Please Hold
2020 | 18m | English
Popularity: 0.6 (history)
| Director: | K.D. Dávila |
|---|---|
| Writer: | K.D. Dávila, Omer Levin Menekse |
| Staring: |
| A young man’s life is suddenly and inexplicably derailed, as he finds himself at the mercy of automated ‘justice’. | |
| Release Date: | Sep 25, 2020 |
|---|---|
| Director: | K.D. Dávila |
| Writer: | K.D. Dávila, Omer Levin Menekse |
| Genres: | Comedy, Science Fiction |
| Keywords | prison, drone, wrongful arrest, short film |
| Production Companies | Scavenger Entertainment |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 09, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Erick Lopez | Mateo |
| Doreen Calderon | Mamá Torres |
| Daniel Edward Mora | Papá Torres |
| Ruben Dávila | Guillermo Lima |
| John Alton | Ben Saperstein |
| Greg Karber | Automated Public Defender (voice) |
| Dani Messerschmidt | Correcticorp AI (voice) |
| Brian Paison | Various Voices |
| Shaun S. Sutton | "Ready-To-Win" Commercial (voice) |
| Devon Dávila | Extra |
| Rubina Dávila | Extra |
| Nadia Trinidad | Extra |
| Name | Job |
|---|---|
| K.D. Dávila | Writer, Director |
| Omer Levin Menekse | Writer |
| Rom Lotan | Line Producer |
| Farhad Ahmed Dehlvi | Director of Photography |
| Brian Paison | Editor |
| David McDonnell | Compositing Artist, VFX Supervisor, Visual Effects |
| David Boman | Original Music Composer |
| Alexah Acuña | Production Design |
| Amanda Lenker Doyle | Casting |
| Chrissy Fiorilli | Casting |
| Francisco Martin Del Campo | Production Coordinator |
| Michelle Akeley | First Assistant Director |
| Ragini Bhasin | Script Supervisor |
| Grant MacAllister | First Assistant Camera |
| Selena Webb | Second Assistant Camera |
| Enrico Targetti | Still Photographer |
| Dave Wilwayco | Gaffer |
| Rich Robles | Key Grip |
| Aytana Ramirez | Art Direction |
| Whitney Odman | Costume Design, Makeup Artist |
| Andrew Wood | Camera Operator |
| Basil Schneeberger | Camera Operator |
| Nick Paroz | Compositing Artist, 3D Artist |
| Jonathan Romeo | Compositing Artist |
| James Salini | Location Sound Mixer |
| Shachar Boussani | Sound Editor, Sound Re-Recording Mixer |
| Ryan K. McNeal | Colorist |
| Name | Title |
|---|---|
| Tamara Marie Watson | Associate Producer |
| Omer Levin Menekse | Producer |
| Marc A. Mounier | Producer |
| Astrid Mounier | Associate Producer |
| Michel Mounier | Associate Producer |
| Michael Glasner | Associate Producer |
| Nedim Menekse | Associate Producer |
| Ruben Dávila | Associate Producer |
| Sean Hood | Associate Producer |
| Brian Curiel | Associate Producer |
| Diego Najera | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 6 | 12 | 3 |
| 2024 | 5 | 7 | 14 | 4 |
| 2024 | 6 | 5 | 16 | 2 |
| 2024 | 7 | 7 | 13 | 4 |
| 2024 | 8 | 6 | 13 | 3 |
| 2024 | 9 | 4 | 6 | 2 |
| 2024 | 10 | 6 | 12 | 3 |
| 2024 | 11 | 5 | 12 | 2 |
| 2024 | 12 | 4 | 8 | 2 |
| 2025 | 1 | 5 | 11 | 2 |
| 2025 | 2 | 3 | 5 | 1 |
| 2025 | 3 | 3 | 6 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 2 | 0 |
| 2025 | 10 | 2 | 3 | 1 |
| 2025 | 11 | 2 | 3 | 1 |
| 2025 | 12 | 1 | 3 | 0 |
| 2026 | 1 | 0 | 0 | 0 |
| 2026 | 2 | 0 | 1 | 0 |
Trending Position
The young “Mateo” (Erick Lopez) is heading to work one morning when he is apprehended by an automated policeman, forced to put on hand-cuffs and incarcerated - all without seeing or speaking to an human being. In his cell, the big screen advises him to plead guilty or face 45 years in jail, but he s ... till hasn’t the faintest idea what he’s supposed to have done. With no money, he has to take a prison job to try to earn enough to place a call to his folks to try and get their help to raise enough cash for a perfunctory chat - but that just proves to be with an uninterested attorney who just wants his fee. Is there any chance he is ever going to even get to court let alone attain his freedom, and even if he does - what could possibly await him on the outside? At a time when there is talk of removing juries from some trials in the UK, this offers quite an unnervingly plausible look at just how that process of gradual erosion might actually turn out as automation becomes easier, cheaper, and cleaner - especially when visited upon those with limited resources to combat this quite scary pay-as-you-go culture. Lopez delivers quite well as the hapless fellow increasingly frustrated at every turn, and the relentlessly presented, jargon-laced, text messaging serves to effectively, and sometimes quite comically, dehumanise the processes of not just justice, but of humanity itself. Worth twenty minutes, and I’d be surprised if it doesn’t resonate on some level with all of our day-to-day lives just a little.