Popularity: 4 (history)
| Director: | Robert King |
|---|---|
| Writer: | Robert King, Holly Goldberg Sloan |
| Staring: |
| Bob "Bungler" Bugler is the celestial coach called in to assist struggling pitcher Eddie Everett. Laurel finds her prayers answered when a flock of outrageous angelic teammates crash her father's roster for what may be their best season yet. | |
| Release Date: | Apr 09, 2000 |
|---|---|
| Director: | Robert King |
| Writer: | Robert King, Holly Goldberg Sloan |
| Genres: | Comedy, Fantasy, TV Movie |
| Keywords | angel, baseball |
| Production Companies | |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 03, 2024 Entered: Apr 20, 2024 |
| Name | Character |
|---|---|
| Patrick Warburton | Eddie "Steady" Everett |
| Britt Irvin | Laurel Everett |
| Kurt Fuller | Simon |
| Rebecca Jenkins | Claire Everett |
| Duane Davis | Randy Fleck |
| Beau Starr | Gus Keeler |
| Colin Fox | Il diavolo |
| Peter Keleghan | Dexter Deekin |
| Dan Duran | Rex Lombard |
| David Alan Grier | Bob Bugler |
| Leif Anderson | Student |
| Joanne Boland | Pretty Baseball Groupie |
| Joe Bostick | Soren Fishigf-Jist |
| Tannis Burnett | Dejected Fan |
| Laura Catalano | Ballet Teacher |
| Rufus Crawford | Assistant Manager |
| Shane Daly | Indians Base Chaser |
| Adam David | Jay Snodgrass |
| Neil Girvan | Angel Catcher |
| Miku Graham | Celine Dion Wannabe |
| Tamara Hickey | Pretty Elevator Woman |
| Kyle Kass | Piano Playing Kid |
| Giulio Kukurugya | St. Peter |
| Hannah Lochner | Young Laurel |
| Paul A. MacFarlane | Babe Ruth |
| Jamie McRoberts | Opera Singing Kid |
| Brian Paul | Umpire |
| Jeanette Roxborough | Lily Hart |
| Peter Simtic | Jacob |
| Rachel Skarsten | Brigitte |
| David Sparrow | Taxi Driver |
| David Talbot | Valet |
| Wayne Ward | Male Ballet Dancer |
| Scotty Watson | Hot Dog Vendor |
| Rudy Webb | Usher |
| Name | Job |
|---|---|
| Ira Newborn | Original Music Composer |
| Robert King | Teleplay, Director, Story |
| Branko Racki | Stunt Coordinator |
| Dennis Davenport | Production Design |
| Corky Ehlers | Editor |
| James Gardner | Director of Photography |
| Garrett K. Schiff | Teleplay |
| Holly Goldberg Sloan | Story |
| Gary M. Zuckerbrod | Casting |
| Stephanie Gorin | Casting |
| Deb LeFaive | Unit Production Manager |
| Wendy Ord | First Assistant Director |
| Derby Crewe | Second Assistant Director |
| Gord Sim | Set Decoration |
| Dan Bezaire | Property Master |
| Daniela Saioni | Script Supervisor |
| Jocelyn Snowden | Choreographer |
| Alexandra MacKenzie Carter | Production Coordinator |
| Sherry McMorran | Costume Designer |
| Marlene Schneider | Makeup Artist |
| Mary-Lou Green-Benvenuti | Hairstylist |
| Derek Brady | Location Manager |
| Stuart French | Production Sound Mixer |
| Name | Title |
|---|---|
| Fitch Cady | Producer |
| Roger Birnbaum | Executive Producer |
| Deb LeFaive | Co-Producer |
| Gary Stutman | Co-Producer |
| Irby Smith | Co-Producer |
| Holly Goldberg Sloan | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 4 | 7 | 3 |
| 2024 | 5 | 5 | 9 | 3 |
| 2024 | 6 | 5 | 13 | 2 |
| 2024 | 7 | 6 | 11 | 2 |
| 2024 | 8 | 4 | 10 | 2 |
| 2024 | 9 | 2 | 3 | 1 |
| 2024 | 10 | 4 | 11 | 1 |
| 2024 | 11 | 2 | 5 | 1 |
| 2024 | 12 | 3 | 5 | 2 |
| 2025 | 1 | 3 | 7 | 1 |
| 2025 | 2 | 2 | 3 | 1 |
| 2025 | 3 | 2 | 3 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 4 | 2 |
Trending Position
Worst of this Disney trilogy. <em>'Angels in the Infield'</em> is an even slower watch than <em>'Angels in the Endzone'</em>, as the gap grows from 1994's <em>'Angels in the Outfield'</em>. I didn't enjoy this, it's a bland and predictable 87 minutes unfortunately. There is one thing I did pre ... fer in this follow-up than in the other sequel, and that's the cast. Patrick Warburton (Eddie), David Alan Grier (Bob) and Kurt Fuller (Simon) are a marked improvement on the 1997 production. I've seen all three in other things which helps, but they are better than Jack Coleman & Co. - despite not doing anything spectacular. Elsewhere, Christopher Lloyd doesn't even show up in this one; to little surprise. The onscreen talent is the only positive thing to note, and it's only a relative one at that. It has a number of negatives, the main one being that it yet again fails to mix up the central premise - the sport stuff is as it is in the other two films, they could've at least switched it up a tad. Another downside is the plot that surrounds the baseball (which they revert back to, btw), it has some heart between Eddie and his daughter, Laurel (Britt Irvin), but it's a plain and obvious storyline that needed more development. It still isn't anything horrific, thanks to the cast and the (minorly) hearty narrative, but that's not to say it's a film worth watching... I certainly wouldn't recommend it.