They Will Kill You
Let them try.
2026 | 94m | English
Popularity: 16 (history)
| Director: | Kirill Sokolov |
|---|---|
| Writer: | Kirill Sokolov, Alex Litvak |
| Staring: |
| A woman answers a help wanted ad to be a housekeeper in a mysterious New York City high-rise, unaware that she is entering a community that has seen a number of disappearances over the years and may be under the grip of a Satanic cult. | |
| Release Date: | Mar 25, 2026 |
|---|---|
| Director: | Kirill Sokolov |
| Writer: | Kirill Sokolov, Alex Litvak |
| Genres: | Action, Horror, Comedy |
| Keywords | new york city, abusive father, ritual, cult, gore, survival, disappearance, housekeeper, survival horror, high rise, satanic cult, manhattan, new york city, sister sister relationship, malicious, playful, mysterious disappearance, amused, action horror |
| Production Companies | New Line Cinema, Warner Bros. Pictures, Film Afrika, Domain Entertainment, Nocturna |
| Box Office |
Revenue: $18,702,393
Budget: $20,000,000 |
| Updates |
Updated: Apr 25, 2026 Entered: Dec 17, 2025 |
| Name | Character |
|---|---|
| Zazie Beetz | Asia Reaves |
| Patricia Arquette | Lily Woodhouse |
| Myha'la | Maria Reaves |
| Paterson Joseph | Ray Woodhouse |
| Tom Felton | Kevin |
| Heather Graham | Sharon |
| Willie Ludik | Bob |
| David Viviers | Tall Steve |
| Gabe Gabriel | Short Steve |
| Viktoriya Korotkova | Sophia |
| James Remar | Pig's Head (voice) |
| Dorothy Ann Gould | Anne Sheapman |
| Mike Huff | Dr. Sheapman |
| Darron Meyer | Ritchie |
| Orefile Moloi | Young Maria |
| Brandon Auret | Teardrop Man |
| Angus Sampson | The P.I. |
| Chris van Rensburg | The Manager |
| Neels Clasen Jnr | Damian |
| Megan Alexander | Angry Inmate |
| Gert Louw | Buddy |
| Maite Rakabe | Young Inmate |
| Trudy van Rooy | Real Isabelle |
| Lindzay Naidoo | Maid |
| Shiefaa Hendricks | Maid |
| Andrew Morgado | Additional Pig's Head Voice |
| Name | Job |
|---|---|
| Kirill Sokolov | Writer, Director |
| Sarah Blanchard | Location Coordinator |
| Cheryl Eatock | Line Producer |
| Sara Hartinger | Art Direction |
| Lise-Marie Bothma | Prosthetic Supervisor |
| Natasha Kopel | Makeup Artist |
| Aqeel Isaacs | Production Supervisor |
| Andile Vuyolwethu Pakade | Second Second Assistant Director |
| Sean Collett | Concept Artist |
| Tina Babakishvili | Foley Supervisor |
| Zack Goldsborough | Sound Recordist |
| Nicholas Mboweni | ADR Recordist |
| Jeffrey A. Pitts | Supervising Sound Editor, Sound Designer |
| Ethan Zeitman | Sound Effects Editor |
| Christopher Cheng | Compositor |
| Jean-Phillipe Lucas | Digital Compositor |
| Luke Doolan | Editor |
| Michele Barfoot | Set Decoration |
| Bonnie Lee Bouman | Casting |
| Neil McClean | Costume Design |
| Janine Coleman | Scenic Artist |
| Dachi Abesalashvili | Foley Editor |
| Biko Gogaladze | Foley Artist |
| Craig Mann | Sound Re-Recording Mixer |
| Alexander Sanikidze | Foley Editor |
| Rodrigo Armendariz | Compositor |
| Dayaliyah Lopez | Visual Effects Producer |
| Marc Smith | Visual Effects Supervisor |
| Russ McCarroll | Fight Choreographer |
| Ranjani Brow | ADR Voice Casting |
| Aimee van der Merwe | Assistant Costume Designer |
| Ashley Aldworth | Continuity |
| Shepherd Kasema | Production Assistant |
| Mark Auret | Property Master |
| Steyn Fourie | Stand In |
| Alexander Bayne | Focus Puller |
| Jess Ginsberg | Camera Trainee |
| Mphumzi Makaleni | Assistant Grip |
| Hadley Petersen | Electrician |
| Masithembe Sonti | Assistant Grip |
| Rich Delia | Casting |
| Carlos Rafael Rivera | Original Music Composer |
