 
  Popularity: 10 (history)
| Director: | Brian De Palma | 
|---|---|
| Writer: | Stephen King, Lawrence D. Cohen | 
| Staring: | 
| Withdrawn and sensitive teen Carrie White faces taunting from classmates at school and abuse from her fanatically pious mother. When strange occurrences start happening around Carrie, she begins to suspect that she has supernatural powers. | |
| Release Date: | Nov 03, 1976 | 
|---|---|
| Director: | Brian De Palma | 
| Writer: | Stephen King, Lawrence D. Cohen | 
| Genres: | Horror, Thriller | 
| Keywords | child abuse, based on novel or book, cemetery, isolation, stage, bible, telekinesis, high school, revenge, unrequited love, prom, teacher, teenage girl, school, religion, cruelty, rage, humiliation, crucifix, praying, outsider, taunting, hostile, abusive mother, firestorm, religious horror, mother daughter relationship, supernatural horror, school bullying, suspenseful, horrified, tragic, teen scream | 
| Production Companies | United Artists | 
| Box Office | Revenue: $33,800,000 Budget: $1,800,000 | 
| Updates | Updated: Jul 30, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Sissy Spacek | Carrie | 
| Piper Laurie | Margaret White | 
| Amy Irving | Sue Snell | 
| William Katt | Tommy Ross | 
| John Travolta | Billy Nolan | 
| Nancy Allen | Chris Hargenson | 
| Betty Buckley | Miss Collins | 
| P. J. Soles | Norma | 
| Priscilla Pointer | Mrs. Snell | 
| Sydney Lassick | Mr. Fromm | 
| Stefan Gierasch | Mr. Morton | 
| Michael Talbott | Freddy | 
| Doug Cox | The Beak | 
| Harry Gold | George | 
| Noelle North | Frieda | 
| Cindy Daly | Cora | 
| Deirdre Berthrong | Rhonda | 
| Anson Downes | Ernest | 
| Rory Stevens | Kenny | 
| Edie McClurg | Helen | 
| Cameron De Palma | Boy on Bicycle | 
| Sharon Benson | Ruth Gogan (uncredited) | 
| Terry Bolo | Trudy Bourne (uncredited) | 
| Jean Glaudé | Afro Guy (uncredited) | 
| Katie Irving | Katie O'Shea / The Balladeer (uncredited) | 
| Cynthia Schuler Larsen | Alice Litten (uncredited) | 
| Dan Protheroe | Bassist - Vance or Towers (prom band) (uncredited) | 
| James Saad | Drummer & Percussionist - Vance or Towers (prom band) (uncredited) | 
| Janie Squire | Julia McDermitt (uncredited) | 
| Mike Towers | Vance or Towers (prom band) (uncredited) | 
| Glen Vance | Vance or Towers (prom band) (uncredited) | 
| Name | Job | 
|---|---|
| Pino Donaggio | Original Music Composer | 
| Stephen King | Novel | 
| Paul Hirsch | Editor | 
| Rosanna Norton | Costume Design | 
| Jack Fisk | Art Direction | 
| Robert Gould | Set Decoration | 
| Mary Peters | Stunts | 
| Dick Ziker | Second Unit Director, Stunt Coordinator | 
| David Rust | Boom Operator | 
| Lawrence D. Cohen | Screenplay | 
| Harriet B. Helberg | Casting | 
| Bill Kenney | Art Direction | 
| Wes Dawn | Makeup Artist | 
| Adele Taylor | Hairstylist | 
| Greg Auer | Special Effects | 
| Dan Sable | Sound Editor | 
| Bert Hallberg | Sound mixer | 
| Joel King | Camera Operator | 
| Dave Friedman | Still Photographer | 
| Wynn Hammer | Still Photographer | 
| Hannah Scheel | Script Supervisor | 
| Michael Arciaga | Music Supervisor | 
| Gary Seybert | Property Master | 
| Donald Heitzer | First Assistant Director | 
| Bill Scott | Second Assistant Director | 
| Ken Patterson | Painter | 
| Lois Freeman | Assistant Sound Editor | 
| James Dyer | Best Boy Grip | 
| Ken Miller | Dolly Grip | 
| Joe Pender | Gaffer | 
| Dustin Blauvelt | First Assistant Camera | 
| Joseph Cosko Jr. | Second Assistant Camera | 
| Gene Griffith | Key Grip | 
| Agnes Lyon | Costumer | 
| Michael Kirchberger | Assistant Editor | 
| Patricia Heade | Production Secretary | 
| Glory Fioramonti | Stunts | 
| Janet Brady | Stunts | 
| Mags Kavanaugh | Stunt Double | 
| Brian De Palma | Director | 
| Mario Tosi | Director of Photography | 
| Name | Title | 
|---|---|
| Paul Monash | Producer | 
| Louis A. Stroller | Associate Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 71 | 124 | 39 | 
| 2024 | 5 | 99 | 145 | 74 | 
| 2024 | 6 | 69 | 93 | 32 | 
| 2024 | 7 | 46 | 69 | 30 | 
| 2024 | 8 | 36 | 69 | 25 | 
| 2024 | 9 | 28 | 37 | 23 | 
| 2024 | 10 | 53 | 87 | 23 | 
| 2024 | 11 | 43 | 77 | 25 | 
| 2024 | 12 | 31 | 47 | 23 | 
| 2025 | 1 | 36 | 69 | 23 | 
| 2025 | 2 | 22 | 41 | 5 | 
| 2025 | 3 | 11 | 40 | 3 | 
| 2025 | 4 | 6 | 12 | 4 | 
| 2025 | 5 | 6 | 15 | 4 | 
| 2025 | 6 | 6 | 10 | 4 | 
| 2025 | 7 | 5 | 7 | 4 | 
| 2025 | 8 | 5 | 7 | 4 | 
| 2025 | 9 | 6 | 7 | 5 | 
| 2025 | 10 | 9 | 10 | 7 | 
Trending Position
| Year | Month | High | Avg | 
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| 2025 | 10 | 154 | 519 | 
| Year | Month | High | Avg | 
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| 2025 | 9 | 187 | 548 | 
| Year | Month | High | Avg | 
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| 2025 | 8 | 134 | 643 | 
| Year | Month | High | Avg | 
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| 2025 | 7 | 217 | 663 | 
| Year | Month | High | Avg | 
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| 2025 | 6 | 251 | 664 | 
