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Jay Kelly

Everybody knows Jay Kelly, but Jay Kelly doesn't know himself.
2025 | 132m | English

(28373 votes)

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Popularity: 10 (history)

Details

Famous movie actor Jay Kelly embarks on a journey of self-discovery, confronting both his past and present, accompanied by his devoted manager, Ron.
Release Date: Nov 14, 2025
Director: Noah Baumbach
Writer: Emily Mortimer, Noah Baumbach
Genres: Comedy, Drama
Keywords manager, europe, nostalgic, dramedy, actor, joyous, egotistical, cliché, famous actor
Production Companies Heyday Films, Pascal Pictures, NB/GG Pictures
Box Office Revenue: $0
Budget: $0
Updates Updated: Jan 08, 2026
Entered: Nov 23, 2025
Trailers

Extras

Full Credits

Name Character
George Clooney Jay Kelly
Adam Sandler Ron Sukenick
Laura Dern Liz
Billy Crudup Timothy
Riley Keough Jessica Kelly
Grace Edwards Daisy Kelly
Stacy Keach Jay's Dad
Jim Broadbent Peter Schneider
Patrick Wilson Ben Alcock
Eve Hewson Daphne
Greta Gerwig Lois Sukenick
Alba Rohrwacher Alba
Josh Hamilton Carter
Lenny Henry Larry
Emily Mortimer Candy
Nicôle Lecky Krista
Thaddea Graham Meg
Isla Fisher Melanie Alcock
Stanley Townsend First Voice (voice)
Erica Sweany Costume Designer
Kevin Shen 2nd AD
David Neumann Sound Recordist
Leila Farzad 1st AD
Juliet Cowan Actress
Eleanor Matsuura Dresser
Lucas Aurelio Electrician
Tuwaine Barrett Rain Rigger
Martha West Set PA
Philip Arditti Cinematographer
Nigel Whitmey Stand-in
Kyle Soller Director
Parker Sawyers Props
Giovanni Zeqireya Silvano
Doug Cockle Nathan
Sadie Sandler Vivienne Sukenick
Helene Maksoud Mourner
Dean Wareham Mourner
Ruthie Rogers Mourner
Josh Berger Mourner
Penny Mortimer Mourner
Christine Crais College Kid at Bar
Kwabena Peprah College Kid at Bar
Carlos Jacott Gordon
Eloise Jacott Michelle
John Macmillan Chef
Andreas Muñoz Chef Mario
Lars Eidinger German Cyclist
Ferdi Stofmeel Dutch Cyclist
Rosita Raffaelli Daisy Lookalike
Antoinette Aaron French Fan
Philippe Spall Train Conductor
Nasser Memarzia Professor
Christophe Guybet French Businessman
Annabel Mullion Woman in the Window
Federico Scribani Fireman
Francesco De Vito Farm Equipment
Sharon Rooney Backpacker
Hannah Onslow Backpacker
Amber Mendez Martin Backpacker
Janine Duvitski Sharon
Jamie Demetriou Clive
Patsy Ferran Brenda
Pippo Crotti Priest
Yinka Awoni Priest
May Nivola Phoebe
Théo Augier Guillaume
Alex Jarrett Rio
Alaïs Lawson Daisy's Friend
Cassius Hackforth Daisy's Friend
Emily Piggford Captain Jenny
Danielle Lewis Co-Pilot Lourdes
Giovanni Esposito Antonio
Monica Nappo Catherina
Galatea Ranzi Camilla
Fabio Vannozzi Giovanni
Arianna Becheroni Isabella
Lucian St Aubyn Zeke
Marco Conte Doctor
Donald Sabourin Brother-in-Law Spike
Matilda Thorpe Barbara
Charlie Rowe Young Jay Kelly
Louis Partridge Young Timothy
Ruby Stokes Sara
Alastair Coughlan Actor at Audition
Andrew Malik Actor at Audition
Joe Hewetson Actor at Audition
Max Beken Actor at Audition
Tom Francis Actor at Audition
Carly-Sophia Davies Casting Assistant
Debora Weston Casting Director
Martin McDougall 1st AD
Kit Rakusen Eli
Sadie Stallcup Young Daisy
Noah Baumbach Director (uncredited)
Phạm Quang Minh Kak
Name Job
Emily Mortimer Writer
Chris Peters Art Direction
Rachel Durance Editor
Chris Scarabosio Sound Re-Recording Mixer, Supervising Sound Editor
Ivana Primorac Hair Designer, Makeup Designer
Véronique Melery Set Decoration
Valerio Bonelli Editor
Nina Gold Casting
Andy Madden First Assistant Director
Nicholas Britell Original Music Composer
