Popularity: 9 (history)
| Director: | Steve McQueen |
|---|---|
| Writer: | Abi Morgan, Steve McQueen |
| Staring: |
| Brandon, a thirty-something man living in New York, eludes intimacy with women but feeds his deepest desires with a compulsive addiction to sex. When his younger sister temporarily moves into his apartment, stirring up bitter memories of their shared painful past, Brandon's life, like his fragile mind, gets out of control. | |
| Release Date: | Oct 02, 2011 |
|---|---|
| Director: | Steve McQueen |
| Writer: | Abi Morgan, Steve McQueen |
| Genres: | Drama |
| Keywords | new york city, pornography, sex addiction, co-workers relationship, internet porn, self-loathing, brother sister relationship |
| Production Companies | HanWay Films, UK Film Council, Alliance Films, Film4 Productions, See-Saw Films, Lipsync Productions |
| Box Office |
Revenue: $3,909,002
Budget: $6,500,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Michael Fassbender | Brandon |
| Carey Mulligan | Sissy |
| James Badge Dale | David |
| Nicole Beharie | Marianne |
| Lucy Walters | Woman on Subway Train |
| Mari-Ange Ramirez | Alexa |
| Alex Manette | Steven |
| Hannah Ware | Samantha |
| Elizabeth Masucci | Elizabeth |
| Rachel Farrar | Rachel |
| Loren Omer | Loren |
| Lauren Tyrrell | Hostess |
| Marta Milans | Cocktail Waitress |
| Jake Siciliano | Skype Son |
| Robert Montano | Waiter |
| Charisse Bellante | Live Chat Woman |
| Amy Hargreaves | Hotel Lover |
| Anna Rose Hopkins | Carly |
| Chazz Menendez | Muscular Boyfriend |
| Carl Low | Bouncer |
| Calamity Chang | Late Night Lover #1 |
| Deedee Luxe | Late Night Lover #2 |
| Stanley Mathis | Conductor |
| Wenne Alton Davis | Police Officer |
| Name | Job |
|---|---|
| Ma Kalaadevi Ananda | Makeup Department Head |
| Paul Cotterell | Sound Re-Recording Mixer, ADR Editor |
| Ken Ishii | Sound Mixer |
| Danielle Blumstein | Unit Production Manager |
| Bill Newell | Gaffer |
| Charlie Dibe | Production Coordinator |
| Anguibe Guindo | Boom Operator |
| Matt Amenta | Property Master |
| Nick London | Key Makeup Artist |
| Eva Z. Cabrera | Script Supervisor |
| Charles Kulsziski | Art Direction |
| Ben Barker | Sound Effects Editor |
| Niv Adiri | Sound Editor, Sound Re-Recording Mixer |
| David C. Robinson | Costume Designer |
| Ian Neil | Music Supervisor |
| Atilla Salih Yücer | First Assistant Director |
| Timothy Naylor | Camera Operator |
| Juanita Townsend | Key Hair Stylist |
| Emma Zee | Post Production Supervisor |
| David Velasco | Location Manager |
| Siobhan Boyes | Post Production Coordinator |
| Rob Harlow | Key Grip |
| Erin Hicks | Hair Department Head |
| Andrea King | Foley Artist |
| Joe Origlieri | Sound Mixer |
| Sean Farrow | Visual Effects Supervisor |
| Lee Clappison | Colorist |
| Fiona Morham | Head of Production |
| Kimberly Asa | Art Department Coordinator |
| Luke Butler | Digital Effects Supervisor |
| Tom Collier | Digital Effects Supervisor |
| James Elster | Digital Compositor |
| Antonio Rodríguez Díaz | Digital Compositor |
| Lucy Tanner | Visual Effects Coordinator |
| Alex Bovaird | Assistant Costume Designer |
| Barbara Hause | Wardrobe Supervisor |
| Thomas M. Smalley | Set Costumer |
| Stephanie Blackwood | Assistant Production Coordinator |
| Charlotte Fleck | Dialect Coach |
| Laurie Osmond | Epk Producer |
| Hugo Adams | Foley Editor |
| Abbot Genser | Still Photographer |
| Jack Stew | Foley Artist |
| Jerry Ramsbottom | Assistant Editor |
| Tracey Josephs | Head of Production |
| Cedric Vara | Second Second Assistant Director |
| Meredith Lippincott | Art Department Production Assistant |
| Michael Fowler | ADR Recordist |
| Rob Hughes | ADR Mixer |
| Adrian Banton | Digital Compositor |
| Naomi Butler | Digital Compositor |
| Stefan Drury | Visual Effects |
| Emelie Nilsson | Digital Compositor |
| Katie Roehrick | Visual Effects Coordinator |
| Aneikit Bonnel | Key Costumer |
| Rose Marie Cappelluti | Wardrobe Supervisor |
| Brittany Loar | Costume Coordinator |
| David Butterworth | Orchestrator |
| Neil Cairns | Post Production Accountant |
| Kaelan Kelly-Sordelet | Production Assistant |
| Abi Morgan | Screenplay |
| Steve McQueen | Screenplay, Director |
| Sean Bobbitt | Director of Photography |
| Joe Walker | Editor |
| Judy Becker | Production Design |
| Heather Loeffler | Set Decoration |
