 
  Popularity: 10 (history)
| Director: | Guy Ritchie | 
|---|---|
| Writer: | Guy Ritchie, Ivan Atkinson, Marn Davies | 
| Staring: | 
| Special agent Orson Fortune and his team of operatives recruit one of Hollywood's biggest movie stars to help them on an undercover mission when the sale of a deadly new weapons technology threatens to disrupt the world order. | |
| Release Date: | Jan 04, 2023 | 
|---|---|
| Director: | Guy Ritchie | 
| Writer: | Guy Ritchie, Ivan Atkinson, Marn Davies | 
| Genres: | Comedy, Action, Thriller | 
| Keywords | london, england, spy, madrid, spain, martial arts, showdown, secret agent, espionage, shootout, cannes, france | 
| Production Companies | Miramax, Toff Guy Films, STXfilms, AZ Celtic Films | 
| Box Office | Revenue: $48,983,306 Budget: $50,000,000 | 
| Updates | Updated: Oct 17, 2025 Entered: Apr 13, 2024 | 
| Name | Job | 
|---|---|
| Guy Ritchie | Writer, Director | 
| Tina Kalivas | Costume Design | 
| Alan Stewart | Director of Photography | 
| James Herbert | Editor | 
| Michal Křeček | VFX Supervisor | 
| Ivan Atkinson | Writer | 
| Marn Davies | Writer | 
| Dan Hubbard | Casting | 
| Chris Benstead | Original Music Composer | 
| Michael Střecha | 2D Artist | 
| Adam Kiani | Stunts | 
| Sonny Louis | Stunts | 
| Mark Mottram | Stunt Coordinator | 
| James Pavey | Stunts | 
| Tom Rodgers | Stunt Double | 
| Anton Simpson-Tidy | Fight Choreographer | 
| Vincent Wang | Fight Choreographer | 
| Peter Doyle | Colorist | 
| Sonu Louis | Stunts | 
| Michael Pearce | Dailies Operator | 
| Peter Palarik | 2D Artist | 
| Alan Perrin | Drone Pilot | 
| Chris Plevin | "A" Camera Operator | 
| Elliot Purvis | First Assistant "C" Camera, Second Assistant "A" Camera | 
| Adam Faux | Art Direction | 
| Chloe Kletsa | Art Direction | 
| Deniz Göktürk Kobanbay | Supervising Art Director | 
| Neil Floyd | Set Decoration | 
| Gary Dodkin | Production Sound Mixer | 
| Hasan Sayin | Boom Operator | 
| Mike March | Special Effects Technician | 
| Jirí Linhart | Visual Effects Supervisor | 
| Cecilie Aadnevik | Makeup & Hair | 
| Selin Togay Milovanoviç | Set Costumer | 
| Hilal Sezer | Costume Supervisor | 
| James Boyle | Sound Designer | 
| Ben Chick | Sound Effects Editor | 
| Dominic Gibbs | Supervising Sound Editor | 
| George Lee | Sound Effects Editor | 
| Kevin Penney | Sound Effects Editor | 
| Adam Scrivener | Sound Re-Recording Mixer | 
| Mark Taylor | Sound Re-Recording Mixer | 
| Serda Ceren Sagbas | Set Dresser | 
| Batuhan Özbulut | Assistant Art Director | 
| Melisa İnci | Assistant Art Director | 
| Eylül Erbil | Assistant Art Director | 
| Ayla Yildirim | Set Dresser | 
| Aytug Dereli | Assistant Art Director | 
| Ezgi Aydin | Assistant Art Director | 
| Nigel Evans | Supervising Art Director | 
| Roman Bazyuchenko | Visual Effects Supervisor | 
| Lukas Keclik | Visual Effects Producer | 
| Luka Leskovšek | Visual Effects Supervisor | 
| Kamila Ostra | Visual Effects Producer | 
| Andraz Sedmak | Visual Effects Producer | 
| Dariya Yaschenko | Visual Effects Producer | 
| Samantha Waite | Line Producer | 
| Martyn John | Production Design | 
| Erim Gayretli | Art Direction | 
| Sedef Ramazanogullari | Set Decoration | 
| Engin Dursun | Hairstylist | 
| Chloe Gibbs | Makeup Trainee | 
| Marese Langan | Makeup Designer, Hair Designer | 
| Denise Stocker | Key Hair Stylist, Key Makeup Artist | 
| Sirvan Avci | Production Supervisor | 
| Siobhan Boyes | Post Production Supervisor | 
| Yilmaz Ilban | Assistant Unit Manager | 
| Jason Kirk | Production Supervisor | 
| Paul McAnearney | Production Supervisor | 
| Monique Mussell | Unit Production Manager | 
| Aytek Ogreten | Unit Manager | 
| Inanc Telci | Unit Production Manager | 
| Bill Wohlken | Executive In Charge Of Post Production | 
| Tolga Çaglar | Production Assistant | 
| Hasret Arpaci | Second Assistant Director | 
| Paul Bennett | Second Assistant Director | 
| Buse Halaçoğlu | Second Assistant Director | 
| Barney Hughes | Second Unit First Assistant Director | 
| Max Keene | Second Unit Director, First Assistant Director | 
| Michela Marini | Crowd Assistant Director | 