| Carren Marchant | Key Costumer |
| Cristiana Serra | Standby Art Director |
| Penelope du Plessis | Prosthetics |
| Nicole Roxburgh | Makeup Artist |
| Harrison Jaffee | Second Assistant Director |
| Lerm Audèll | Set Dresser |
| Christo Strydom | Construction Buyer |
| Rati Chkhetiani | Foley Editor |
| Giorgi Lekishvili | Foley Mixer |
| Harrison Meyle | ADR Supervisor |
| Colin Rogers | ADR Mixer |
| David Hart | Special Effects Supervisor |
| Josh Hunt | Visual Effects Editor |
| Lucas Pascale-Pallotta | Visual Effects |
| Paul Hampshire | Stunt Coordinator |
| Frans Steyn | Stunt Coordinator, Stunt Double |
| Maryke Nel | Set Supervisor |
| Louie Schultz | Music Editor |
| Valérie Legrain-Doussau | Legal Services |
| David M. Rodriguez | Post Production Accountant |
| Anton Cairncross | Runner Art Department |
| Graham Bartholomew | Still Photographer |
| Tumi Chere | Camera Loader |
| Jordan Jorodani | Assistant Grip |
| Jo Oosthuizen | "A" Camera Operator |
| Hlumelo Slatsha | Camera Loader |
| Kirk Doman | Supervising Art Director |
| Nobert Kudakwashe Horiwa | Textile Artist |
| Moray McGregor | Art Direction |
| Marika Weber | Makeup & Hair |
| Cailin Nicolson | Makeup & Hair |
| James Muringani | Unit Production Manager |
| Marci Trout | First Assistant Director |
| Steve Paul Martin | Construction Manager |
| Greg Canning | ADR Engineer |
| Beso Kacharava | Foley Editor |
| Duncan McRae | Sound Re-Recording Mixer |
| Brendan Roche | ADR Mixer |
| Martyn Zub | Dialogue Editor |
| Phylicia Feldman | Compositor |
| Chris Olivas | Compositor |
| Kerry Gregg | Stunt Coordinator |
| Jenny McIlraith | Casting Assistant |
| Ray Kim | Additional Music |
| Jay Floyd | Clearances Consultant |
| Riaan Cordier | Finance |
| Amanda Alley | Production Executive |
| Shane Abrahams | Best Boy Electric |
| Arthur Butan | Key Rigging Grip |
| Alex Hennes | Loader |
| Dumi Ndumiso Ninela | Best Boy Grip |
| Lupho Shosha | Rigging Grip |
| Nigel Tompkins | Digital Imaging Technician |
| Erin Rose Kelly | Casting Associate |
| Richard Ziegler | Music Editor |
| Isaac Bauman | Director of Photography |
| Jeremy Reed | Production Design |
| Monique Bezuidenhout | Makeup & Hair |
| Saarah Harris | Makeup Artist |
| Mitchell Grobman | Post Production Supervisor |
| Justin Kraak | Second Assistant Director |
| Jaques Botha | Lead Set Dresser |
| Rae Townsend | Concept Artist |
| Greg Crawford | ADR Mixer |
| Nico Louw | Sound Mixer |
| Chris Navarro | ADR Mixer |
| Pernell L. Salinas | Assistant Sound Editor |
| Cordell McQueen | Special Effects Supervisor |
| Ju Won Lee | Digital Compositor |
| Jonathan Skabla | Digital Compositor |
| Kade Luckhoff | Stunts |
| Sean Walker | Stunt Coordinator |
| Keelan Nieuwstadt | Costume Coordinator |
| Andrea von Foerster | Music Supervisor |
| Thulile Kakaza | Production Secretary |
| André Vorster | First Assistant Accountant |
| Joshua Connaway | Special Effects Technician |
| Wynand Basson | First Assistant "A" Camera |
| Leonard da Cambra | Best Boy Electric |
| Makororo Mafolo | Assistant Grip |
| Gordon Paterson | Electrician |
| Roderick Dean Smith | Key Grip |
| Patrick Vrieslaar | Gaffer |
| Damian Green | Stunts |
| Paul Pieterse | Stunts |
| Ashley Lambert | ADR Voice Casting |
| Kyle Walczak | Additional Editor |
| Jude Chacon | Digital Intermediate Editor |
| Avela Tshambula | Assistant Production Coordinator |
| John van Vliet | Standby Property Master |
| Dylan Johansson | Stand In |
| Peter Belcher | "B" Camera Operator |
| Ryan Groves | Video Assist Operator |
| Athi Maloy | Electrician |
