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Carrie

If you've got a taste for terror… take Carrie to the prom.
1976 | 98m | English

(222897 votes)

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Popularity: 10 (history)

Details

Withdrawn and sensitive teen Carrie White faces taunting from classmates at school and abuse from her fanatically pious mother. When strange occurrences start happening around Carrie, she begins to suspect that she has supernatural powers.
Release Date: Nov 03, 1976
Director: Brian De Palma
Writer: Stephen King, Lawrence D. Cohen
Genres: Horror, Thriller
Keywords child abuse, based on novel or book, cemetery, isolation, stage, bible, telekinesis, high school, revenge, unrequited love, prom, teacher, teenage girl, school, religion, cruelty, rage, humiliation, crucifix, praying, outsider, taunting, hostile, abusive mother, firestorm, religious horror, mother daughter relationship, supernatural horror, school bullying, suspenseful, horrified, tragic, teen scream
Production Companies United Artists
Box Office Revenue: $33,800,000
Budget: $1,800,000
Updates Updated: Jul 30, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Sissy Spacek Carrie
Piper Laurie Margaret White
Amy Irving Sue Snell
William Katt Tommy Ross
John Travolta Billy Nolan
Nancy Allen Chris Hargenson
Betty Buckley Miss Collins
P. J. Soles Norma
Priscilla Pointer Mrs. Snell
Sydney Lassick Mr. Fromm
Stefan Gierasch Mr. Morton
Michael Talbott Freddy
Doug Cox The Beak
Harry Gold George
Noelle North Frieda
Cindy Daly Cora
Deirdre Berthrong Rhonda
Anson Downes Ernest
Rory Stevens Kenny
Edie McClurg Helen
Cameron De Palma Boy on Bicycle
Sharon Benson Ruth Gogan (uncredited)
Terry Bolo Trudy Bourne (uncredited)
Jean Glaudé Afro Guy (uncredited)
Katie Irving Katie O'Shea / The Balladeer (uncredited)
Cynthia Schuler Larsen Alice Litten (uncredited)
Dan Protheroe Bassist - Vance or Towers (prom band) (uncredited)
James Saad Drummer & Percussionist - Vance or Towers (prom band) (uncredited)
Janie Squire Julia McDermitt (uncredited)
Mike Towers Vance or Towers (prom band) (uncredited)
Glen Vance Vance or Towers (prom band) (uncredited)
Name Job
Pino Donaggio Original Music Composer
Stephen King Novel
Paul Hirsch Editor
Rosanna Norton Costume Design
Jack Fisk Art Direction
Robert Gould Set Decoration
Mary Peters Stunts
Dick Ziker Second Unit Director, Stunt Coordinator
David Rust Boom Operator
Lawrence D. Cohen Screenplay
Harriet B. Helberg Casting
Bill Kenney Art Direction
Wes Dawn Makeup Artist
Adele Taylor Hairstylist
Greg Auer Special Effects
Dan Sable Sound Editor
Bert Hallberg Sound mixer
Joel King Camera Operator
Dave Friedman Still Photographer
Wynn Hammer Still Photographer
Hannah Scheel Script Supervisor
Michael Arciaga Music Supervisor
Gary Seybert Property Master
Donald Heitzer First Assistant Director
Bill Scott Second Assistant Director
Ken Patterson Painter
Lois Freeman Assistant Sound Editor
James Dyer Best Boy Grip
Ken Miller Dolly Grip
Joe Pender Gaffer
Dustin Blauvelt First Assistant Camera
Joseph Cosko Jr. Second Assistant Camera
Gene Griffith Key Grip
Agnes Lyon Costumer
Michael Kirchberger Assistant Editor
Patricia Heade Production Secretary
Glory Fioramonti Stunts
Janet Brady Stunts
Mags Kavanaugh Stunt Double
Brian De Palma Director
Mario Tosi Director of Photography
Name Title
Paul Monash Producer
Louis A. Stroller Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 71 124 39
2024 5 99 145 74
2024 6 69 93 32
2024 7 46 69 30
2024 8 36 69 25
2024 9 28 37 23
2024 10 53 87 23
2024 11 43 77 25
2024 12 31 47 23
2025 1 36 69 23
2025 2 22 41 5
2025 3 11 40 3
2025 4 6 12 4
2025 5 6 15 4
2025 6 6 10 4
2025 7 5 7 4
2025 8 5 7 4
2025 9 6 7 5
2025 10 9 10 7

