 
  Popularity: 8 (history)
| Director: | John Woo | 
|---|---|
| Writer: | Robert Towne, Ronald D. Moore, Brannon Braga | 
| Staring: | 
| With computer genius Luther Stickell at his side and a beautiful thief on his mind, agent Ethan Hunt races across Australia and Spain to stop a former IMF agent from unleashing a genetically engineered biological weapon called Chimera. This mission, should Hunt choose to accept it, plunges him into the center of an international crisis of terrifying magnitude. | |
| Release Date: | May 24, 2000 | 
|---|---|
| Director: | John Woo | 
| Writer: | Robert Towne, Ronald D. Moore, Brannon Braga | 
| Genres: | Adventure, Action, Thriller | 
| Keywords | spy, spain, central intelligence agency (cia), helicopter, secret identity, skyscraper, undercover, island, mask, ex-lover, secret mission, dying and death, fake identity, secret agent, computer, climbing, infiltration, duel, lethal virus, motorcycle, rescue team, slow motion, agent, fictional government agency, research laboratory, motorcycle chase, government agency, based on tv series, secret government agency, intense, amused | 
| Production Companies | Paramount Pictures, Cruise/Wagner Productions | 
| Box Office | Revenue: $546,388,108 Budget: $125,000,000 | 
| Updates | Updated: Aug 17, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Tom Cruise | Ethan Hunt | 
| Dougray Scott | Sean Ambrose | 
| Thandiwe Newton | Nyah Hall | 
| Ving Rhames | Luther Stickell | 
| Richard Roxburgh | Hugh Stamp | 
| John Polson | Billy Baird | 
| Brendan Gleeson | McCloy | 
| Rade Šerbedžija | Dr. Nekhorvich | 
| William Mapother | Wallis | 
| Dominic Purcell | Ulrich | 
| Mathew Wilkinson | Michael | 
| Nicholas Bell | McCloy's Accountant | 
| Cristina Brogeras | Flamenco Dancer #4 | 
| Kee Chan | McCloy's Chemist | 
| Kim Fleming | Larrabee | 
| Alan Lovell | Biocyte Security Guard #2 | 
| Dan Luxton | Relief Pilot | 
| Christian Manon | Dr. Gradsky | 
| Karl McMillan | Biocyte Security Guard #1 | 
| Lester Morris | Bookie | 
| Kelly Ons | Flamenco Dancer #1 | 
| Nicholas Papademetriou | Prison Guard #2 | 
| Brett Partridge | Biocyte Security Guard #3 | 
| Candice Partridge | Flamenco Dancer #7 | 
| Natalie Reis | Flamenco Dancer #2 | 
| Daniel Roberts | Co-Pilot | 
| Adriana Rodríguez | Flamenco Dancer #5 | 
| Sandra Rodríguez | Flamenco Dancer #6 | 
| Nada Rogic | Flamenco Dancer #3 | 
| Antonio Vargas | Senor De L'Arena | 
| Anthony Hopkins | Mission Commander Swanbeck (uncredited) | 
| Alison Araya | Girl (uncredited) | 
| Rebecca Barratt | Art Teacher (uncredited) | 
| Douglas Bunn | Race Track Crowd (uncredited) | 
| Caine | Race Track Punter (uncredited) | 
| Fred Chen | Club Patron (uncredited) | 
| Mark Connolly | Gate Guard #1 (uncredited) | 
| Ryder Davis | Server (uncredited) | 
| Alan Hennessy | Race-goer (uncredited) | 
| Patrick Marber | Train Driver (uncredited) | 
| William Morts | Man with Mission Rocket in Helicopter (uncredited) | 
| Tory Mussett | Flamenco Guest (uncredited) | 
| Paul Roget | Spanish Party Goer (uncredited) | 
| Shant Sarkissian | Party Attendant (uncredited) | 
| Darren Dupree Washington | Nightclub Patron (uncredited) | 
| Name | Job | 
|---|---|
| Steven Kemper | Editor | 
| Christian Wagner | Editor | 
| Gregory Apps | Casting | 
| Thomas E. Sanders | Production Design | 
| Michelle McGahey | Art Direction | 
| Kerrie Brown | Set Decoration | 
| Lauri Gaffin | Set Decoration | 
| Lizzy Gardiner | Costume Design | 
| Robert McCann | Makeup Artist | 
| Paul Pattison | Hairstylist | 
| Bryan Bowen | Sound Effects Editor | 
| Richard Ratliff | Special Effects | 
| R. Bruce Steinheimer | Special Effects Coordinator | 
| Ray Anthony | Stunts | 
| Ken Crouch | Costume Supervisor | 
| Kristin Voumard | Script Supervisor | 
| Zigmund Gron | Music Editor | 
| Daniel T. Dorrance | Supervising Art Director | 
| Timothy Everest | Costume Design | 
| Jake Kennedy | Art Department Assistant | 
| Ehren Koepf | Art Department Coordinator | 
| Clive Memmott | Assistant Art Director | 
