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Hammett

He created "The Maltese Falcon," "Sam Spade" and "The Thin Man." But he didn't write this mystery thriller...he lived it.
1982 | 98m | English

(3938 votes)

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Popularity: 5 (history)

Details

Chinatown, San Francisco, 1928. Former private detective Dashiell Hammett, a compulsive drinker with tuberculosis who writes pulp fiction for a living, receives an unexpected visit from an old friend asking for help.
Release Date: Jun 09, 1982
Director: Wim Wenders
Writer: Ross Thomas, Dennis O'Flaherty, Joe Gores, Thomas Pope
Genres: Drama, Thriller
Keywords san francisco, california, based on novel or book, chinatown, historical figure, femme fatale, neo-noir, 1920s, crime fiction writer, semi-fiction
Production Companies American Zoetrope
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 10, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Frederic Forrest Hammett
Peter Boyle Jimmy Ryan
Marilu Henner Kit Conger / Sue Alabama
Roy Kinnear English Eddie Hagedorn
Lydia Lei Crystal Ling
Elisha Cook Jr. Eli the Taxi Driver
David Patrick Kelly The Punk
R.G. Armstrong Lt. O'Mara
Richard Bradford Detective Bradford
Jack Nance Gary Salt
Michael Chow Fong Wei Tau
Sylvia Sidney Donaldina Cameron
Elmer Kline Doc Fallon
Royal Dano Pops
Samuel Fuller Old Man in Pool Hall
Lloyd Kino Barber
Fox Harris Frank the News Vendor
Rose Wong Chinese Laundress
Liz Roberson Lady in the Library
Jean-François Ferreol French Sailor
Alison Hong Young Chinese Girl
Patricia Kong Chinese Girl in Fong's
Lisa Lu Miss Cameron's Assistant
Andrew Winner Bank Guard
Kenji Shibuya Chinese Bouncer
James Quinn Fong's Guard
Mark Anger Bartender in Cookies' Bar
James Devney Police Projectionist
Hank Worden Pool Room Attendant
Christopher Day Neighborhood Kid #1
Ciceley Rush Neighborhood Kid #2
Chris Alcaide Man in Boardroom #1
Ben Breslauer Man in Boardroom #2
James Brodhead Man in Boardroom #3
John Hamilton Man in Boardroom #4
John T. Spiotta Man in Boardroom #5
Ross Thomas Man in Boardroom #6
Name Job
Wim Wenders Director
Ross Thomas Screenplay
Robert Q. Lovett Music Editor, Editor
Dean Tavoularis Production Design
Leon Ericksen Art Direction
Wylie Stateman Sound Editor
Joseph F. Biroc Director of Photography
Lloyd Nelson Script Supervisor
Janet Hirshenson Casting
Francis Ford Coppola Second Unit Director
Dennis O'Flaherty Screenplay
Janice Hampton Editor
Marc Laub Editor
Randy Roberts Editor
Angelo P. Graham Art Direction
George R. Nelson Set Decoration
Steven Potter Set Decoration
Ruth Morley Costume Design
Jeff Angell Makeup Artist
Thomas Tuttle Makeup Artist
Kathryn Blondell Hairstylist
Mary Keats Hairstylist
John Duffy Sound Editor
Richard Bryce Goodman Sound Mixer
Bob Johnston Sound Editor
Randy Kelley Sound Editor
Andrew London Supervising Sound Editor
Donald O. Mitchell Sound Re-Recording Mixer
James E. Webb Sound Mixer, Sound Editor
Joe Gores Novel
Ronald Colby Unit Production Manager, First Assistant Director
Robert Huddleston Unit Production Manager
Arne Schmidt First Assistant Director
Philip H. Lathrop Additional Photography
Gary Fettis Leadman
James J. Murakami Set Designer
Robert C. Goldstein Set Designer
Alex Tavoularis Graphic Designer
Chris McLaughlin Boom Operator
Darcy Vebber Boom Operator
Vince Melandri Dialogue Editor
Jill Demby Guest Dialogue Editor
Jack Harris Still Photographer
Morgan Renard Still Photographer
Bill Johnson Camera Operator
Frederic J. Smith Camera Operator
Carl Manoogian Key Grip
Robert Woodside Gaffer
Larry Gilhooly Gaffer
Joanie Blum Script Supervisor
Barbara Johnson Casting
Tom Shaw Jr. Property Master
Douglas E. Madison Property Master
Teri Fettis-D'Ovidio Production Coordinator
Howard Jensen Special Effects
Joe Lombardi Special Effects
Barry Malkin Supervising Editor
Thomas Pope Adaptation
John Barry Original Music Composer
David Valdes Second Assistant Director
Daniel Attias Second Assistant Director
Dennis Gassner Graphic Designer
Pete G. Papanickolas Key Grip
Jane Jenkins Casting
Terry Leonard Stunt Coordinator
April Ferry Costumer
Name Title
Fred Roos Producer
Francis Ford Coppola Executive Producer
Ronald Colby Producer
Don Guest Producer
Mona Skager Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 12 27 5
2024 5 14 34 6
2024 6 11 32 4
2024 7 11 30 5
2024 8 7 13 4
2024 9 6 11 4
2024 10 7 12 4
2024 11 8 30 3
2024 12 6 14 3
2025 1 7 15 4
2025 2 4 6 2
2025 3 4 6 2
2025 4 2 4 1
2025 5 1 4 1
2025 6 1 3 1
2025 7 0 1 0
2025 8 0 1 0
2025 9 2 3 1
2025 10 3 5 2

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Reviews

John Chard
7.0

She's a disaster. Hammett is a fictional story about the great writer Dashiell Hammett (played by Frederic Forrest). The story finds the writer retired from the Pinkerton Detectice Agency and nursing bad lungs and a taste for the liquor. When old colleague Jimmy Ryan (Peter Boyle) comes a callin ... g, Hammett finds himself down in Frisco's Chinatown district in it up to his neck in muck and grime. The back story to the production of Hammett is long and disappointing, all of which makes for fascinating reading and available at the click of a mouse. The film we have to view now may not be the one originally envisaged by director Wim Wenders, but on repeat viewings it shows itself to be a very loving homage to the halcyon days of film noir, a film of great technical craft and guile. Though not without issues either... Production value is high, the set design that brings late 1920s Frisco to life is a joy, as is Joseph Biroc's luscious colour photography. John Barry provides a musical score that smoothly floats around the Gin Joints and Alleyways, while costuming is on the money. Cast are led superbly by the under valued Forrest, with Marilu Henner (Biroc lights her so well), Boyle and Lydia Lei striking the requisite film noir chords, while a host of cameos and short order roles will have the keen of eye putting names to the faces from similar films of yesteryear. The story is complex, which is purposely complimented by narration, canted angles, slatted shadows, billowing smoke, and of course a number of venues that all anti-heroic detectives must traverse to unravel the mystery bubbling away under the seamy surface. The problems are evident of course, it's a very uneven picture, the re-writes etc leaving a disappointing mark. It's also like watching a performance at the theatre, akin to watching a play, the predominantly stage bound shoot - and the almost forced delivery of lines - makes it synthetic. But ultimately there's a lot of noir love here, enough to ensure that repeat viewings for those of that persuasion should find themselves rewarded for their time. 7/10

May 16, 2024