| Ulas Parlakyildiz | First Assistant Director | 
| Aaron Winckler | Third Assistant Director | 
| Duygu Öztürk Yerlikaya | Third Assistant Director | 
| Naz Aksu | Set Decorating Coordinator | 
| Kamil Oytun Arkan | Graphic Designer | 
| Sevgi Dündar | Property Buyer | 
| Tara Guckeen | Set Decoration Buyer | 
| Rob Guest | Standby Carpenter | 
| Freya Holmes | Petty Cash Buyer | 
| Stephen Mildwater | Graphic Designer | 
| Adam Pescott | Storyboard Artist | 
| Hannah Wills | Assistant Set Decoration | 
| Yakut Yavru | Props | 
| Murat Yilmaz | Art Department Coordinator | 
| Nicholas A. Ager | Second Assistant Sound | 
| George Atkins | ADR Mixer | 
| Morgan Crawford | Sound Mix Technician | 
| Simon Diggins | ADR Mixer | 
| Zoe Freed | Foley Artist | 
| Glen Gathard | Foley Mixer | 
| James Gregory | ADR Mixer | 
| Rebecca Heathcote | Foley Artist | 
| Louisa Kearns | Dialogue Editor | 
| Adam Oakley | Foley Editor | 
| Fergus Pateman | Sound Mix Technician | 
| Jeffrey Roy | ADR Mixer | 
| Timothy Siddall | Supervising ADR Editor, Supervising Dialogue Editor | 
| Alex Stylianou | ADR Recordist | 
| Mike Tehrani | ADR Mixer | 
| Jasper Thorn | Sound Mix Technician | 
| Luke Corbyn | Special Effects Technician | 
| Kane Dimmer | Special Effects Technician | 
| David Paszkowski | Special Effects Assistant | 
| Vojtech Adamec | VFX Artist | 
| Georgi Atanasov | 2D Artist | 
| Elizabeth Bodnar | VFX Artist | 
| Stefan Bozinovski | Visual Effects Compositor | 
| Can Cangör | Digital Compositor | 
| Martin Demovic | 2D Artist | 
| Ales Gargulak | 2D Artist | 
| Goldenblum Alexia | Visual Effects Producer | 
| Alastair Grimshaw | VFX Editor | 
| Robert Hasa | 2D Artist | 
| Dalibor Janda | 2D Artist | 
| Josefina Jiranova | 2D Artist | 
| Goran Kjulavkovski | Visual Effects Compositor | 
| Cyril Kotecký | Digital Compositor | 
| Pouria Koushki | Digital Compositor | 
| Nebojsa Kovacevik | Visual Effects Compositor | 
| Pavel Král | Digital Compositor | 
| Maria Lukyanova | Digital Compositor | 
| Filip Látal | 2D Artist | 
| Jana Macenauerová | 2D Artist | 
| Adéla Matochová | Visual Effects Coordinator | 
| Dmitry Medinsky | Digital Compositor | 
| Bronislav Novak | 2D Artist | 
| Tomas Novotny | VFX Artist | 
| Nikita Ovchinnikov | Digital Compositor | 
| Lydia Pappa | Visual Effects Compositor | 
| Cátia Pereira | 2D Artist | 
| Viktor Plch | CGI Supervisor | 
| Simon Pouba | 2D Artist | 
| Serhiy Protsenko | Compositing Lead | 
| Pavel Rehak | 2D Artist | 
| Serhiy Shirmanov | 2D Artist | 
| Nejc Skafar | Visual Effects Compositor | 
| Tomas Snizek | Digital Compositor | 
| Jan Stripek | 2D Artist | 
| Tereza Strnad | 2D Artist | 
| Jakub Troch | Digital Compositor | 
| Tomas Vondrasek | Executive Visual Effects Producer | 
| Jan Vont | 2D Artist | 
| Radoslav Zakutny | 2D Artist | 
| Marek Zelenka | Visual Effects Supervisor | 
| Michal Zeman | Visual Effects Supervisor | 
| Furkan Alpcan | Stunts | 
| Ewan Callaway | Stunts | 
| Begzat Ergeshov | Stunts | 
| Kemal Hudaykuliyev | Stunt Coordinator | 
| Steve Jehu | Stunts, Stunt Double | 
| Halit Mert | Stunt Driver, Stunts | 
| John Mortimore | Stunts | 
| Güven Orman | Stunt Driver | 
| Ugur Palanci | Stunts | 
| Rebecca Pendarves | Stunt Coordinator | 
| Aziz Yanik | Stunts | 
| George Ambrose | Best Boy Grip | 
| Ugur Arkan | Lighting Technician | 
| Göksel Arslan | Electrician | 
| Zeyd Atar | Electrician | 
| Nail Aydın | Key Grip | 
| Yakup Aydin | Best Boy Electric | 
| Andrew Banwell | "B" Camera Operator | 
| Ümit Barlas | Gaffer | 
| Olcay Bektas | Lighting Technician | 
| Guy Bennett | Key Grip | 
| Jake Bennett-Young | Data Management Technician | 
| Ashley Bond | First Assistant "A" Camera | 
| Nesibe Bostanci | Camera Trainee | 
| Jeremy Braben | Drone Operator, Aerial Director of Photography | 
| Tuna Dogus Caglayan | Electrician | 
| Basar Caner | Drone Operator | 
| Mustafa Ceyhun Cevik | Lighting Technician | 
| Turgay Esen | Electrician, Lighting Technician | 
| Aymen Fahmi | Epk Producer | 
| Gastone Ferrante | Digital Imaging Technician, Digital Supervisor | 