| Colette Birrell | Construction Coordinator | 
| Jamie Gardner | Construction Foreman | 
| Jeff Brown | Greensman | 
| Lisa Brennan | Leadman | 
| Craig Fison | Painter | 
| Phil Shearer | Production Illustrator | 
| Belinda Villani | Sculptor | 
| Thomas Betts | Set Designer | 
| Ken Nishino | First Assistant Camera | 
| Phil Pastuhov | Aerial Director of Photography | 
| Gregory Lundsgaard | Steadicam Operator | 
| Jasin Boland | Still Photographer | 
| Brett Cooper | Assistant Costume Designer | 
| Sheryl Pilkinton | Seamstress | 
| Lisa Javelin | Set Costumer | 
| Kevin Kavanaugh | Art Direction | 
| Glen W. Johnson | Set Dressing Artist | 
| Gideon Marshall | Armorer | 
| Dave Weston | Carpenter | 
| John 'D.J.' Des Jardin | CG Supervisor | 
| Brian Nailing | Chef | 
| Michael Kehoe | Craft Service | 
| Bruce Callahan | Driver | 
| Mitchell J. Coughlin | Makeup Effects | 
| Michael Crowe | Propmaker | 
| Elaine Kusmishko | Property Master | 
| Eric Todd | Scenic Artist | 
| Sam M. Cobb | Set Medic | 
| Marque Owen | Set Production Assistant | 
| Craig Heath | Sound Recordist | 
| Steven Koller | Stand In | 
| Steve Brodsky | Transportation Coordinator | 
| Kevin De La Noy | Unit Production Manager | 
| Fiona Searson | Unit Publicist | 
| David Bartholomew | Visual Effects Editor | 
| Mel Kangleon | Color Timer | 
| John Lee | First Assistant Editor | 
| Colin Chase | Electrician | 
| Greg Allen | Lighting Technician | 
| John Copeman | Rigging Grip | 
| Barbara Fiorentino | Casting Associate | 
| Brad Bemis | Location Manager | 
| Jim Davidson | Production Accountant | 
| Barrie Hemsley | Production Coordinator | 
| Anne Bruning | Production Manager | 
| Susan Towner | Production Supervisor | 
| Dan Piponi | Researcher | 
| Kerry Dean Williams | ADR Supervisor | 
| Todd Bassman | Boom Operator | 
| Scott Curtis | Foley Editor | 
| Paul 'Salty' Brincat | Production Sound Mixer | 
| Alan Meyerson | Scoring Mixer | 
| Geoffrey G. Rubay | Sound Editor | 
| Chris Alderton | Sound Mixer | 
| Hayden Jones | 3D Artist | 
| Mike Castillo | Digital Compositors | 
| David P. Kelsey | Special Effects Supervisor | 
| Larry Bafia | Visual Effects Coordinator | 
| Krystyna Demkowicz | Visual Effects Producer | 
| Paul Lambert | Sequence Leads | 
| Lubo Hristov | Visual Effects Art Director | 
| Thom 'Coach' Ehle | Dolby Consultant | 
| Kirke Godfrey | Sound | 
| Will Matthews | Unit Manager | 
| Susan Kurtz | Dialogue Editor | 
| Simon Coke | Dialogue Editor | 
| Noah Blough | Dialogue Editor | 
| Bob Baron | ADR Mixer | 
| Peter Gleaves | ADR Mixer | 
| Robert Ulrich | Supervising ADR Editor | 
| David Lucarelli | ADR Recordist | 
| Charleen Richards-Steeves | ADR Mixer | 
| Michele Perrone | ADR Editor | 
| Andrew Neil | ADR Mixer | 
| David Giammarco | ADR Editor | 
| Zack Davis | ADR Editor | 
| David Williams | Supervising Dialogue Editor | 
| Art Rochester | Production Sound Mixer | 
| Dino DiMuro | Foley Editor | 
| Glenn T. Morgan | Sound Effects Editor, Foley Editor | 
| Tammy Fearing | Foley Editor | 
| Alan Rankin | Sound Effects Editor | 
| Robert Renga | Sound Recordist | 
| James Bolt | Additional Sound Re-Recording Mixer | 
| Robin Harlan | Foley Artist | 
| Sarah Monat | Foley Artist | 
| Jemma Scott-Knox-Gore | Contact Lens Technician | 
| Nicola Dunn | Costume Assistant | 
| Mei Lai Hippisley Coxe | Costume Coordinator | 
| Ivana Daniele | Costume Standby | 
| Celinda Alvarado | Costumer | 
| Mark S. Constance | Additional Second Assistant Director | 
| Joan Cunningham | Second Assistant Director | 
| Guy Campbell | Second Second Assistant Director | 
| Sophy Robertson | Third Assistant Director | 
| Paul McNamara | Dressing Prop | 
| Doreen Austria | Graphic Designer | 
| Randy K. Singer | Foley Mixer | 
| Philipa Playford | Set Decorating Coordinator | 
| Derek Casari | ADR Engineer | 
| Anne Couk | First Assistant Sound Editor | 
| Cesar Aguirre | Utility Sound | 
| Robina Osborne | Special Effects Manager | 
