Popularity: 1 (history)
Director: | Martha Fiennes |
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Writer: | Peter Ettedgui, Michael Ignatieff, Alexander Pushkin |
Staring: |
In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat – a man often lacking in empathy, who suffers from restlessness, melancholy and, finally, regret. Through his best friend Lensky, Onegin is introduced to the young Tatiana. A passionate and virtuous girl, she soon falls hopelessly under the spell of the aloof newcomer and professes her love for him | |
Release Date: | Dec 22, 1999 |
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Director: | Martha Fiennes |
Writer: | Peter Ettedgui, Michael Ignatieff, Alexander Pushkin |
Genres: | Drama, Romance |
Keywords | loss of loved one, st. petersburg, russia, unrequited love, tragic love, relationship, woman director, 19th century |
Production Companies | CanWest Global Communications Corporationt, Onegin Productions |
Box Office |
Revenue: $206,128
Budget: $14,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Ralph Fiennes | Onegin |
Liv Tyler | Tatyana |
Toby Stephens | Lensky |
Lena Headey | Olga |
Martin Donovan | Prince Nikitin |
Elizabeth Berrington | Mlle Volkonsky |
Alun Armstrong | Zaretsky |
Simon McBurney | Triquet |
Harriet Walter | Madame Larina |
Jason Watkins | Guillot |
Irene Worth | Princess Alina |
Gwenllian Davies | Anisia |
Margery Withers | Nanya |
Geoffrey McGivern | Andrey Petrovitch |
Tim McMullan | Dandy 1 |
Tim Potter | Dandy 2 |
Ian East | Executor |
Richard Bremmer | Diplomat at Ball |
Marion Betzold | Ballerina |
Tom Eastwood | Onegin's Uncle |
Francesca Annis | Katiusha (uncredited) |
Name | Job |
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Jim Clay | Production Design |
Tamara Frid | Makeup Artist |
Magnus Fiennes | Music |
Chloe Obolensky | Costume Design |
John Bright | Costume Design |
Lesley Stewart | Production Supervisor |
June McDonald | Script Supervisor |
Ivan Sharrock | Production Sound Mixer |
Maggie Gray | Set Decoration |
Chris Seagers | Supervising Art Director |
Tom Forsyth | Stand In |
Peter Ettedgui | Screenplay |
Martha Fiennes | Director |
Michael Ignatieff | Screenplay |
David Appleby | Still Photographer |
Alexander Pushkin | Novel |
Remi Adefarasin | Director of Photography |
Jim Clark | Editor |
Mary Selway | Casting |
Bill Hargreaves | Props |
Rowley Irlam | Stunt Double |
Name | Title |
---|---|
Simon Bosanquet | Producer |
Ileen Maisel | Producer |
Ralph Fiennes | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 20 | 32 | 10 |
2024 | 5 | 20 | 30 | 14 |
2024 | 6 | 17 | 30 | 10 |
2024 | 7 | 41 | 132 | 10 |
2024 | 8 | 16 | 33 | 7 |
2024 | 9 | 9 | 16 | 7 |
2024 | 10 | 13 | 19 | 7 |
2024 | 11 | 14 | 30 | 8 |
2024 | 12 | 11 | 21 | 7 |
2025 | 1 | 14 | 36 | 7 |
2025 | 2 | 9 | 16 | 3 |
2025 | 3 | 5 | 11 | 1 |
2025 | 4 | 2 | 5 | 1 |
2025 | 5 | 2 | 5 | 1 |
2025 | 6 | 2 | 6 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 1 | 1 | 1 |
2025 | 10 | 1 | 1 | 1 |
Trending Position
Directed by his sister (Martha), Ralph Fiennes portrays the unfulfilled, philandering, "Onegin" who has just inherited a large estate from his uncle. Shortly after he arrives at his new stately pile, he meets his neighbour "Lensky" (Toby Stephens) and is also introduced to "Tatiana" (Liv Tyler). Now ... she falls a bit hook, line and sinker for him but he doesn't really reciprocate. His character seems incapable of deep thinking, or emotions or just about anything beyond the superficiality of his wealthy but empty existence. The thing is, that's about the height of this rather good looking but sterile drama. It's based on Pushkin's cleverly observational poem and it does look every inch the opulent and grand piece of cinema, but the characterisations here are remarkably under-developed and shallow and the plot dances all over the place as if it were doing the polka too. At times, it's as if I was watching through a thick pane of glass looking at something that has very little real about it. A fairy tale, almost. The film does present us with a glimpse of the almost feudal system that still prevailed in Czar Alexander's vast and contrasting Russia, with millions of people living in twig-built lean-tos whilst the brightly coloured palaces offered the wealthy and privileged an altogether different life, and it was good to see a few brief appearances from Irene Worth ("Princess Alina") but I felt by the end just as uninvolved in these characterisations as "Onegin" had been at the start. It's all just a bit too chilly.