| Duygu Gunesli | Digital Imaging Technician | 
| Alican Halaçeli | Digital Imaging Technician | 
| Harlon Haveland | Gaffer | 
| Alex Howe | First Assistant "A" Camera | 
| Ceyda Kızıltuğ | Camera Loader | 
| Serkan Levent | Drone Operator | 
| Aziz Al Marri | Camera Trainee | 
| Ian McGurrell | Dolly Grip | 
| Vladyslav Milchenko | Grip | 
| Evren Ozfirat | Rigging Gaffer | 
| Lee Perkins | Best Boy Electric | 
| Cenay Said | Second Assistant "B" Camera | 
| Daniel Smith | Still Photographer | 
| Ziya Tarhan | Digital Imaging Technician | 
| Burhan Tekçe | Lighting Artist | 
| Sam Thurston | Aerial Camera Technician | 
| Calem Trevor | Second Assistant "A" Camera | 
| Dan West | First Assistant "B" Camera | 
| Ella Holmes | Casting Assistant | 
| Rory Okey | Casting Associate | 
| Maia von Hurter | Casting Associate | 
| Loulou Bontemps | Assistant Costume Designer, Costume Supervisor | 
| Avani Gaur | Set Costumer | 
| George Glasgow | Wardrobe Master | 
| Meltem Gunaydin | Costume Standby | 
| Leo Peart | Principal Costumer | 
| Rachael Hopper Sinclair | Costumer | 
| Zak Cannarozzo | First Assistant Editor | 
| Sam Chynoweth | Additional Colorist | 
| Alessio David Ciattini | Dailies Manager | 
| Tristan Hey | Dailies Manager | 
| Chris Hogben | Dailies Technician | 
| Robert Jones | First Assistant Editor | 
| Mel Kangleon | Colorist | 
| Angela Kelway | Post Production Accountant | 
| Kerem Kurtgil | Dailies Manager | 
| Begoña Lopez | Digital Intermediate Producer | 
| Hannah McLaughlin | Dailies Manager | 
| Ian Mosedale | Digital Intermediate | 
| Angus Munro | First Assistant Editor | 
| Jenny-Jayne Webb | Digital Intermediate Editor | 
| Kutay Ekmen | Location Assistant | 
| Dominic James | Unit Manager | 
| Ceyhun Kirkiz | Location Manager | 
| Ashton Radcliffe | Location Manager | 
| Niyazi Telci | Location Manager | 
| Ibrahim Öter | Location Manager | 
| Çagla Gerçek Özeren | Location Coordinator | 
| Tom Kilworth | Orchestrator, Conductor | 
| Robin Morrison | Music Editor | 
| Linda Osher | Clearances Coordinator | 
| Cansu Nur Gunevi | Script Supervisor | 
| Norina Mackey | Script Supervisor | 
| Hannah Adey | Assistant Production Coordinator | 
| Shuku Anderson | Assistant Production Coordinator | 
| Gina Cook | Clearances Coordinator | 
| Augustin Dukes | Production Coordinator | 
| Spencer Ela | Production Executive | 
| Nathan Adam Elemen | Production Secretary | 
| Nida Hasoglu | Assistant Accountant | 
| Ozge Ozcan | Production Coordinator | 
| Liam French Robinson | Dialect Coach | 
| Drew Simon | Production Executive | 
| Asaf Yalman | Logistics Coordinator | 
| Sima Ezgi Yalman | Producer's Assistant | 
| Paul Bailey | Stunt Driver | 
| Jess Liaudin | Stunts | 
| Flora Miller | Post Production Coordinator | 
| Mark Southworth | Stunt Coordinator | 
| Name | Title | 
|---|---|
| Ivan Atkinson | Producer | 
| Adam Fogelson | Executive Producer | 
| Robert Simonds | Executive Producer | 
| Guy Ritchie | Producer | 
| Steven Chasman | Producer | 
| Peter Heslop | Executive Producer | 
| Max Keene | Co-Producer | 
| Abby Mills | Co-Producer | 
| Alex Sutherland | Executive Producer | 
| Samuel J. Brown | Executive Producer | 
| John Friedberg | Executive Producer | 
| Andrew Golov | Executive Producer | 
| Bill Block | Producer | 
| Siobhan Boyes | Co-Producer | 
| Jason Statham | Producer | 
| Thom Zadra | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 69 | 97 | 46 | 
| 2024 | 5 | 79 | 124 | 59 | 
| 2024 | 6 | 70 | 96 | 54 | 
| 2024 | 7 | 102 | 175 | 55 | 
| 2024 | 8 | 68 | 86 | 42 | 
| 2024 | 9 | 50 | 59 | 41 | 
| 2024 | 10 | 59 | 97 | 39 | 
| 2024 | 11 | 56 | 92 | 38 | 
| 2024 | 12 | 61 | 89 | 39 | 
| 2025 | 1 | 89 | 110 | 60 | 
| 2025 | 2 | 66 | 102 | 11 | 
| 2025 | 3 | 17 | 74 | 3 | 
| 2025 | 4 | 10 | 15 | 8 | 
| 2025 | 5 | 10 | 15 | 7 | 
| 2025 | 6 | 8 | 10 | 6 | 
| 2025 | 7 | 8 | 9 | 6 | 
| 2025 | 8 | 8 | 10 | 6 | 
| 2025 | 9 | 10 | 14 | 6 | 