| Harry Escott | Original Music Composer |
| Avy Kaufman | Casting Director |
| Jolian Blevins | Second Assistant Director |
| Manny Siverio | Stunt Coordinator |
| Roy Farfel | Stunt Coordinator |
| Glenn Freemantle | Sound Supervisor, Sound Designer |
| Craig Lindberg | Special Effects Makeup Artist |
| Mark DeSimone | ADR Mixer |
| Adam Mendez | Foley Recordist |
| Declan Mulvey | Stunt Driver |
| Tim Atkins | ADR Recordist |
| Name | Title |
|---|---|
| Robert Walak | Executive Producer |
| Peter Hampden | Executive Producer |
| Tim Haslam | Executive Producer |
| Bergen Swanson | Co-Producer |
| Iain Canning | Producer |
| Emile Sherman | Producer |
| Tessa Ross | Executive Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Golden Globes | Best Actor | Michael Fassbender | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 28 | 38 | 19 |
| 2024 | 5 | 31 | 43 | 21 |
| 2024 | 6 | 29 | 50 | 18 |
| 2024 | 7 | 33 | 43 | 22 |
| 2024 | 8 | 25 | 44 | 17 |
| 2024 | 9 | 20 | 30 | 14 |
| 2024 | 10 | 28 | 40 | 14 |
| 2024 | 11 | 32 | 56 | 18 |
| 2024 | 12 | 24 | 42 | 16 |
| 2025 | 1 | 30 | 51 | 20 |
| 2025 | 2 | 21 | 34 | 4 |
| 2025 | 3 | 8 | 27 | 1 |
| 2025 | 4 | 5 | 8 | 2 |
| 2025 | 5 | 5 | 9 | 3 |
| 2025 | 6 | 5 | 6 | 3 |
| 2025 | 7 | 3 | 5 | 3 |
| 2025 | 8 | 4 | 5 | 3 |
| 2025 | 9 | 5 | 7 | 4 |
| 2025 | 10 | 7 | 10 | 5 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 931 | 952 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 908 | 937 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 391 | 661 |
| Year | Month | High | Avg |
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| 2025 | 5 | 513 | 631 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 501 | 640 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 599 | 817 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 918 | 918 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 474 | 717 |
Has a good reputation among critics and film-buffs, but I thought this was duller than dullsville on a dull tuesday. Fassbender has got to be one of the most overrated actors in recent times. He's got a distinctive look and his eyes pierces through the screen I'll give him that. And a well-sized ... johnson (as proven on numorous ocassions here) but other than that he's fairly mediocre.
Shame is nothing short of a masterpiece: every shot tells a story. SYNOPSIS: (from Google) Successful and handsome New Yorker Brandon (Michael Fassbender) seems to live an ordinary life, but he hides a terrible secret behind his mask of normalcy: Brandon is a sex addict. His constant need for gr ... atification numbs him to just about everything else. But, when Sissy (Carey Mulligan), Brandon's needy sister, unexpectedly blows into town, crashes at his apartment and invades his privacy, Brandon is finally forced to confront his addiction head-on. REVIEW: I'm certain Shame will always be my personal favorite McQueen film. McQueen tells a story with the camera and with the voice. McQueen brought on Sean Bobbitt as cinematographer for this amazing project and Bobbitt does not disappoint. Together they craft some of the most revealing and beautiful scenes in recent cinema. The lighting for this movie (also headed by Bobbitt), aids in the visual storytelling. Abi Morgan and McQueen's script really shines, bringing Brandon's addiction further into the light. Harry Escott's haunting score will never leave your brain after you see this film. Escott's use of both classical and original pieces bring the film together. Michael Fassbender gives a stunning performance as Brandon, one moment he's casually strolling about, the next he's acting on his most basic impulses, and the next he's yelling at his sister. Carey Mulligan gave a great supporting role next to Fassbender as well. Both are given several scenes to shine. The film uses its NC-17 rating to its fullest extent, yet none of the sex feels sensationalized. It's all very real and most of the time almost disturbing to watch. McQueen delivers the entire story very artistically, including the sex scenes, which many directors could have messed up. This makes the film as a whole flow better. The movie portrays sex addiction (and addiction in general) in a very real way, while everyone is different we all feel shame after we've gotten our fix, and sometimes we'll do anything to get that fix.