 
  Popularity: 2 (history)
| Director: | John Harrison | 
|---|---|
| Writer: | Darin Silverman | 
| Staring: | 
| Based on the wraparound story penned by Clive Barker in the author's "Books of Blood" collection, the story centers on a paranormal expert who, while investigating a gruesome slaying, finds a house that is at the intersection of "highways" transporting souls to the afterlife. | |
| Release Date: | Mar 07, 2009 | 
|---|---|
| Director: | John Harrison | 
| Writer: | Darin Silverman | 
| Genres: | Drama, Horror, Mystery, Thriller | 
| Keywords | last judgment, afterlife, paranormal | 
| Production Companies | Scottish Screen, Matador Pictures, uFilm, Regent Capital, Entertainment Motion Pictures, Midnight Picture Show, Plum Films | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Jonas Armstrong | Simon McNeal | 
| Sophie Ward | Mary Florescu | 
| Clive Russell | Wyburd | 
| Paul Blair | Reg Fuller | 
| Romana Abercromby | Janie | 
| Simon Bamford | Derek | 
| Doug Bradley | Tollington | 
| Gowan Calder | Janie's Mother | 
| Graham Colquhoun | Simon's Father | 
| Marcus Macleod | Janie's Father | 
| James McAnerney | Dr. Nigel Blake | 
| Joy McBrinn | Waitress | 
| Charlie McFadden | Joanne | 
| Sophie Franklin | Child | 
| Name | Job | 
|---|---|
| Paul Heasman | Stunt Coordinator | 
| Clive Barker | Short Story | 
| Claire Fleming | Art Department Assistant | 
| Guy Farley | Original Music Composer | 
| Paula Boram | Foley Artist | 
| Mike Kelt | Special Effects Supervisor | 
| Darin Silverman | Screenplay | 
| Clare Heneghan | Visual Effects Supervisor | 
| Paul Weir | Sound Designer | 
| Julie Bills | Camera Operator | 
| Colin Miller | Supervising Sound Editor | 
| Julia Jones | Unit Publicist | 
| Anita Anderson | Makeup & Hair | 
| Stuart Richards | Special Effects Makeup Artist | 
| Carly Parris | Petty Cash Buyer | 
| Tim Dyer | Boom Operator | 
| Ricky Butt | Foley Artist | 
| Richard Paterson | Sound Mixer | 
| Gerard Loret | Supervising ADR Editor, Supervising Dialogue Editor | 
| John Harrison | Director | 
| Andy Harris | Production Design | 
| Donny Campbell | Gaffer | 
| Maxine Dallas | Makeup Artist | 
| Graeme Hunter | Still Photographer | 
| Jonathan Cheetham | Visual Effects Supervisor | 
| Mags Horspool | Art Direction | 
| Philip Robertson | Director of Photography | 
| Chris Fitzgerald | Prosthetic Designer | 
| Bernadette Schett | Special Effects Makeup Artist | 
| Paul Curren | Painter | 
| Derek Gray | Storyboard Artist | 
| Richard Stockdale | Dolby Consultant | 
| Jacques Leroide | Foley Editor | 
| Steve Little | Supervising ADR Editor, Sound Effects Editor | 
| James Rose | Compositor | 
| Anusara Suwannasri | Rotoscoping Artist | 
| Mike Diltz | Digital Compositor | 
| Jonathan Farmer | First Assistant Director | 
| Eve Carreño | Camera Trainee | 
| Mark Sneddon | First Assistant Camera | 
| Alick Fraser | Focus Puller | 
| Kay Gannon | Extras Casting | 
| Catrina Luna | Production Accountant | 
| Rachel Fiddes | Production Coordinator | 
| Kate Plantin | Casting | 
| Gill Horn | Costume Design | 
| Harry B. Miller III | Editor | 
| Wendy Kemp Forbes | Makeup Artist | 
| Nicolas Le Messurier | Sound Re-Recording Mixer | 
| Karen Wood | Script Supervisor | 
| Trevor Brooker | Second Unit Director of Photography | 
| Chris Fitzpatrick | Prosthetics | 
| Tristan Versluis | Special Effects Makeup Artist | 
| Paul Lambie | Props | 
| Simon Goldfinch | ADR Recordist | 
| Sandy Buchanan | Foley Recordist | 
| Theajodharan | Compositor | 
