Popularity: 2 (history)
Director: | James Ivory |
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Writer: | Ruth Prawer Jhabvala, Henry James |
Staring: |
A bored lawyer and a suffragette vie for the attention of a faith healer's charismatic daughter. | |
Release Date: | May 01, 1984 |
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Director: | James Ivory |
Writer: | Ruth Prawer Jhabvala, Henry James |
Genres: | Drama, Romance |
Keywords | boston, massachusetts, lawyer, feminist, post civil war, 19th century |
Production Companies | Merchant Ivory Productions |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 02, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Christopher Reeve | Basil Ransome |
Vanessa Redgrave | Olive Chancellor |
Jessica Tandy | Miss Birdseye |
Madeleine Potter | Verena Tarrant |
Nancy Marchand | Mrs. Burrage |
Wesley Addy | Dr. Tarrant |
Barbara Bryne | Mrs. Tarrant |
Linda Hunt | Dr. Prance |
Charles McCaughan | Music Hall Policeman |
Nancy New | Adeline |
Jon Van Ness | Henry Burrage |
Wallace Shawn | Mr. Pardon |
Peter Bogyo | Mr. Gracie |
Martha Farrar | Mrs. Farrinder |
Dusty Maxwell | Newton Tarrant |
J. Lee Morgan | Music Hall Official |
De French | Patient |
Maura Moynihan | Henrietta Stackpole |
June Mitchell | Maid |
Lee H. Doyle | Mr. Filer |
Janet Cicchese | Irish Washerwoman |
Scott Kradolfer | Tough Boy |
Jane Manners | Maid |
David Beyer | Organist |
James Huston | Photographer |
Timothy J. Richard | Delivery Boy |
Name | Job |
---|---|
Ruth Prawer Jhabvala | Screenplay |
Richard Robbins | Original Music Composer |
Jenny Beavan | Costume Design |
James Ivory | Director |
Henry James | Novel |
Walter Lassally | Director of Photography |
Mark Potter Jr. | Editor |
Don Carpentier | Art Direction |
David Appleton | Assistant Director |
Katherine Wenning | Editor |
Tom Walden | Art Direction |
John Bright | Costume Design |
Leo Austin | Production Design |
Richard Elton | Set Decoration |
Ted Morley | Production Manager |
Name | Title |
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Ismail Merchant | Producer |
Michael S. Landes | Executive Producer |
Paul Bradley | Associate Producer |
Albert Schwartz | Executive Producer |
Connie Kaiserman | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 9 | 19 | 3 |
2024 | 5 | 13 | 27 | 6 |
2024 | 6 | 8 | 14 | 3 |
2024 | 7 | 8 | 18 | 5 |
2024 | 8 | 7 | 13 | 3 |
2024 | 9 | 5 | 9 | 2 |
2024 | 10 | 5 | 14 | 2 |
2024 | 11 | 5 | 12 | 2 |
2024 | 12 | 5 | 8 | 2 |
2025 | 1 | 6 | 16 | 2 |
2025 | 2 | 4 | 6 | 1 |
2025 | 3 | 2 | 5 | 1 |
2025 | 4 | 2 | 2 | 1 |
2025 | 5 | 2 | 3 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 1 | 0 |
2025 | 9 | 1 | 2 | 0 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
There's a lovely line in this otherwise unremarkable adaptation of the Henry James novel from Vanessa Redgrave who announces something along the lines of being eternally grateful for not having the vote! It did make me smile. That, sadly, is about all that did as we trudge through this stylish but t ... urgid story of the embryonic American suffragette movement. Amidst this struggle for enfranchisement, the bright "Verena" (Madeleine Potter) is facing the affections of the more traditional "Basil" (Christopher Reeve), himself a man who she ought to have little time for. Might there be the slightest chance that something might develop between them? Initially, there is some sparky conversation amongst the well-heeled citizens and there is potency in some of the dialogue, but boy - after about half an hour the whole things slows to a glacial pace; is seriously over-written and even the usually charismatic Jessica Tandy ("Miss Birdseye") struggles to breath life into what ought to have been a sharp and wittily constructed dramatisation of a story about politics, empowerment and - yes, romance too. Reeve is as wooden as a washboard which doesn't help and though Potter does give it her all, the film just lacks spark, pace or oomph. As ever with Merchant Ivory films, the things looks a million dollars, but there's no excusing the weaknesses all around here and it takes for ever, too.