| 2025 | 10 | 11 | 14 | 10 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 10 | 399 | 784 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 9 | 572 | 771 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 8 | 551 | 789 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 7 | 407 | 748 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 6 | 244 | 712 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 5 | 250 | 673 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 4 | 138 | 577 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 250 | 699 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 2 | 330 | 682 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 1 | 331 | 743 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 12 | 609 | 829 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 11 | 576 | 861 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 10 | 347 | 823 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 9 | 680 | 885 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 8 | 244 | 672 | 
International intrigue is the name of the game in the latest Action-Caper film from Guy Ritchie and he has delivered a winning mix of action and comedy with” Operation Fortune: Ruse de guerre”. When a secret device known as “The Handle” is taken from a lab by a precision combat team, the U.K. ... government calls in Nathan (Cary Elwes), to gather a team and retrieve the item even though there is little known about what it is and what it can do. The simple fact that it was taken by force and is supposedly on the market for Ten Billion dollars makes this an item of high value. Nathan quickly recruits Orson (Jason Statham), away from his vacation and despite his quirks and laundry list of items required for his participation due to said quirks; he is soon brought into the group. The team is rounded out by young agent JJ (Bugzy Malone), and American computer expert Sarah (Aubrey Plaza), which irritates Orson to no end as he liked the tech he had become used to working with and the fact that they were hired away by a rival firm and Sarah’s give as good as she takes attitude causes him stress. It is learned that noted arms dealer Greg (Hugh Grant), appears to be brokering the deal and the crew travels from one part of the world to another with a rival team and all manner of dangers around them. In a race against time, the team brings actor Danny Francesco (Josh Hartnett), into the mix as he is a favorite of Greg’s and the hope is that this will provide the team an introduction and access by having Sarah pose as Danny’s new lady. What follows is a madcap and comedic adventure with loads of enjoyable characters and situations and enough action to keep things moving and enough laughs to keep audiences smiling. The cast is great and works very well with one another and it would be great to see them do further adventures with one another as their shared dysfunctions, attitudes, and quirks make them realistic and engaging and a nice change from the indestructible Teflon agents we are so used to seeing in films of this type. 4 stars out of 5
**_Operation Fortune's_ convoluted plot and terrible pacing result in a viewing experience that leaves a lot to be desired.** Operation Fortune was a terrible movie from start to finish. The plot was incredibly generic, filled with a bunch of cool spy jargon that made the agents sound really cool ... . The pace is way too fast, with jump cuts from scene to scene that attempt to be quick and seamless but just left me lost. I spent more time trying to figure out what was going on, where we were, and why we were here than I did enjoying the actual movie. The action was average at best, filled with cuts that tried to mask the poor choreography. When we were not spending time on lackluster action set pieces, it was used to deliver exposition dumps to help the audience attempt to understand what was going on. I have a hard time coming up with anything positive about my experience with the film. The performances left a lot to be desired. I think Jason Statham and Josh Hartnett did a decent job, but they did not blow me away. None of the main cast had any amount of chemistry, particularly Statham and Plaza. The latter quite disappointed me in this film. None of her comedic