Popularity: 4 (history)
Director: | John Sturges |
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Writer: | Niven Busch |
Staring: |
A badly injured fugitive explains to a priest how he came to be in his present predicament. | |
Release Date: | Apr 08, 1950 |
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Director: | John Sturges |
Writer: | Niven Busch |
Genres: | Drama, Crime, Western |
Keywords | fugitive |
Production Companies | Showtime Properties |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 02, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Lew Ayres | Lin Vanner / Lindley Brown |
Teresa Wright | Ellen Tevlin Vanner |
Victor Jory | Father Gomez |
Jacqueline White | Luana Ware |
Jimmy Hunt | Mike Tevlin, Ellen's Son |
Barry Kelley | Earl C. Mahoney, Finance Co. V.P. |
Duncan Renaldo | Carlos |
William Bakewell | Herb Tolin, Bolsa Grande Oil |
Milton Parsons | Thin Man Visiting Mahoney |
Frank Matts | Juan, Telvin's Hired Man |
Felipe Turich | Cpl. Juan Valdez, Payroll Guard |
Edwin Rand | Sam Tevlin |
Vito Scotti | Truck Driver (uncredited) |
Chuck Roberson | Employee (uncredited) |
Rico Alaniz | |
George Brand | |
Bob Burrows | |
Bob Castro | |
Edward Coch | |
Paul Fierro | |
Alex Gerry | |
Gil Herman | |
Pepe Hern | |
Rodolfo Hoyos Jr. | |
Eddie Le Baron | |
Kay Lee | |
Tommy Lee | |
Manuel Lopez | |
Paul Marion | |
Tina Menard | |
Alberto Morin | |
Charles Morton | |
Peter Ortiz | |
Paul Regas | |
Rosa Turich | |
Juan Varro | |
Harry J. Vejar | |
Francisco Villalobos |
Name | Job |
---|---|
Edward Cronjager | Director of Photography |
John Sturges | Director |
John McCarthy Jr. | Set Decoration |
Charles S. Thompson | Set Decoration |
Mary Wills | Costume Design |
John Grubbs | Assistant Director |
Dick Tyler Sr. | Sound |
Howard Wilson | Sound |
Howard Lydecker | Special Effects |
Theodore Lydecker | Special Effects |
Peggy Gray | Hairstylist |
Bob Mark | Makeup Supervisor |
Louise Landmier | Makeup Artist |
Howard Smit | Makeup Artist |
Daniele Amfitheatrof | Original Music Composer |
William Flannery | Production Design |
Niven Busch | Novel, Screenplay |
Name | Title |
---|---|
Niven Busch | Producer |
Edward Donahue | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 6 | 12 | 2 |
2024 | 5 | 7 | 13 | 5 |
2024 | 6 | 6 | 12 | 3 |
2024 | 7 | 5 | 9 | 2 |
2024 | 8 | 6 | 12 | 3 |
2024 | 9 | 5 | 8 | 3 |
2024 | 10 | 8 | 16 | 3 |
2024 | 11 | 5 | 14 | 2 |
2024 | 12 | 4 | 9 | 2 |
2025 | 1 | 6 | 14 | 3 |
2025 | 2 | 3 | 7 | 1 |
2025 | 3 | 3 | 8 | 1 |
2025 | 4 | 2 | 5 | 1 |
2025 | 5 | 1 | 4 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 0 | 2 | 0 |
2025 | 8 | 1 | 3 | 0 |
2025 | 9 | 3 | 5 | 1 |
2025 | 10 | 4 | 5 | 4 |
Trending Position
Injured "Vanner" (Lew Ayres) arrives in a barn where he meets a priest. The holy man (Victory Jory) suggests he might be more comfortable in the house and upon arrival, listens to his rather complicated story. He used to work in the oilfields of Mexico when he apprehended a man he believed was impli ... cated in a payroll robbery. The man was duly taken into custody but perished shortly thereafter. Though not responsible, "Vanner" is troubled. His engagement goes the way of the dodo and he quits his job, setting off for the small-holding home of the man's widow. Ostensibly just a homeless factotum, he meets "Ellen" (Teresa Wright) and her young son "Mike" (Jimmy Hunt) just as they have advertised for someone to help get their 300-odd head of cattle to market. Briefly, what now ensues is a sort of reversal of the "Shane" story, with she the distant and aloof character - a scenario that is only worsened when she declares that she knows who he is and forgiveness is far from her mind. Perhaps the solution is for them to work together as maybe just maybe, he got it wrong in the first place? This is actually quite a decent little thriller until the last fifteen minutes, which really don't make a great deal of sense at all and appear designed to maximise the dramatic conclusion rather than have the story add up. The acting and writing are all adequate and John Sturges keeps it moving along well enough - it's just that underwhelming denouement that really does let it down.