| Travers Randall | Gaffer |
| Anele Thobi | Dolly Grip |
| Devin Toselli | Second Unit Cinematographer |
| Alex Litvak | Writer |
| Name | Title |
|---|---|
| Russell Ackerman | Executive Producer |
| Barbara Muschietti | Producer |
| John Schoenfelder | Executive Producer |
| Kirill Sokolov | Executive Producer |
| Carle Hampe | Executive Producer |
| Rudi Van As | Executive Producer |
| Andy Muschietti | Producer |
| Alex Litvak | Executive Producer |
| Marisa Sonemann-Turner | Executive Producer |
| Dan Kagan | Producer |
| Pete Chiappetta | Executive Producer |
| Andrew Lary | Executive Producer |
| Anthony Tittanegro | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 6 | 0 | 2 | 0 |
| 2024 | 7 | 1 | 5 | 0 |
| 2024 | 8 | 2 | 4 | 0 |
| 2024 | 9 | 3 | 8 | 1 |
| 2024 | 10 | 2 | 6 | 1 |
| 2024 | 11 | 1 | 3 | 1 |
| 2024 | 12 | 1 | 2 | 1 |
| 2025 | 1 | 1 | 3 | 1 |
| 2025 | 2 | 1 | 2 | 1 |
| 2025 | 3 | 1 | 1 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 1 | 0 |
| 2025 | 10 | 1 | 2 | 1 |
| 2025 | 11 | 2 | 4 | 1 |
| 2025 | 12 | 2 | 5 | 1 |
| 2026 | 1 | 5 | 14 | 1 |
| 2026 | 2 | 4 | 7 | 2 |
| 2026 | 3 | 18 | 57 | 5 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 3 | 7 | 72 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 2 | 90 | 274 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 11 | 329 |
This was completely bonkers, in both the best and worst ways. Imagine a wild mash-up of Ready or Not, Kill Bill, and Looney Tunes, with flashes of countless other films thrown into the mix. It’s chaotic, and doesn’t always land, but it’s never dull. The trailer does a great job of hiding a key el ... ement that I genuinely didn’t see coming. That surprise is also where the “mixed results” come in. I won’t spoil it, but while it adds a layer of dark comedy to the blood-soaked mayhem, it also hinders the movie at times, especially in an ending that’s so over-the-top it’ll likely split audiences right down the middle. Performances and special effects are a bit uneven, but the action is where the film really shines. The set pieces are inventive, fast-paced, and gleefully excessive, with bloodshed dialled up to ridiculous levels. This feels like the kind of film that might improve on a second watch, once you know what you’re in for. For now, it lands as a fun, chaotic ride - 7/10 for now.
This is another one of those films where the best bits are definitely in the trailers. We are quickly briefed that siblings “Asia” (Zazie Beetz) and “Maria” (Myha’la) are being abused by their father, but when the former adopts a more permanent solution to their problem, she is incarcerated and many ... years pass during which the sisters lose contact. Upon her release, “Asia” gets herself a job working as a cleaner in a grand looking New York skyscraper, but little does she appreciate just what services she will be required to provide to “Lily” (Patricia Arquette) and her coterie of staff and hedonistic residents. Luckily, she might be able to rely on “Ray” (Paterson Joseph) who is married to her new nemesis but who has become disillusioned with things - but even together, is there any chance they can combat their uniquely armed foes? I did quite like the last ten minutes, but otherwise this is all too familiar and predictable, with shades of a demonic version of “John Wick” running through most of it, and very little comedy once we establish the Hammer-style nature of the scenarios. I suppose it does look good, but I find these one person army features increasingly repetitive to watch and I felt this recycled itself once to often for me.