 
  Popularity: 3 (history)
| Director: | Jonah Feingold | 
|---|---|
| Writer: | María Hinojos, Jonah Feingold, Giovanni Porta | 
| Staring: | 
| Alejandro's life is disrupted when actress Sophie Wilder stays at his hotel. To their surprise, the two fall for one another, meeting at midnight. | |
| Release Date: | Feb 10, 2023 | 
|---|---|
| Director: | Jonah Feingold | 
| Writer: | María Hinojos, Jonah Feingold, Giovanni Porta | 
| Genres: | Comedy, Romance | 
| Keywords | mexico, hotel, midnight, love, actress | 
| Production Companies | Automatik Entertainment, Teorema, Three Amigos, VIS | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Monica Barbaro | Sophie Wilder | 
| Diego Boneta | Alejandro | 
| Anders Holm | Adam Clark | 
| Catherine Cohen | Rachel Abrams | 
| Casey Thomas Brown | Chris James | 
| Fernando Carsa | Tachi | 
| Whitney Cummings | Margot Cohen | 
| Ricardo Esquerra | Pancho | 
| Luz Aldán | Julia | 
| Jon Rudnitsky | Jimmy Martin | 
| Sara Sampaio | Elisabetta | 
| Maya Zapata | Aurelia | 
| Carolina Politi | Mónica | 
| Concepción Márquez | Abuela | 
| Juan Manuel Bernal | Alejandro Sr. | 
| Matt Ramos | Super Society Fan Critic | 
| Name | Job | 
|---|---|
| Viridiana Olvera | Casting | 
| Joakim Ziegler | Post Production Supervisor | 
| Chelsea Ellis Bloch | Casting | 
| María Hinojos | Screenplay | 
| Jonah Feingold | Screenplay, Director | 
| Jaime Baksht | Sound Re-Recording Mixer | 
| Giovanni Porta | Screenplay, Story | 
| Chuy Chávez | Director of Photography | 
| Claudio Ramírez Castelli | Production Design | 
| Ifigenia Martínez Urdaneta | Costume Design | 
| Martin de Torcy | Sound Mixer | 
| Gerardo Islas Bulnes | Sound Effects Editor | 
| Michelle Couttolenc | Sound Re-Recording Mixer | 
| Javier Umpierrez | Supervising Sound Editor, Sound Designer | 
| Grant Fonda | Original Music Composer | 
| Veronica Rutledge | Editor | 
| Marisol Roncali | Casting | 
| Marcos Demián Vargas | Art Direction | 
| Adam Zoller | Makeup Designer | 
| Eduardo Castillo | Sound Effects Editor | 
| Sandra Paredes | Line Producer | 
| Name | Title | 
|---|---|
| Eréndira Núñez Larios | Producer | 
| Brian Kavanaugh-Jones | Producer | 
| Michel Franco | Executive Producer | 
| María Hinojos | Co-Executive Producer | 
| David Bernon | Producer | 
| Sam Slater | Co-Producer | 
| Tereza Gonzalez | Executive Producer | 
| Josh Glick | Producer | 
| Cory Crespo | Executive Producer | 
| Federico Cuervo | Executive Producer | 
| Gemma Levinson | Executive Producer | 
| Giovanni Porta | Co-Executive Producer | 
| Natalia Boneta | Co-Executive Producer | 
| Juan JC Acosta | Executive Producer | 
| Fred Berger | Producer | 
| Diego Boneta | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 14 | 26 | 6 | 
| 2024 | 5 | 14 | 22 | 10 | 
| 2024 | 6 | 15 | 36 | 7 | 
| 2024 | 7 | 14 | 22 | 8 | 
| 2024 | 8 | 16 | 39 | 7 | 
| 2024 | 9 | 8 | 13 | 4 | 
| 2024 | 10 | 10 | 18 | 5 | 
| 2024 | 11 | 12 | 37 | 5 | 
| 2024 | 12 | 8 | 15 | 5 | 
| 2025 | 1 | 9 | 21 | 5 | 
| 2025 | 2 | 6 | 8 | 2 | 
| 2025 | 3 | 4 | 10 | 1 | 
| 2025 | 4 | 1 | 1 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 1 | 0 | 
| 2025 | 8 | 1 | 1 | 0 | 
| 2025 | 9 | 1 | 2 | 1 | 
| 2025 | 10 | 2 | 3 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 10 | 444 | 478 | 
This movie was bad, but a good kind of bad. The dialog was absolutely terrible. I mean, some of the writing was trying to be self-aware but was actually just cringeworthy. But the poor writing mixed with the mediocre acting actually had me laughing out loud throughout the entire film. The lines are ... so shocking that I physically could not believe it was in the movie. It was pretty fun in that regard. The plot is as generic as one could expect. Monica Barbaro was actually pretty solid in this film. I think she has a ton of potential in a film that was actually attempting to be good. Overall, I would not recommend At Midnight unless you are interested in laughing at its absurdity. Score: 33% Verdict: Bad (but fun)