timing worked, and I found her performance to be rather flat. With how stacked the cast was, I am leaning toward believing that the script was so horrid that it was limiting the actors abilities to put on a good performance. Overall, I had a pretty terrible time watching this in theaters. I kept checking the time, waiting for the credits to finally roll. If you like Guy Ritchie, check this film out; otherwise, skip it because you will avoid wasting two hours of your life. **Score:** _26%_ **Verdict:** _Bad_
**Operation Fortune had all the appearances of a movie heavily altered on the cutting room floor… and not for the better.** I’m not quite sure what happened to this movie. It had hints and moments of something much more Guy Ritchie but instead was slower-paced and confused. I almost felt like an ... hour of screen time was cut from the film because many characters and plot points seemed incomplete. The entire movie was disjointed. The action was mediocre. The writing was so bad. There were so many great qualities this movie had going for it. The great cast and veteran director had me excited to see this film, but what I saw felt like the studio had pulled a Justice League on this movie, hacking and slashing it into something with shades of something else potentially entertaining but leaving a mess behind.
In spite of a rather convoluted plot, fall flat comedy and a very minor dash of woke nonsense, I mostly liked Operation Fortune: Ruse De Guerre. Don't let the dash of French pretension in the title fool you, there's nothing remotely clever or sophisticated, about this flick. At heart, this ... is stripped down, nuts and bolts, action fare. Its pacing is decent and it has enough going on, exposition wise, to keep the viewer entertained. Exotic locations, gun fights, fist fights, car chases, pyrotechnics, it has it all, in abundance. Acting is generally reasonable. Hugh Grant does a great Michael Caine(??) impression. In summary, diverting, simple action fare, with a little unconvincing window dressing, in the form of tired comedy and a nod to a more sophisticated story line, that never arrives. Still worth a look, if taken on its true merits, as opposed to those it aspires to.
I was quite disappointed that despite months of cinema trailers, this went straight to the television. Why? Well I reckon that's because if I had seen it on a big screen I would have struggled my way through it in one go. As it is, I've taken about three days to get to the end of this stylish lookin ... g but really insubstantial crime caper. The story centres around the dodgy antics of "Greg" (Hugh Grant) who is looking to facilitate a $10 billion arms deal that just about nobody wants to happen. It falls to "Orson" (Jason Statham) and his team of crack operatives to come up with a plan to thwart the deal and apprehend the bidders! The only chink in the armour of our "Greg" is his idolisation of the American film star "Danny" (Josh Hartnett) and so they recruit him to come and partake in a bit of real life fan-doration (obviously without explaining just quite what is going on, or how perilous it might be) and off they travel to beautiful Antalya in Turkey where they must use all their guile, wit and technical savvy - largely down to "Sarah" (Aubrey Plaza) - before someone smells a rat. The problem here is that the story is just all too old hat. We've seen it all once too often and so when we have to rely on the characterisations to enliven the thing we are presented with an overly hammy Grant; a Statham who really is reusing an old - and well wrinkly - skin and Plaza who is really rather a lacklustre personality on screen. The jokes are all a bit predictable, as are the 007-light action scenes, car chases and - indeed - the whole thing just lacks for any sense of originality. It's not the worst film I've seen lately, but I wonder if maybe Guy Ritchie is just spent now? Perhaps it is time for him to take a few years off and try to work on something that can capitalise on his undoubtedly creative quirkiness without offering the same old sandwich just on a different shiny plate.