Popularity: 5 (history)
| Director: | Wim Wenders |
|---|---|
| Writer: | Ross Thomas, Dennis O'Flaherty, Joe Gores, Thomas Pope |
| Staring: |
| Chinatown, San Francisco, 1928. Former private detective Dashiell Hammett, a compulsive drinker with tuberculosis who writes pulp fiction for a living, receives an unexpected visit from an old friend asking for help. | |
| Release Date: | Jun 09, 1982 |
|---|---|
| Director: | Wim Wenders |
| Writer: | Ross Thomas, Dennis O'Flaherty, Joe Gores, Thomas Pope |
| Genres: | Drama, Thriller |
| Keywords | san francisco, california, based on novel or book, chinatown, historical figure, femme fatale, neo-noir, 1920s, crime fiction writer, semi-fiction |
| Production Companies | American Zoetrope |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Frederic Forrest | Hammett |
| Peter Boyle | Jimmy Ryan |
| Marilu Henner | Kit Conger / Sue Alabama |
| Roy Kinnear | English Eddie Hagedorn |
| Lydia Lei | Crystal Ling |
| Elisha Cook Jr. | Eli the Taxi Driver |
| David Patrick Kelly | The Punk |
| R.G. Armstrong | Lt. O'Mara |
| Richard Bradford | Detective Bradford |
| Jack Nance | Gary Salt |
| Michael Chow | Fong Wei Tau |
| Sylvia Sidney | Donaldina Cameron |
| Elmer Kline | Doc Fallon |
| Royal Dano | Pops |
| Samuel Fuller | Old Man in Pool Hall |
| Lloyd Kino | Barber |
| Fox Harris | Frank the News Vendor |
| Rose Wong | Chinese Laundress |
| Liz Roberson | Lady in the Library |
| Jean-François Ferreol | French Sailor |
| Alison Hong | Young Chinese Girl |
| Patricia Kong | Chinese Girl in Fong's |
| Lisa Lu | Miss Cameron's Assistant |
| Andrew Winner | Bank Guard |
| Kenji Shibuya | Chinese Bouncer |
| James Quinn | Fong's Guard |
| Mark Anger | Bartender in Cookies' Bar |
| James Devney | Police Projectionist |
| Hank Worden | Pool Room Attendant |
| Christopher Day | Neighborhood Kid #1 |
| Ciceley Rush | Neighborhood Kid #2 |
| Chris Alcaide | Man in Boardroom #1 |
| Ben Breslauer | Man in Boardroom #2 |
| James Brodhead | Man in Boardroom #3 |
| John Hamilton | Man in Boardroom #4 |
| John T. Spiotta | Man in Boardroom #5 |
| Ross Thomas | Man in Boardroom #6 |
| Name | Job |
|---|---|
| Wim Wenders | Director |
| Ross Thomas | Screenplay |
| Robert Q. Lovett | Music Editor, Editor |
| Dean Tavoularis | Production Design |
| Leon Ericksen | Art Direction |
| Wylie Stateman | Sound Editor |
| Joseph F. Biroc | Director of Photography |
| Lloyd Nelson | Script Supervisor |
| Janet Hirshenson | Casting |
| Francis Ford Coppola | Second Unit Director |
| Dennis O'Flaherty | Screenplay |
| Janice Hampton | Editor |
| Marc Laub | Editor |
| Randy Roberts | Editor |
| Angelo P. Graham | Art Direction |
| George R. Nelson | Set Decoration |
| Steven Potter | Set Decoration |
| Ruth Morley | Costume Design |
| Jeff Angell | Makeup Artist |
| Thomas Tuttle | Makeup Artist |
| Kathryn Blondell | Hairstylist |
| Mary Keats | Hairstylist |
| John Duffy | Sound Editor |
| Richard Bryce Goodman | Sound Mixer |
| Bob Johnston | Sound Editor |
| Randy Kelley | Sound Editor |
| Andrew London | Supervising Sound Editor |
| Donald O. Mitchell | Sound Re-Recording Mixer |
| James E. Webb | Sound Mixer, Sound Editor |
| Joe Gores | Novel |
| Ronald Colby | Unit Production Manager, First Assistant Director |
| Robert Huddleston | Unit Production Manager |
| Arne Schmidt | First Assistant Director |
| Philip H. Lathrop | Additional Photography |
| Gary Fettis | Leadman |
| James J. Murakami | Set Designer |
| Robert C. Goldstein | Set Designer |
| Alex Tavoularis | Graphic Designer |
| Chris McLaughlin | Boom Operator |
| Darcy Vebber | Boom Operator |
| Vince Melandri | Dialogue Editor |
