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The Trap

1959 | 84m | English

(793 votes)

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Popularity: 2 (history)

Details

Lawyer Ralph Anderson arrives in Tula, an amazingly remote town in the desert, as reluctant emissary of mob chief Victor Massonetti, who wants the airstrip clear for his unofficial exit from the country. Ralph's arrival has a profound effect on his estranged father, the sheriff; his brother Tip, an alcoholic deputy; and his ex-sweetheart Linda, now married to Tip. Tension builds as a small army of gangsters takes over the town. Then the situation abruptly changes...
Release Date: Jan 28, 1959
Director: Norman Panama
Writer: Norman Panama, Richard Alan Simmons
Genres: Crime, Thriller
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Production Companies
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 03, 2024
Entered: Apr 15, 2024
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Full Credits

Name Character
Richard Widmark Ralph Anderson
Lee J. Cobb Victor Massonetti
Tina Louise Linda Anderson
Earl Holliman Tippy Anderson
Carl Benton Reid Sheriff Lloyd Anderson
Lorne Greene Davis
Peter Baldwin Mellon
Chuck Wassil First Fake Policeman
Richard Shannon Len Karger
Carl Milletaire Eddie
James Bell Clint Edwards
Karl Lukas Greenie (uncredited)
Wayne Heffley Lou Brann (uncredited)
Louis Quinn Archie Stoner (uncredited)
Walter Coy Second Fake Policeman (uncredited)
John Indrisano Hood (uncredited)
Roger Creed Hood (uncredited)
Russell Saunders Hood (uncredited)
Mike Mahoney Legitimate Officer (uncredited)
Berel Firestone Radio Operator (uncredited)
Name Job
Henry Bumstead Art Direction
Sam Comer Set Decoration
Edith Head Costume Design
Wally Westmore Makeup Supervisor
Roger Creed Stunts
Norman Panama Writer, Director
Daniel L. Fapp Director of Photography
Michael D. Moore Assistant Director
Everett Douglas Editor
Hal Pereira Art Direction
Ray Moyer Set Decoration
Nellie Manley Hairstylist
Lynn F. Reynolds Makeup Artist
Daniel McCauley Assistant Director
Gene Lauritzen Construction Coordinator
Winston H. Leverett Sound Recordist
Harold Lewis Sound Recordist
Russell Saunders Stunts
W. Wallace Kelley Second Unit Director of Photography
Irvin Talbot Music Supervisor
Richard Alan Simmons Writer
Name Title
Melvin Frank Producer
Norman Panama Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 7 13 2
2024 5 9 19 5
2024 6 7 16 3
2024 7 9 15 5
2024 8 7 15 4
2024 9 5 10 3
2024 10 7 14 3
2024 11 5 8 3
2024 12 4 9 1
2025 1 4 7 2
2025 2 3 6 1
2025 3 3 7 1
2025 4 1 2 1
2025 5 1 2 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 0 1 0
2025 9 0 0 0
2025 10 1 3 0

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Reviews

John Chard
8.0

You trying to scare me bogeyman? The Trap (AKA: The Baited Trap) is directed by Norman Panama who also co-writes the screenplay with Richard Alan Simmons. It stars Richard Widmark, Lee J. Cobb, Tina Louise, Earl Holliman and Lorne Greene. Music is by Irvin Talbot and cinematography by Daniel L. F ... app. Tula Torments. Tula, California and Ralph Anderson (Widmark) has returned home under a cloud. He's been a lawyer for mob boss Victor Massonetti (Cobb) and needs to fulfil a favour to get Massonetti out of the country. Unfortunately the law in Tula comprises of his father and brother, the former still angry at Ralph for a youthful misdemeanour, the latter an alcoholic married to Ralph's childhood sweetheart. It's a recipe for disaster... A Technicolor action/thriller that has somehow found its way into some film noir reference books, The Trap should just be viewed as belonging to the former genre titles. Which is fine, especially since it's grand entertainment. Essentially it's a play on the good narrative device of a good man who has done something he's not proud of, but is now desperately trying to make amends. Surrounding him is a fractured family dynamic, a romantic attachment that hurts his very being, and the small matter of some very bad dudes after the quarry in his charge - and thus also his blood! The story throws up a number of surprises to further beef up the psychological broth, emotions are pulled all over the place, while death is a constant threat to keep things on the high heat. There's plenty of sweat and steam, boozing and brooding, neuroticism and nastiness, there's nary a dull moment in the whole play. All of which leads to a genuinely surprising and moving finale. The cast all turn in effective character portrayals, feeding off of one and other to make the picture achieve all it can. The sound stage aspects of the shoot are irksome, with the main painted backdrop particularly looking fake, which is a shame as the genuine exterior photography by Fapp is gorgeous. Small irks aside, this is a meaty hybrid piece out of Paramount and highly recommended to fans of the stars and such genre fare. 8/10

May 16, 2024