| Herman Bron | Special Effects Technician | 
| Michael Flynn | Visual Effects Assistant Editor | 
| Ted Andre | Visual Effects Compositor | 
| Walter Garcia | Visual Effects Production Assistant | 
| Karen Jine | Visual Effects Production Manager | 
| Elie Jamaa | Visual Effects Technical Director | 
| Luke Quinton | Stunt Driver | 
| Calum McFarlane | First Assistant "A" Camera | 
| Chuck Whelan | Additional First Assistant Camera | 
| Mal Booth | Additional Grip | 
| Douglas Busby | Additional Second Assistant Camera | 
| Ralph Mendoza | Assistant Camera | 
| Walter McClain | Camera Car | 
| Lynda Wu | Camera Loader | 
| Kerri-Lee Hammelswang | Clapper Loader | 
| Ian McAlpine | Dolly Grip | 
| Toby Copping | First Company Grip | 
| Andy Stevens | Focus Puller | 
| Leo Baker | Second Assistant Camera | 
| Danny Andres | Second Company Grip | 
| Richard Clarke | CG Animator | 
| Judith Cruden | Casting Assistant | 
| Megan Doneman | Assistant Editor | 
| Michael Healey | Colorist | 
| Kacie Haggerty | Negative Cutter | 
| Della Churchill | Assistant Location Manager | 
| Tobin Hughes | Location Assistant | 
| Robin Lynn | Music Consultant | 
| Bruce Benson | Aerial Coordinator | 
| Cybele Cox | Art Department Production Assistant | 
| Jannine Dixon | Assistant Accountant | 
| Craig Bryant | Assistant Chief Lighting Technician | 
| Deborah Alleck | Assistant Production Coordinator | 
| Grayden Le Breton | Assistant Unit Manager | 
| Mary Small | Catering | 
| Grant Atkinson | Chief Lighting Technician | 
| Antonio Vargas | Choreographer | 
| Matt Dessero | Compositing Lead | 
| Dan Glass | Compositing Supervisor | 
| Carole Cowley | Digital Effects Producer | 
| Samantha Forster | Executive Assistant | 
| Jane Dawkins | Extras Casting | 
| Matthew K. Grigsby | First Assistant Accountant | 
| Courtney Vanderslice | Head of Production | 
| Fiona Landreth | Payroll Accountant | 
| J.W. 'Corkey' Fornof | Pilot | 
| Jeff Bilger | Production Assistant | 
| Norman Copeman | Rigging Supervisor | 
| Laura Sivis | Security Coordinator | 
| David Swanson | Set Dresser | 
| Charlie Nott | Lighting Technician | 
| Randi Feldman | Script Supervisor | 
| Judy Whitehead | Script Supervisor | 
| Robert Consing | Storyboard Artist | 
| Mark Sexton | Storyboard Artist | 
| Richard K. Buoen | Storyboard Artist | 
| Trevor Goring | Storyboard Artist | 
| William H. Burton Sr. | Second Unit Director | 
| Jane Johnston | Assistant Costume Designer | 
| Jack Ellison | Marine Coordinator | 
| Robert Towne | Screenplay | 
| Hans Zimmer | Conductor, Original Music Composer | 
| Jeffrey L. Kimball | Director of Photography | 
| Deborah Aquila | Casting | 
| Sarah Halley Finn | Casting | 
| Nathan Crowley | Art Direction | 
| Brian Smrz | Second Unit Director, Stunt Coordinator | 
| John Woo | Director | 
| Ronald D. Moore | Story | 
| Brannon Braga | Story | 
| Marc Streitenfeld | Music Editor | 
| Marc Spicer | Camera Operator | 
| Klaus Badelt | Additional Music | 
| Victoria Mielewska | Dialect Coach | 
| Kim Libreri | Digital Effects Supervisor | 
| Daniel Mellitz | Video Assist Operator | 
| John Rogers | Gaffer | 
| Jonathan Sanger | Executive In Charge Of Production | 
| Mark P. Stoeckinger | Supervising Sound Editor | 
| Craig Barron | Visual Effects Supervisor | 
| Tony Ciccone | Additional Editing | 
| J.H. Arrufat | Dialogue Editor | 
| Tony Lamberti | Sound Effects Editor | 
| Paul Massey | Additional Sound Re-Recording Mixer | 
| Andy Nelson | Sound Re-Recording Mixer | 
| Anna Behlmer | Sound Re-Recording Mixer | 
| Garson Yu | Title Designer | 
| Jason Ballantine | Visual Effects Editor | 
| Keith Campbell | Stunt Double | 
| Adrian De Wet | Compositing Artist | 
| Jasmine Yuen Carrucan | Second Assistant Camera | 
| Lalo Schifrin | Main Title Theme Composer | 
| Bruce Geller | Original Series Creator | 
| Michael Anthony Jackson | Storyboard Artist | 
| Debbie Evans | Stunt Driver | 
| Dane Farwell | Stunts | 
| Danny Wynands | Stunts | 
| Jimmy N. Roberts | Stunts | 
| Corey Michael Eubanks | Stunts | 
