 
  Popularity: 3 (history)
| Director: | Elegance Bratton | 
|---|---|
| Writer: | Elegance Bratton | 
| Staring: | 
| Ellis French is a young, gay Black man, rejected by his mother and with few options for his future, decides to join the Marines, doing whatever it takes to succeed in a system that would cast him aside. But even as he battles deep-seated prejudice and the grueling routines of basic training, he finds unexpected camaraderie, strength, and support in this new community, giving him a hard-earned sense of belonging that will shape his identity and forever change his life. | |
| Release Date: | Nov 18, 2022 | 
|---|---|
| Director: | Elegance Bratton | 
| Writer: | Elegance Bratton | 
| Genres: | Drama | 
| Keywords | homophobia, friendship, marine, lgbt, semi autobiographical, lgbt in the military, mother son relationship, gay theme | 
| Production Companies | Gamechanger Films, A24, Freedom Principle | 
| Box Office | Revenue: $270,613 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Jeremy Pope | Ellis French | 
| Gabrielle Union | Inez French | 
| Bokeem Woodbine | Laws | 
| Raúl Castillo | Rosales | 
| McCaul Lombardi | Harvey | 
| Nicholas Logan | Brooks | 
| Eman Esfandi | Ismail | 
| Aaron Dominguez | Castro | 
| Aubrey Joseph | Boles | 
| Andrew Kai | Label | 
| Tyler Merritt | Shamus | 
| Steve Mokate | Colonel Casey | 
| Brad Napp | Graduation Officer | 
| Daniel Williamson | PMI | 
| Wynn Reichert | Chaplain | 
| Reginald Murray | Veteran | 
| Chase Van Velkinburgh | Opioid Addict | 
| Eddie Plaza | Bam Bam | 
| Krystal LaBeija | Mya | 
| Alex Mugler | Kassandra | 
| Becky Boxer | Dettman's Wife (uncredited) | 
| Jered Meeks | Marine (uncredited) | 
| Stephen Thaxton | Drill Instructor (uncredited) | 
| Niquitta S. Wolfe | Graduation Attendee (uncredited) | 
| Name | Job | 
|---|---|
| Stéphane Renard | First Assistant "A" Camera | 
| Oriana Soddu | Editor | 
| Tommy Love | Production Design | 
| Bryan Norvelle | Art Direction | 
| Dustin Brantley | Set Decoration | 
| Charlotte Orlove | Makeup Artist | 
| Ren Rohling | Makeup Artist | 
| Coll Anderson | Supervising Sound Editor, Sound Re-Recording Mixer | 
| Katrina Henson | Sound Editor | 
| Ashim Ahuja | Visual Effects Producer | 
| Justin Giritlian | Visual Effects Producer | 
| Merissa Siggins | Set Costumer | 
| DaRico Jackson | Hair Department Head | 
| Jeff Dubray | First Assistant Director | 
| Jeremiah Kelleher | Second Second Assistant Director | 
| Deighton McCoy | Second Second Assistant Director | 
| Zack Keeler | Special Effects | 
| Austin Doyle | Gaffer | 
| Nick Nicolay | Key Grip | 
| Ben Spaner | Steadicam Operator, "B" Camera Operator | 
| Caspar Newbolt | Title Designer | 
| Erik Louis Robert | Production Design | 
| Juli Kunke | Art Direction | 
| Daniel Ornitz | Assistant Art Director | 
| Madelaine Frezza | Set Decoration | 
| Natalie Young | Makeup Department Head | 
| James David Redding III | Sound Re-Recording Mixer | 
| Tahira Ali | VFX Artist | 
| Nicolaus Waetjen | Visual Effects Supervisor | 
| Hilton Jamal Day | First Assistant Director | 
| Ibrahim Yilla | First Assistant Director | 
| Dominic Martin | Second Assistant Director | 
| Max Osadchenko | Sound Mixer | 
| Mason Blair | Grip | 
| Michael Kellum | Grip | 
| Jack Patterson | Grip | 
| Savey Cathey | Executive In Charge Of Production | 
| Elegance Bratton | Writer, Director | 
| Lachlan Milne | Director of Photography | 
| Amanda Pepin | Makeup Department Head | 
| Kim Taylor-Coleman | Casting | 
| Aleksandra Stojanovic | Foley Artist | 
| Name | Title | 
|---|---|
| Effie Brown | Producer | 
| Holly Shakoor Fleischer | Executive Producer | 
| Valerie Steinberg | Executive Producer | 
| Chester Algernal Gordon | Producer | 
| David Paradice | Executive Producer | 
| Jamie Wolf | Executive Producer | 
| Regina K. Scully | Executive Producer | 
| Chris Quintos Cathcart | Executive Producer | 
| Nina Sing Fialkow | Executive Producer | 
| Melony Lewis | Executive Producer | 
| Kim Taylor-Coleman | Executive Producer | 
| Gabrielle Union | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 13 | 24 | 6 | 
| 2024 | 5 | 15 | 30 | 9 | 
| 2024 | 6 | 15 | 31 | 9 | 
| 2024 | 7 | 15 | 31 | 8 | 
| 2024 | 8 | 10 | 18 | 6 | 
| 2024 | 9 | 11 | 17 | 6 | 
| 2024 | 10 | 9 | 22 | 6 | 
| 2024 | 11 | 8 | 12 | 5 | 
| 2024 | 12 | 11 | 28 | 5 | 
| 2025 | 1 | 9 | 19 | 5 | 
| 2025 | 2 | 6 | 10 | 2 | 
| 2025 | 3 | 5 | 12 | 1 | 
| 2025 | 4 | 1 | 2 | 1 | 
| 2025 | 5 | 1 | 2 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 1 | 1 | 0 | 
| 2025 | 8 | 1 | 1 | 0 | 
| 2025 | 9 | 2 | 3 | 1 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
"French" (Jeremy Pope) is an itinerant gay man who, estranged from his prison office mother "Inez" (Gabrielle Union), has concluded that the only way to stop himself becoming subsumed into an underworld of drugs, disease and most likely death, is to join the US Marines. Having failed at just about e ... verything else, his mother is somewhat sceptical, but to bootcamp he goes where he encounters the stereotypically brutish gunnery sergeant-major "Laws" (Bokeem Woodbine). It's all based on a true story directed and adapted from his own story by Elegance Bratton, so jeopardy here there isn't. That said, Pope and Woodbine are both on good form as the former runs the gamut of a tough training regime coupled with a prejudice against his sexuality that proves distinctly dangerous. His trainer offers him nothing by way of support or sympathy, intent on instilling the most primitive of "survival of the fittest" mentalities amongst all of his recruits. It is a little procedural, but it's still an interesting tale from a man who resisted the temptations to jack it all in - and sends a clear message of perseverance and determination that does resonate to a certain, predictable, extent. Essentially, though, it's a television movie that doesn't really need a cinema screening and though watchable and important, it isn't a story that will linger in the memory for long afterwards, I'm afraid.