Wolf
2019 | 85m | English
Popularity: 0.3 (history)
| Director: | Stuart Brennan |
|---|---|
| Writer: | George McCluskey, Stuart Brennan |
| Staring: |
| Great Britain. 150AD. When four messengers sent by Rome to a plague infected Caledonia, with a message of peace and help for their King, go missing Rome has no choice but to send ten of their finest across Hadrian's Wall to find and bring them back. Led by their Captain, Domitius, (George McCluskey, "The Zombie King"), and two of their strongest warriors, Grackus, (Stuart Brennan, "Risen") and Nerva, (Mark Paul Wake, "Plan Z"), the legion soon realise that what lays in wait for them is something much worse than any plague or army known to man - And with them being picked off one by one on their journey back to the wall by a beast none of them can match, and survival being their only hope, will there be anyone left to warn Rome of the dangers it may now face. Fight For Rome. Fight For Caesar. Fight To Survive. | |
| Release Date: | Sep 13, 2019 |
|---|---|
| Director: | Stuart Brennan |
| Writer: | George McCluskey, Stuart Brennan |
| Genres: | Action, Horror, Thriller |
| Keywords | rome, italy, wolf |
| Production Companies | Stronghold |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 04, 2024 Entered: Apr 28, 2024 |
| Name | Character |
|---|---|
| Stuart Brennan | Grackus |
| Mark Paul Wake | Nerva |
| George McCluskey | Domitius |
| Victoria Morrison | Ima |
| Adanna Oji | Liviani |
| Austin Caley | Lucius |
| Jennifer Jones | Salvius |
| Ross Anderson | Vinicius |
| Nick Sheard | Augustus |
| Sarah Zeberzuski | Farmers Wife |
| Sarina Taylor | Ethnie |
| Bethan Leyshon | Morrigan |
| Name | Job |
|---|---|
| George McCluskey | Writer |
| Stuart Brennan | Writer, Director |
| Mark Paul Wake | Editor |
| Simon Stolland | Director of Photography |
| Name | Title |
|---|---|
| Mark Paul Wake | Producer |
| Stuart Brennan | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 3 | 6 | 1 |
| 2024 | 5 | 5 | 13 | 3 |
| 2024 | 6 | 4 | 8 | 2 |
| 2024 | 7 | 4 | 11 | 2 |
| 2024 | 8 | 2 | 4 | 1 |
| 2024 | 9 | 2 | 4 | 2 |
| 2024 | 10 | 3 | 5 | 2 |
| 2024 | 11 | 3 | 7 | 1 |
| 2024 | 12 | 3 | 9 | 1 |
| 2025 | 1 | 2 | 4 | 1 |
| 2025 | 2 | 2 | 4 | 1 |
| 2025 | 3 | 2 | 3 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 0 | 0 |
| 2025 | 9 | 0 | 0 | 0 |
| 2025 | 10 | 0 | 0 | 0 |
Trending Position
I gave this 4/10 because I believe that there were a lot more creative processes involved with this, than those which immediately manifested themselves onto the screen. The cinematography, for example, is doubtless a collaborative attempt by some in the production team to do all they can to distract ... us all from the truly abysmal acting. That's got to be worth some plaudits. The music isn't exactly rousing and crescendo-like, but that, I am sure, is because Alan Deacon did not want to unduly disturb the audience from their well earned slumbers - again, plaudits where they are due. Otherwise, this is a shocking waste of time (and Maltesers). I would add spoilers, but if I had to suffer through this, I don't see why anyone else should get off lightly.