Trending Position


Year Month High Avg
2025 10 154 519
Year Month High Avg
2025 9 187 548
Year Month High Avg
2025 8 134 643
Year Month High Avg
2025 7 217 663
Year Month High Avg
2025 6 251 664
Year Month High Avg
2025 5 228 630
Year Month High Avg
2025 4 249 686
Year Month High Avg
2025 3 196 698
Year Month High Avg
2025 2 276 734
Year Month High Avg
2025 1 278 647
Year Month High Avg
2024 12 548 821
Year Month High Avg
2024 11 207 606
Year Month High Avg
2024 10 124 366
Year Month High Avg
2024 9 311 623
Year Month High Avg
2024 8 435 749

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Reviews

CatEllington
N/A

Carrie had been included on a list of great films to which my mother had taken my older brother and me to see upon their theatrical releases decades ago. And the memories of that long ago time will forever remain with me. Back when the Chicago Theater had still been a movie house, Carrie was the fir ... st film that my family and I had gone out on our weekly "Movie Date Night" to see. Good times. Gooood times. Carrie is an undisputed horror masterpiece. I still...get chills.

Jun 23, 2021
Geronimo1967
7.0

Sissy Spacek is really good in this as the socially inept, psychologically tortured, girl living in the shadow of her overbearingly Christian mother, with few friends and some remarkable telekinetic powers. What ensues is a complex, at times convoluted, angst-ridden horror film that sees the best an ... d worst of human nature - of all ages - depicted, as thoughtless pranks and humiliation become the order of the day with some chilling consequences. Piper Laurie is superb as the zealot mother, as is John Travolta as the odious "Billy" and the combination of Brian de Palma and Stephen King make for a compelling, multi-layered critique on many different aspects of intimidation, bullying as well as adding some genuinely scary moments too!

Jun 03, 2023
RalphRahal
8.0

Brian De Palma's Carrie (1976) remains an iconic adaptation of Stephen King's novel, blending psychological horror with deeply human themes of alienation and vengeance. The film’s portrayal of high school life, social cruelty, and supernatural terror is deeply affecting, resonating with audiences ev ... en decades later. From its infamous opening locker room scene to the chaotic prom climax, De Palma's direction demonstrates a masterful control of mood and pacing. The visual style, characterized by long takes, slow motion, and the daring use of split-screen during the prom sequence, creates a cinematic experience that is both intimate and expansive. These techniques pull viewers into Carrie’s inner world while amplifying the horror of her ultimate revenge. The production itself is a marvel for its time, achieving a balance between the surreal and the real. The careful choreography of the prom scene, where chaos is unleashed in a ballet of destruction, reflects De Palma’s meticulous eye for detail and his ability to innovate under pressure. It’s worth noting that some of the film's most memorable sequences, like the split-screen prom massacre, arose out of budgetary constraints—proving De Palma's ability to turn limitations into creative triumphs. The performances elevate the material further, with Sissy Spacek's portrayal of Carrie standing out as both vulnerable and haunting. The supporting cast effectively embodies the oppressive social dynamics of high school, creating a believable and suffocating environment for the protagonist. Understanding De Palma’s personal history adds another layer to the film’s intensity. His exposure to the visceral realities of his father’s work as a surgeon shaped his comfort with the graphic and the grotesque, evident in the film’s bloody moments. Additionally, De Palma's own experience trailing his father to uncover an affair—an event he later described as formative—infuses his work with themes of voyeurism, psychological tension, and human frailty. These personal elements lend Carrie a raw authenticity that transcends its horror genre trappings. Despite the controversy surrounding its explicit content, Carrie avoids gratuity in favor of storytelling. De Palma’s bold choices underscore the film’s central themes rather than overshadow them, making it as much a character study as a tale of terror. The film's success helped cement his reputation as a provocative yet deeply skilled filmmaker, unafraid to explore the darker corners of human experience. Revisiting Carrie highlights why it remains a classic. Its blend of compelling performances, innovative cinematography, and psychological depth sets it apart not only from other adaptations of King’s novel but also from modern horror films attempting similar themes. De Palma’s ability to channel his personal experiences into his art gives Carrie an emotional resonance and cinematic flair that continues to captivate audiences.

Dec 16, 2024