Noah Baumbach Director, Writer
Linus Sandgren Director of Photography
Ben Wright Stunt Coordinator
Jacqueline Durran Costume Design
Mark Tildesley Production Design
Ben Collins Supervising Art Director
Douglas Aibel Casting
David Simpson Visual Effects Supervisor
Oliver Fergusson-Taylor Visual Effects Producer
David Sinfield Gaffer
George Drakoulias Music Supervisor
David Neumann Choreographer
Robert Madden Second Assistant Director
Rod McLean Art Direction
Luke Sanders Art Direction
Arwel Evans Standby Art Director
Michael Pybus Assistant Art Director
Jordan Muir Assistant Art Director
Dimitris Giannetos Makeup & Hair
Ann Pala Makeup & Hair
Samantha Kininmonth Makeup & Hair
Niall Monteith-Mann Makeup & Hair
Carmel Jackson Makeup & Hair
Jade Levene-Endfield Makeup & Hair
Cheryl Garvey Makeup & Hair
Suzanne David Makeup & Hair
Joseph Koniak Makeup & Hair
Annabelle McMahon Makeup & Hair
Ricci-Lee Berry Makeup & Hair
Nina Rice Production Sound Mixer
Gordon Cave Special Effects Technician
Martin Ware Casting Associate
Matthew Glasner Casting Associate
Marlow Warrington-Mattei Stunt Coordinator
Lorenzo De Nicola First Assistant Director
Giacomo Scortichini Second Assistant Director
Briseide Siciliano Art Direction
Alessandro Santucci Supervising Art Director
Alessio Bramucci Gaffer
Emiliano Leurini "B" Camera Operator
Alejandro Chávez "B" Camera Operator
Carlotta Simula Set Decoration Buyer
Alessio Bastianelli "C" Camera Operator, "A" Camera Operator
Domingo Santoro Hair Department Head
Francesca Iamundo Key Hair Stylist
Francesca Scalera Hairstylist
Simone Liardo Hairstylist
Mirella Conte Hairstylist
Raffaella Iorio Makeup Department Head
Clarissa Antinori Key Makeup Artist
Silvia Beltrani Makeup Artist
Glenda La Rocca Makeup Artist
Giulia Maran Makeup Artist
Lidia Minì Makeup Artist
Daniel Acon Special Effects Supervisor
Tim Moen Art Direction
Meg Everist Set Decoration
Tony Bryan Chief Lighting Technician
Jennifer Durban Set Decoration Buyer
Clare M. Corsick Hair Department Head
Robert Sharman Production Sound Mixer
Melissa Malkasian Key Hair Stylist
Roma Goddard Hairstylist
Lucia Mace Hairstylist
Paul Schmitz Second Assistant Director
Maha Makeup Department Head
Jennifer Zide Key Makeup Artist
Corina C. Duran-Rabichuk Makeup Artist
Raqueli Dahan Makeup Artist
Akiko Matsumoto Makeup Artist
Eleanor Sabaduquia Makeup Artist
Paul Eliopoulos Stunt Coordinator
Marie d'Hallivillée First Assistant Director
Gregoire Thevenot "A" Camera Operator
Quentin Jorquera "B" Camera Operator
Bastien Planchenault Sound Recordist
Roberto Gentili "B" Camera Operator
Alessandro Trapani First Assistant Director
Rowan Watson Sound Designer
Matthew Collinge Sound Re-Recording Mixer
Barnaby Smyth Foley Artist, Foley Supervisor
Keith Partridge Foley Mixer
Rebecca Glover Foley Artist
Stuart Bagshaw Foley Editor
Joe O'Halloran Foley Editor
Glen Pratt Visual Effects Supervisor
Kaley Edwards Visual Effects Producer
Gavin McKenzie Visual Effects Supervisor
Mark Webb Visual Effects Producer
Stuart Bullen Visual Effects Supervisor
Michelle Cullen Visual Effects Producer
Teddy Blanks Main Title Designer
Chris Lyons Special Effects Makeup Artist
Name Title
Noah Baumbach Producer
Donald Sabourin Executive Producer
David Heyman Producer
Amy Pascal Producer
Emily Mortimer Executive Producer
Christine Crais Co-Producer
Madeline Donahue Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 8 16 2
2024 5 11 19 8
2024 6 7 20 2
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2025 10 5 6 3
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2025 12 38 96 5
2026 1 12 13 10

