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Hot Milk

2025 | 93m | English

(2488 votes)

TMDb IMDb

Popularity: 3 (history)

Details

Rose and her daughter Sofia travel to the Spanish seaside town of Almería to consult with the shamanic Dr. Gomez, a physician who could possibly hold the cure to Rose’s mystery illness, which has left her bound to a wheelchair. But in the sultry atmosphere of this sun-bleached town Sofia, who has been trapped by her mother’s illness all her life, finally starts to shed her inhibitions, enticed by the persuasive charms of enigmatic traveller Ingrid.
Release Date: May 28, 2025
Director: Rebecca Lenkiewicz
Writer: Deborah Levy, Rebecca Lenkiewicz
Genres: Drama
Keywords spain, based on novel or book, travel, coming of age, illness, lgbt, literary adaptation, woman director, mother daughter relationship
Production Companies Heretic, Bonnie Productions, Never Sleep Pictures
Box Office Revenue: $0
Budget: $0
Updates Updated: Sep 28, 2025
Entered: Sep 28, 2025
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Full Credits

Name Character
Emma Mackey Sofia
Fiona Shaw Rose
Vincent Perez Gomez
Vicky Krieps Ingrid
Patsy Ferran Nurse Julieta
Yann Gael Matty
Vangelis Mourikis Christos
Electra Sarri Woman on beach
Yorgos Tsiantoulas Man on beach
Elena Casablanca Woman on the road
Nikos Kardonis Pablo
Vasilis Tsigristaris Waiter
Dimitris Oikonomidis Juan
Maria Vlachopoulou Waitress
Paraskevi Argyriadou Girl sitting on dance stage
Paris Thomopoulos Leonardo
Korina Gougouli Alexandra
Elisavet Liosi Baby Evangeline
Sofia Papadopoulou Baby Evangeline
Denia Mimerini Ingrid lookalike (uncredited)
Name Job
Sophie O'Neill Costume Designer
Christopher Blauvelt Director of Photography
Arsenis Polimenopoulos First Assistant Director
Sotiris Kraniotis Stunt Coordinator
Deborah Levy Book
Stella Soulele Hair Designer
Si Bell Additional Photography
Lilian Kasimati Stand In
Rebecca Lenkiewicz Director, Writer
Liza Tsouloupa Art Direction
Rob Walker Sound Re-Recording Mixer
Mark Towns Editor
Nadiya Luthra Post Producer
Electra Sarri Stand In
Elsa Sparou Stunt Double
Spyros Apostolatos Production Manager
Andrey Ponkratov Production Design
Rana Eid Sound Designer
Kostas Bakogiannis Gaffer
Juliet Martin Music Supervisor
Shaheen Baig Casting Director
Maria Vlachopoulou Stand In
Bernadette Elsouri Production Manager
Matthew Herbert Original Music Composer
Cherif Allam Sound Editor
Karin Floengard Jonsson Stunt Double
Danae Spathara Line Producer
Evi Zafiropoulou Makeup Designer
Panagiotis Papagiannopoulos Sound Recordist
Lamin Kanu Jalloh Stand In
Name Title
Kate Glover Producer
Ollie Madden Executive Producer
John Hazeldene Executive Producer
Ellie Wood Executive Producer
Joshua Sapan Executive Producer
Monique Brown Associate Producer
Daniel Battsek Executive Producer
Lee Hazeldene Executive Producer
Deborah Levy Executive Producer
Marie-Gabrielle Stewart Executive Producer
Farhana Bhula Executive Producer
Richard Mansell Executive Producer
Compton Ross Executive Producer
Peter Watson Executive Producer
Christine Langan Producer
Giorgos Karnavas Producer
Phil Hunt Executive Producer
Konstantinos Kontovrakis Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 4 8 1
2024 5 5 7 2
2024 6 3 10 1
2024 7 3 6 1
2024 8 3 6 1
2024 9 1 3 1
2024 10 2 4 1
2024 11 1 3 1
2024 12 1 3 1
2025 1 3 6 1
2025 2 5 9 1
2025 3 2 4 1
2025 4 2 2 1
2025 5 1 3 1
2025 6 3 4 1
2025 7 3 5 2
2025 8 4 10 2
2025 9 4 5 2
2025 10 3 4 3

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Year Month High Avg
2025 9 587 659

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Reviews

Geronimo1967
6.0

This does come to quite an head in the last five minutes and there’s a solid performance from Fiona Shaw at times too, but otherwise I struggled to see much point in this rather shallow drama. “Rose” (Shaw) hasn’t been able to walk for almost twenty years so has mortgaged her house so she can attend ... a specialist clinic run by “Gomez” (Vincent Perez). She is accompanied by her daughter “Sophia” (Emma Mackey) who, whilst she obviously loves her mother, is clearly a bit fed up being her constant carer. I think that fairly swiftly we can deduce something of the nature of the older woman’s problems, but that isn’t really the crux of this story. That has more to do with “Sophia” and her relationship with “Ingrid” (Vicky Krieps) whose enigmatic personality and character entrance and infuriate her, even more so when her friend “Matty” (Yang Gael) shows up to muddy the already pretty confused waters. With this uninteresting scenario bubbling along lethargically and Shaw just complaining about the water the whole time, we are now largely left to furnish the story with our own interpretation of what we think is most likely going on and then, certainly in my case, ask just why I ought to care one way or the other. The raffia-mafia have had a hand in the characterisation of “Ingrid” and I’m afraid that even though it’s filmed on a lovely Greek beach I just couldn’t get into it. It’s had some decent effort put into the production, but it will look fine on a winter’s evening on the television. Not so much hot, more tepid.

Jul 02, 2025
chandlerdanier
5.0

Yet another reboot. This time the lesbians destroy an early 2000s male-gaze boob feature, turning it into a coming of age family drama. There are some nice boobs in here especially from the mother. Very few bras but...where's the gratuity? Shouldn't we have a scene in an ice cream parlour where some ... tits come out? Don't people go to school for this?

Jul 30, 2025
formirthonly
8.0

I'll preface this by saying that story lines don't necessarily mean all that much to me. But this movie does do quite a few things very well, and it's overall a pleasant watch. All of the visual aspects, pacing, acting. The way it portrays intimate relationships is refreshing, and imo all too rar ... e. And the psychology of the familial relationships do ring true, to an extent. Knowing now that it was based on a novel makes sense. There was at least one scene that was a bit confusing, and I'm sure it was better explained or better left to the imagination. Rounded up from 75%.

Aug 29, 2025