| Arthur Anderson | First Assistant Director | 
| Erik Winquist | Compositing Artist | 
| Kerry Carmean-Williams | Sound Effects Editor | 
| Sharon Jones | Music Score Producer | 
| Kevin Yagher | Special Effects Makeup Artist | 
| Name | Title | 
|---|---|
| Terence Chang | Executive Producer | 
| Michael Doven | Associate Producer | 
| Paul Hitchcock | Executive Producer | 
| Paula Wagner | Producer | 
| Tom Cruise | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 48 | 65 | 41 | 
| 2024 | 5 | 57 | 69 | 43 | 
| 2024 | 6 | 55 | 98 | 33 | 
| 2024 | 7 | 52 | 89 | 29 | 
| 2024 | 8 | 41 | 58 | 30 | 
| 2024 | 9 | 35 | 63 | 27 | 
| 2024 | 10 | 35 | 57 | 25 | 
| 2024 | 11 | 40 | 66 | 26 | 
| 2024 | 12 | 39 | 60 | 30 | 
| 2025 | 1 | 41 | 67 | 29 | 
| 2025 | 2 | 32 | 55 | 6 | 
| 2025 | 3 | 11 | 44 | 3 | 
| 2025 | 4 | 10 | 16 | 6 | 
| 2025 | 5 | 17 | 30 | 10 | 
| 2025 | 6 | 16 | 25 | 11 | 
| 2025 | 7 | 11 | 17 | 8 | 
| 2025 | 8 | 11 | 16 | 6 | 
| 2025 | 9 | 10 | 13 | 7 | 
| 2025 | 10 | 8 | 11 | 6 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 10 | 131 | 480 | 
| Year | Month | High | Avg | 
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| 2025 | 9 | 84 | 396 | 
| Year | Month | High | Avg | 
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| 2025 | 8 | 33 | 316 | 
| Year | Month | High | Avg | 
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| 2025 | 7 | 158 | 496 | 
| Year | Month | High | Avg | 
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| 2025 | 6 | 28 | 330 | 
| Year | Month | High | Avg | 
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| 2025 | 5 | 15 | 242 | 
| Year | Month | High | Avg | 
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| 2025 | 4 | 158 | 594 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 75 | 486 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 2 | 324 | 688 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 1 | 326 | 743 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 12 | 378 | 679 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 11 | 388 | 659 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 8 | 880 | 919 | 
This is a decent enough mindless action movie with a lot of over the top action but it is not really a Mission Impossible movie. The movie starts of reasonably well being somewhat intelligent with a bit of Mission Impossible feel to it. It is actually almost a bit slow at times. However, for the sec ... ond half of the movie it really degrades into a classical John Woo, over the top, action feast with all pretense of intelligence and any true Mission Impossible feel gone. John Woo is not the right person to make a Mission Impossible movie. As with the first movie if it would not have been labelled Mission Impossible I would probably have given it a higher rating since it is a decent enough, mostly braindead though, Hollywood action movie. However, I have higher expectations from a movie labelled Mission Impossible. Tom Cruise is quite okay as Ethan Hunt. Dougray Scott is okayish as the bad guy. Sometimes he projects the right big bad and mad bad-guy attitude but sometimes he is just silly and just as over the top as the action scenes. He is supposed to be a mastermind but he comes out as a thug a’ la a not so intelligent drug baron in many scenes. The action scenes? Well, they are classical John Woo material. Fast paced with a lot of stunts and things that go boom. They are also, as expected, hugely over the top and unbelievable. They provide a enjoyable visual experience but, as I wrote above, they are not really what I would expect from a Mission Impossible movie. The romance between Hunt and Nyah is the typical Hollywood, let’s throw in a sexy girl and some superficial attraction, which develops from get lost to I love you in the matter of a few hours of contact, between the lead character and the girl. Meh! I get the impression that the people that have created these movies so far have not really watched a single full season of Mission Impossible.