Trending Position


Year Month High Avg
2026 1 65 102
Year Month High Avg
2025 12 1 53
Year Month High Avg
2025 11 51 163

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Reviews

msbreviews
9.0

FULL SPOILER-FREE REVIEW @ https://fandomwire.com/jay-kelly-review/ "Jay Kelly is a dense and unforgettable drama from Noah Baumbach, where George Clooney's inspired performance reaches a peak of vulnerability, giving life to a man trapped between professional success and personal emptiness. I ... t's a thematically rich story about the tyranny of memory and the high cost of ambition, questioning whether success compensates for lost bonds. With directing, editing, cinematography, and score that transform dialogue into pure intimacy and organically link the past and present, the film is technically and emotionally superb, rejecting the convenient ending in favor of life's bittersweet truth. The only way forward is ahead, learning to love the story that, by choice, became our own." Rating: A

Oct 11, 2025
Brent_Marchant
3.0

Those familiar with my writing are likely well aware that I have often said the cardinal sin in moviemaking is predictability (why see a film if you already know what’s going to happen?). On the heels of that belief, my second biggest cardinal sin in this field is a lack of originality (to a great d ... egree because predictability often walks hand in hand with this shortcoming). And, unfortunately, those are the problems that sink this latest effort from writer-director Noah Baumbach. In a nutshell, this offering tells the story of its self-important title character (George Clooney), a successful but aging movie star who’s beginning to realize that his life has slipped away from him, leaving him with a pile of professional and personal regrets, many of which involved burning some significant bridges. Through a series of flashbacks (and a whole lot of vacuous hand wringing that’s quickly and easily dismissed), he sees – perhaps for the first time – how he’s squandered much of his time and alienated many kindreds, leaving him feeling fundamentally empty. (Now there’s a novel idea for a story – a pampered, self-absorbed LA celebrity who experiences a midlife (or, in this case, a late life) crisis and goes into meltdown mode to haplessly search for “meaning.”) But haven’t we already seen this storyline play out countless times before in other releases, such as “All That Jazz” (1979), “Stardust Memories” (1980) (and the film it’s based on, “8½” (1963)), “Bardo” (2022) and “Birdman” (2014), to name only a few. So what does “Jay Kelly” offer that’s new to this narrative? Frankly, nothing. And, to make matters worse, it doesn’t even traverse this well-worn ground very effectively (all of the aforementioned predecessors having done a much better job at this). There’s little to like about – or even empathize with – any of the characters in this story, leaving viewers to sigh a big “So what?” Even the protagonist is unengaging, coming across as an amalgamation of his (i.e., in essence, Clooney’s) on-screen personas. The effect of this is shamelessly self-congratulatory that essentially plays like a reel of the actor’s greatest hits, set against a backdrop of superficiality and relentlessly obtrusive product placement (again, so what?). In fact, the most interesting players in this production are the supporting characters, such as an old acting school colleague (Billy Crudup) and the director who gave Kelly his start (Jim Broadbent). Regrettably, though, these characters are relegated to comparatively small roles with little screen time. The supporting character who receives the lion’s share of such attention is Kelly’s manager (Adam Sandler), a wholly uninteresting, inconsequential cast member who could have been easily eliminated without losing a thing. In short, this whole affair is so shallow and so LA-clichéd that it’s difficult to care about any of it in the slightest, all the while trying to pass itself off as something sublimely profound. (Yawn.) Sadly, this vehicle is a waste of Clooney’s and Baumbach’s considerable talents. Both are better than what they’ve produced here. Indeed, if there’s genuine tragedy to be had in this effort, their derivative, uninspired creative output on this project would undoubtedly be it.

Dec 05, 2025