Popularity: 2 (history)
Director: | Thomas Hardiman |
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Writer: | Thomas Hardiman |
Staring: |
Talented and cutthroat hairstylists at a competition find one of their own murdered before judging can begin. Winding through neon-lit halls, competitors unspool long-simmering resentments and lies as they search for the killer among them. | |
Release Date: | Jun 08, 2023 |
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Director: | Thomas Hardiman |
Writer: | Thomas Hardiman |
Genres: | Comedy, Mystery, Thriller |
Keywords | competition, whodunit, single take, murder mystery, hairdressing |
Production Companies | BBC Film, BFI, EMU Films, Time Based Arts |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Anita-Joy Uwajeh | Timba |
Clare Perkins | Cleve |
Darrell D'Silva | Rene |
Debris Stevenson | Etsy |
Harriet Webb | Kendra |
Heider Ali | Gac |
Kae Alexander | Inez |
Kayla Meikle | Devine |
Lilit Lesser | Angie |
Luke Pasqualino | Angel |
Nicholas Karimi | Patricio |
John Alan Roberts | Mosca |
Michelle Parker | Paramedic |
Name | Job |
---|---|
Thomas Hardiman | Director, Screenplay |
Robbie Ryan | Director of Photography |
Anna Bertmark | Sound Designer, Supervising Sound Editor |
Fouad Gaber | Editor |
Gary Davy | Casting Director |
Gary Williamson | Production Design |
Lili Lea Abraham | Art Direction |
Rachel Rolfe | Set Decoration |
Cynthia Lawrence-John | Costume Design |
Antonia Carter | Second Assistant Director |
Hayley Williams | First Assistant Director |
Andrea Fiquitiva | Costume Supervisor |
Tiger Rudge | Stunt Coordinator |
Heather Crompton | First Assistant Camera |
Phoebe Fraser | Digital Imaging Technician |
Liam Hartney | Key Grip |
Leo Olesker | Gaffer |
Jonny Stillwell | Second Assistant Camera |
Jake Whitehouse | Steadicam Operator |
Louise Brown | Foley Artist |
Adam Fletcher | Production Sound Mixer |
Leslie Gaston-Bird | Sound Re-Recording Mixer |
Karolina Jedrzejczyk | Foley Artist |
Anna Sulley | Foley Mixer, Foley Supervisor |
Marie Tueje | Sound Effects Editor |
Jack Wensley | ADR Mixer |
Ruth Sullivan | Foley Artist |
Chloe Dixon | Makeup Artist |
Scarlett O'Connell | Makeup Artist |
Name | Title |
---|---|
Michael Elliott | Producer |
Louise Palmkvist Hansen | Producer |
Lee Groombridge | Producer |
Eva Yates | Executive Producer |
Lizzie Francke | Executive Producer |
Walli Ullah | Executive Producer |
Jim Mooney | Executive Producer |
Nell Green | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 10 | 18 | 3 |
2024 | 5 | 10 | 19 | 5 |
2024 | 6 | 12 | 32 | 5 |
2024 | 7 | 11 | 23 | 5 |
2024 | 8 | 9 | 20 | 4 |
2024 | 9 | 10 | 18 | 5 |
2024 | 10 | 8 | 17 | 5 |
2024 | 11 | 7 | 11 | 4 |
2024 | 12 | 6 | 9 | 3 |
2025 | 1 | 6 | 15 | 3 |
2025 | 2 | 4 | 6 | 1 |
2025 | 3 | 3 | 8 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 0 | 1 | 0 |
2025 | 9 | 1 | 2 | 0 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
Set amongst the cut-throat world of a regional hairdressing contest, this rather thinly spread drama follows the antics of some would-be competitors who gather for their annual jamboree only to find that one of their number has been killed. Scalped, to be precise. As the story develops, we see that ... there are no shortage of suspects from the great and the good as the scene-stealing "Cleve" (Clare Perkins), "Divine" (Kayla Meikle) and "Kendra" (Harriet Webb) spat, squabble and spar like the best of them. They are all stuck waiting for the police to question them so tensions are only going to increase as they gossip, conspire and also demonstrate some considerably imaginative skills with their hairdos before: enter the partner of the victim. "Angel". At last some semblance of acting from the usually handsome but wooden Luke Pasqualino. Loads of stereotypes, yes, but he actually turns in quite an engaging performance as the camp-as-Christmas, distraught, mincer. Unfortunately, though, this is really just a one act play that has been overstretched into one hundred minutes of screen time, and though it most certainly has it's moments, there are too many extended tracking shots as the camera follows someone, somewhere, around their complex that seemed bigger than the Royal Albert Hall. There's simply too much padding around a story that could have done a little more to develop the personalities more. It is underpinned by some effective black humour - and some of that delivers well and caustically (especially from Perkins) but there's too much of a paucity of that to stop this from feeling rather longer than it is. It looks every a inch a television play, and as such does it's job fine - but I wouldn't say you need to buy a ticket to watch it.