The first underwhelmed me, but this one straight-up bored me. Again, of course seeing Hunt climb a mountain without a harness is impressive sure. And I even quite liked the idea behind the villain of the piece (though even that angle was woefully underdeveloped). Even setting it in predominantly ... Australia was enough to grab my attention, and that's saying something cause I'm pretty biased when it comes to that. I hear tell that _Mission: Impossible II_ is the low point in the series, and that at least is encouraging, because if anything afterwards is much worse than this one, I don't know if I'll be able to make it through to Rogue Nation. _Final rating:★½: - Boring/disappointing. Avoid if possible._
After quite entertainign Mission Impossible I the second installment turned out ... terrible. As if the screenwriters didn't know how to fill the 2 hrs with action the overuse of heroic slow motion scenes is horrible. You almost might need a barf bag if you can't stand slo-mo every five seconds... f ... or 15 seconds. I am amazed they did decide to push on with more M:I movies after this one, then again, these turned out much much better even if it would be hard to beat that lousy piece of crap of a movie.
"Ambrose" (Dougray Scott) is a disavowed IMF agent with a grudge. He is determined to procure and release a deadly hybrid "chimera" virus onto the streets of Sydney so he can push up the share price of the company that wins his auction to acquire it; and that can also manufacture the antidote "Belle ... rophon". It falls to "Ethan" (Tom Cruise) and his inventive gang of regulars to come up with a way to thwart this plot. To that end, he recruits the brassy thief "Nyah" (Thandiwe Newton) who gets to play a real love interest with "Ethan" whilst feigning one with "Ambrose" to get close to him and learn his plans. On the face of it, this is an ideal screenplay for this franchise, a sort of "James Bond" theme with plenty of location cinematography, action scenes and the odd gadget. Sadly, though, Scott is just not very menacing as the baddie and the story is really under-developed. The characters appear to be almost grinning their way through the unremarkable dialogue, and John Woo creates then recreates the action scenes as if it were just some sort of cartoon feature. The standard of the production is high, the staging of those action scenes is strong and well photographed, but the story just doesn't ever really get into gear and at over two hours, it's a pretty weak and insipid outing for just about everyone. Not a patch on the first film.
This movie generally follows the formula of most spy and action movies, and certainly fits into the mission, impossible mold. I’m not much of a cinephile, and don’t normally notice a slight directorial selections, but the directing in this was terrible. Constant cut ways to waves or buildings or oth ... er things. This movie was not only anticlimactic with the final fight scene, which is poorly paste and poorly directed. Some of the set pieces were cool, but this went from being a spy type movie to more of an action movie and didn’t deliver on the promise. The first movie gave us. Probably the lowest in the mission impossible franchise.
And here is where I gave up on the series. I liked the first one, it was 3 Days of the Condor with action, not as brilliant acting, not as talented a cast, but action packed fun. And then suddenly Tom has long hair and it's has no plot, there are a lot of pigeons all the time, the action looks c ... orny and.... I checked out, I really did. Even the memory cards, they are spies that do action and they aren't using Compact Flash Cards? It made no sense, it was imagery over plot. It stank. But they made a lot more, and I might have watched the Ghost Recall or whatever it was called on, but don't really remember paying attention to it. This one took me out of the franchise.