Popularity: 3 (history)
Director: | Fred Zinnemann |
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Writer: | Carl Foreman |
Staring: |
Ken, a WWII GI, returns home after he's paralyzed in battle. Residing in the paraplegic ward of a veteran's hospital and embittered by his condition, he refuses to see his fiancée and sinks into a solitary world of hatred and hostility. Head physician, Dr. Brock cajoles the withdrawn Ken into the life of the ward, where fellow patients Norm, Leo and Angel begin to pull him out of his spiritual dilemma. | |
Release Date: | Aug 25, 1950 |
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Director: | Fred Zinnemann |
Writer: | Carl Foreman |
Genres: | Drama |
Keywords | post-traumatic stress disorder (ptsd), depression, broken engagement, war veteran, rehabilitation, bodily disabled person, wheelchair, paralysis, v.a. hospital, military hospital, post war life, hospital visit, physical therapy, paraplegia |
Production Companies | United Artists, Stanley Kramer Productions |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 09, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Marlon Brando | Ken |
Teresa Wright | Ellen |
Everett Sloane | Dr. Brock |
Jack Webb | Norm |
Richard Erdman | Leo |
Arthur Jurado | Angel |
Virginia Farmer | Nurse Robbins |
Dorothy Tree | Ellen's Mother |
Howard St. John | Ellen's Father |
Nita Hunter | Dolores |
Patricia Joiner | Laverne |
John Miller | Mr. Doolin |
Cliff Clark | Dr. Kameran |
Ray Teal | Man at Bar |
Margarita Martín | Angel's Mother |
Sayre Dearing | Bar Patron (uncredited) |
John Hamilton | Justice of the Peace (uncredited) |
DeForest Kelley | Dr. Sherman (uncredited) |
William H. O'Brien | Nightclub Waiter (uncredited) |
Frank O'Connor | Hospital Orderly (uncredited) |
Polly Bergen | Nightclub Singer (Uncredited) |
Name | Job |
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Edward G. Boyle | Set Decoration |
Rudolph Sternad | Production Design |
Harry Gerstad | Editor |
Robert De Grasse | Director of Photography |
Charles Burke | Camera Operator |
Hollis Barnes | Hairstylist |
Lloyd Richards | Assistant Director |
Joe King | Wardrobe Master |
Ann Peck | Wardrobe Master |
Gustaf Norin | Makeup Artist |
Jean L. Speak | Sound Engineer |
Don Weis | Dialogue Coach |
Morris Rosen | Key Grip |
James Potevin | Lighting Technician |
Ted Anderson | Technical Advisor |
Pat Grissom | Technical Advisor |
Herbert Wolf | Technical Advisor |
Carl Foreman | Story, Screenplay |
Dimitri Tiomkin | Original Music Composer, Music Director |
Clem Beauchamp | Production Manager |
Fred Zinnemann | Director |
Name | Title |
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George Glass | Associate Producer |
Stanley Kramer | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 11 | 25 | 5 |
2024 | 5 | 12 | 21 | 6 |
2024 | 6 | 12 | 25 | 6 |
2024 | 7 | 10 | 18 | 5 |
2024 | 8 | 10 | 23 | 5 |
2024 | 9 | 8 | 12 | 5 |
2024 | 10 | 10 | 26 | 5 |
2024 | 11 | 7 | 16 | 5 |
2024 | 12 | 8 | 19 | 4 |
2025 | 1 | 9 | 19 | 5 |
2025 | 2 | 6 | 9 | 2 |
2025 | 3 | 4 | 8 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 2 | 3 | 0 |
2025 | 10 | 3 | 3 | 2 |
Trending Position
"Ken" (Marlon Brando) is a paraplegic war veteran who has returned to the United States, and to an hospital, psychologically ill-equipped to cope with his new situation. His doctor "Brock" (Everett Sloane) tries to understand this increasingly violent and reactionary man whilst his wife "Ellen" (Ter ... esa Wright) vacillates between the terrified and the loving. His behaviour slowly alienates all those around him - including his fellow soldiers and pretty soon he is looking at being kicked out of the place - or worse, being sent to jail. Brando is good here. Watching his performance here it's not hard to see why audiences fell in love with him. Not just because he looks great, but because here he exudes a degree of frustration and exasperation that is selfish, yes, but also explicable in an environment in which prosthetics weren't really an option and so life in a chair was all that was on offer. That prospect challenged his very masculinity and posed quite a problem for "Sloane" and his erstwhile loving wife. On that front, Wright delivers well too, if sparingly, as a woman just as frustrated as her husband - with no real prospect of a solution for her on the cards either. It packs quite a bit of punch for just under ninety minutes and sends a salutary message to an audience that might need to be made more aware of the limitations of the post traumatic treatment being offered to people who suffer life-changing injuries of both a physical and a mental nature, and though I didn't really love the conclusion, it's still well worth a watch.