| Joaquim Montserrat | VFX Artist | 
| Mark Inglis | Second Unit Director | 
| Peter Keith | Clapper Loader | 
| Andrew Mits M'Itwamwari | Focus Puller | 
| Derrick Peters | Focus Puller | 
| Sorcha McIlvride | Extras Casting Assistant | 
| Reinhard Spiolek | Production Accountant | 
| Kathleen Lambie | Production Coordinator | 
| Kate Maginnis | Production Runner | 
| Rachelle Dang | Assistant Editor | 
| Ken Petrie | Special Effects, Pyrotechnician | 
| Michael Wolf | Compositor | 
| Julien Vanhoenacker | VFX Artist | 
| Susan MacDonald | Assistant Camera | 
| Paul Bates | Electrician | 
| David Byrne | Focus Puller | 
| Robert Etherson | Grip | 
| Brashna Agha | Floor Runner | 
| Martin Metz | Production Executive | 
| Geraint Huw Reynolds | Assistant Editor | 
| Carmelo Casalenuovo | Assistant Editor | 
| Thomas Urbye | Colorist | 
| Nell Green | Production Assistant | 
| Iwona Sellers | Production Executive | 
| Matt Curtis | Title Designer | 
| Name | Title | 
|---|---|
| Clive Barker | Producer | 
| Gilles Waterkeyn | Executive Producer | 
| Adrian Politowski | Executive Producer | 
| Micky McPherson | Producer | 
| Lauri Apelian | Producer | 
| Jorge Saralegui | Producer | 
| Nigel Thomas | Producer | 
| Joe Daley | Producer | 
| Nadia Khamlichi | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 15 | 20 | 10 | 
| 2024 | 5 | 15 | 19 | 8 | 
| 2024 | 6 | 12 | 22 | 8 | 
| 2024 | 7 | 13 | 25 | 7 | 
| 2024 | 8 | 11 | 23 | 6 | 
| 2024 | 9 | 10 | 16 | 6 | 
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| 2024 | 12 | 10 | 17 | 5 | 
| 2025 | 1 | 8 | 13 | 6 | 
| 2025 | 2 | 7 | 13 | 3 | 
| 2025 | 3 | 5 | 11 | 1 | 
| 2025 | 4 | 1 | 2 | 1 | 
| 2025 | 5 | 1 | 2 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 1 | 1 | 0 | 
| 2025 | 8 | 1 | 1 | 0 | 
| 2025 | 9 | 2 | 2 | 1 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
Fresh from his success as tea-time totty "Robin Hood" for the BBC, Jonas Armstrong takes on something altogether more sinister here in this low brow adaptation of Clive Barker's "Book of Blood" stories. He is "Simon" who becomes the fascination of writer "Mary" (Sophie Ward) who works with her elect ... ronics expert buddy to track down the paranormal. Of course the vast majority of her cases end up fakes, but she senses something legit about her new pal and when they all find themselves in a really creepy Edinburgh house, she thinks that just perhaps they are slap bang in the middle of a super spooky highway where souls commute from here to there! Thing is, is he the real deal or is it all smoke and mirrors? He's not a shy man and is semi-naked for much of this film; Ward isn't far behind and those increasingly smouldering elements of sexual chemistry are heavily relied upon by director John Harrison to keep us awake. Otherwise, this is a singularly dull ghost story that really plods glacially along until the last fifteen minutes when we finally get some sort of action. To be fair to Armstrong, he has committed much to the part and for a lot of it his body looks like it's in considerable pain covered, as it is, in inscriptions that look like they've been carved straight onto his skin using a school compass. Some stories are just best read and left to our imagination, and these Barker stories are probably those. It'll probably do in a cinema at Halloween if you've had a few beers, but otherwise is all just a showcase for two handsome people who don't mind getting their kit off. Lord only knows how they managed to spend £5 millions on the production.