Da Vinci's Demons" television drama - and the narrative emphasises quite engagingly the visionary nature of a man who quite literally walked a fine line between science, religion and a bonfire! It's probably twenty minutes too long, but once we get going there is plenty of imaginative action to keep it watchable.