| Jill Demby Guest | Dialogue Editor |
| Jack Harris | Still Photographer |
| Morgan Renard | Still Photographer |
| Bill Johnson | Camera Operator |
| Frederic J. Smith | Camera Operator |
| Carl Manoogian | Key Grip |
| Robert Woodside | Gaffer |
| Larry Gilhooly | Gaffer |
| Joanie Blum | Script Supervisor |
| Barbara Johnson | Casting |
| Tom Shaw Jr. | Property Master |
| Douglas E. Madison | Property Master |
| Teri Fettis-D'Ovidio | Production Coordinator |
| Howard Jensen | Special Effects |
| Joe Lombardi | Special Effects |
| Barry Malkin | Supervising Editor |
| Thomas Pope | Adaptation |
| John Barry | Original Music Composer |
| David Valdes | Second Assistant Director |
| Daniel Attias | Second Assistant Director |
| Dennis Gassner | Graphic Designer |
| Pete G. Papanickolas | Key Grip |
| Jane Jenkins | Casting |
| Terry Leonard | Stunt Coordinator |
| April Ferry | Costumer |
| Name | Title |
|---|---|
| Fred Roos | Producer |
| Francis Ford Coppola | Executive Producer |
| Ronald Colby | Producer |
| Don Guest | Producer |
| Mona Skager | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 12 | 27 | 5 |
| 2024 | 5 | 14 | 34 | 6 |
| 2024 | 6 | 11 | 32 | 4 |
| 2024 | 7 | 11 | 30 | 5 |
| 2024 | 8 | 7 | 13 | 4 |
| 2024 | 9 | 6 | 11 | 4 |
| 2024 | 10 | 7 | 12 | 4 |
| 2024 | 11 | 8 | 30 | 3 |
| 2024 | 12 | 6 | 14 | 3 |
| 2025 | 1 | 7 | 15 | 4 |
| 2025 | 2 | 4 | 6 | 2 |
| 2025 | 3 | 4 | 6 | 2 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 1 | 4 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 5 | 2 |
Trending Position
She's a disaster. Hammett is a fictional story about the great writer Dashiell Hammett (played by Frederic Forrest). The story finds the writer retired from the Pinkerton Detectice Agency and nursing bad lungs and a taste for the liquor. When old colleague Jimmy Ryan (Peter Boyle) comes a callin ... g, Hammett finds himself down in Frisco's Chinatown district in it up to his neck in muck and grime. The back story to the production of Hammett is long and disappointing, all of which makes for fascinating reading and available at the click of a mouse. The film we have to view now may not be the one originally envisaged by director Wim Wenders, but on repeat viewings it shows itself to be a very loving homage to the halcyon days of film noir, a film of great technical craft and guile. Though not without issues either... Production value is high, the set design that brings late 1920s Frisco to life is a joy, as is Joseph Biroc's luscious colour photography. John Barry provides a musical score that smoothly floats around the Gin Joints and Alleyways, while costuming is on the money. Cast are led superbly by the under valued Forrest, with Marilu Henner (Biroc lights her so well), Boyle and Lydia Lei striking the requisite film noir chords, while a host of cameos and short order roles will have the keen of eye putting names to the faces from similar films of yesteryear. The story is complex, which is purposely complimented by narration, canted angles, slatted shadows, billowing smoke, and of course a number of venues that all anti-heroic detectives must traverse to unravel the mystery bubbling away under the seamy surface. The problems are evident of course, it's a very uneven picture, the re-writes etc leaving a disappointing mark. It's also like watching a performance at the theatre, akin to watching a play, the predominantly stage bound shoot - and the almost forced delivery of lines - makes it synthetic. But ultimately there's a lot of noir love here, enough to ensure that repeat viewings for those of that persuasion should find themselves rewarded for their time. 7/10