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| 2025 | 5 | 228 | 630 | 
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| 2025 | 4 | 249 | 686 | 
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| 2025 | 3 | 196 | 698 | 
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| 2025 | 2 | 276 | 734 | 
| Year | Month | High | Avg | 
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| 2025 | 1 | 278 | 647 | 
| Year | Month | High | Avg | 
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| 2024 | 12 | 548 | 821 | 
| Year | Month | High | Avg | 
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| 2024 | 11 | 207 | 606 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 10 | 124 | 366 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 9 | 311 | 623 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 8 | 435 | 749 | 
Carrie had been included on a list of great films to which my mother had taken my older brother and me to see upon their theatrical releases decades ago. And the memories of that long ago time will forever remain with me. Back when the Chicago Theater had still been a movie house, Carrie was the fir ... st film that my family and I had gone out on our weekly "Movie Date Night" to see. Good times. Gooood times. Carrie is an undisputed horror masterpiece. I still...get chills.
Sissy Spacek is really good in this as the socially inept, psychologically tortured, girl living in the shadow of her overbearingly Christian mother, with few friends and some remarkable telekinetic powers. What ensues is a complex, at times convoluted, angst-ridden horror film that sees the best an ... d worst of human nature - of all ages - depicted, as thoughtless pranks and humiliation become the order of the day with some chilling consequences. Piper Laurie is superb as the zealot mother, as is John Travolta as the odious "Billy" and the combination of Brian de Palma and Stephen King make for a compelling, multi-layered critique on many different aspects of intimidation, bullying as well as adding some genuinely scary moments too!
Brian De Palma's Carrie (1976) remains an iconic adaptation of Stephen King's novel, blending psychological horror with deeply human themes of alienation and vengeance. The film’s portrayal of high school life, social cruelty, and supernatural terror is deeply affecting, resonating with audiences ev ... en decades later. From its infamous opening locker room scene to the chaotic prom climax, De Palma's direction demonstrates a masterful control of mood and pacing. The visual style, characterized by long takes, slow motion, and the daring use of split-screen during the prom sequence, creates a cinematic experience that is both intimate and expansive. These techniques pull viewers into Carrie’s inner world while amplifying the horror of her ultimate revenge. The production itself is a marvel for its time, achieving a balance between the surreal and the real. The careful choreography of the prom scene, where chaos is unleashed in a ballet of destruction, reflects De Palma’s meticulous eye for detail and his ability to innovate under pressure. It’s worth noting that some of the film's most memorable sequences, like the split-screen prom massacre, arose out of budgetary constraints—proving De Palma's ability to turn limitations into creative triumphs. The performances elevate the material further, with Sissy Spacek's portrayal of Carrie standing out as both vulnerable and haunting. The supporting cast effectively embodies the oppressive social dynamics of high school, creating a believable and suffocating environment for the protagonist. Understanding De Palma’s personal history adds another layer to the film’s intensity. His exposure to the visceral realities of his father’s work as a surgeon shaped his comfort with the graphic and the grotesque, evident in the film’s bloody moments. Additionally, De Palma's own experience trailing his father to uncover an affair—an event he later described as formative—infuses his work with themes of voyeurism, psychological tension, and human frailty. These personal elements lend Carrie a raw authenticity that transcends its horror genre trappings. Despite the controversy surrounding its explicit content, Carrie avoids gratuity in favor of storytelling. De Palma’s bold choices underscore the film’s central themes rather than overshadow them, making it as much a character study as a tale of terror. The film's success helped cement his reputation as a provocative yet deeply skilled filmmaker, unafraid to explore the darker corners of human experience. Revisiting Carrie highlights why it remains a classic. Its blend of compelling performances, innovative cinematography, and psychological depth sets it apart not only from other adaptations of King’s novel but also from modern horror films attempting similar themes. De Palma’s ability to channel his personal experiences into his art gives Carrie an emotional resonance and cinematic flair that continues to captivate audiences.