Popularity: 1 (history)
Director: | Richie Adams |
---|---|
Writer: | Richie Adams, John MacKay |
Staring: |
A young girl lives in the Outer Hebrides in a small village in the years just before WWI. Isolated and hard by the shore, her life takes a dramatic change when a terrible tragedy befalls her. | |
Release Date: | May 20, 2022 |
---|---|
Director: | Richie Adams |
Writer: | Richie Adams, John MacKay |
Genres: | Drama |
Keywords | frustrated |
Production Companies | |
Box Office |
Revenue: $21,300
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Hermione Corfield | Kirsty MacLeod |
Morven Christie | Mairi MacLeod |
Mark Gatiss | Doctor MacLean |
Will Fletcher | Murdo MacAulay |
Ali Fumiko Whitney | Annie MacLeod |
Ian Pirie | Constable MacRae |
Jeff Stewart | Skipper |
David Brooks | Kirsty’s Father |
Felicity Keenan | Young Kirsty |
Tom Byrne | Iain Ban |
Scott Miller | Calum Morrison |
Alison Peebles | Old Peggy |
Luke Nunn | Angus |
Sean Gilder | Peter |
Liam Brennan | Mack Morrison |
Leigh Biagi | Morag Morrison |
Forbes Masson | Minister MacIver |
Frances Grey | Aileen MacAulay |
Caleb Johnston-Miller | Alasdair MacAulay |
Jimmy Yuill | Doctor Connolly |
Name | Job |
---|---|
Elizabeth Donker Curtius | Stunt Double |
Richie Adams | Writer, Director |
John MacKay | Novel |
Carlos José Alvarez | Music |
Petra Korner | Director of Photography |
Matt Mayer | Editor |
Chris Stephenson | Art Direction |
Gill Horn | Costume Design |
Anna Mould | Production Design |
Colin Jones | Casting |
Alasdair Mitchell | Line Producer |
Morris Milne | First Assistant Director |
Robert K. Harm | Production Manager |
Elaine Ford | Stunt Coordinator |
Elliott Day | Standby Art Director |
Tony Sheridan | Property Master |
Christine Gibson | Set Decoration |
Samuel Vines | First Assistant Camera |
Thomas Reid | Second Assistant Camera |
Ruaraidh Urpeth | Camera Trainee |
Emilio Schlappi | Steadicam Operator |
Richard Stevenson | Underwater Camera |
Sam Short | Drone Operator |
Matthew Lafont | Additional Editing, Post Production Supervisor, Visual Effects, Assistant Editor |
Kirsty Auld | Script Supervisor |
Maryilene Blondell | Story Consultant |
Ludovic Lasserre | Sound Recordist |
Guido Lerner | Sound Engineer |
Brett Lamerton | Key Grip |
Jonathan Tomlin | Electrician |
Andrew Crichton | Electrician |
David Ahern | Graphic Designer |
Iona Gray | Scenic Artist |
John Fearnley | Armorer |
Susie Will | Costume Supervisor |
Kayrin Fraser | Costume Assistant |
Delia Letham | Makeup Supervisor, Hair Supervisor |
Beth O'Donnell | Makeup & Hair |
Kayleigh Sutherland | Makeup & Hair |
Ann-Marie O'Neill | Makeup & Hair |
Wendy Kemp Forbes | Makeup & Hair |
Marta Noguera | Casting Assistant |
Ricky Hannaway | Location Manager |
Clara O' Keeffe | Production Coordinator |
Rowena Woolford | Assistant Production Coordinator |
Laura McBride | Assistant Production Coordinator |
Abi Ross | Second Assistant Director |
Elspeth Brodie | Dialect Coach |
Aimee Burns | Transportation Captain |
Rick Chefalas | Supervising Sound Editor |
Lawrence Zipf | Sound Effects Editor, Sound Re-Recording Mixer |
Michael Feuser | Dialogue Editor |
Igor Nikolic | Foley Editor |
Gavin Hecker | Foley Artist |
Micah Blaichman | Foley Mixer |
James Trusson | ADR Recording Engineer |
Emily Diprose | Post Production Accountant |
Jeff Tinsley | Orchestrator |
Carlos M. Morales | Music Editor |
Christine Cant | Makeup Designer, Hair Designer |
Luke Tumber | Stunt Double, Stunts |
Laura Swift | Stunt Double |
Name | Title |
---|---|
Jim Kreutzer | Producer |
Maryilene Blondell | Producer |
Steve Shapiro | Producer |
John MacKay | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 5 | 8 | 3 |
2024 | 5 | 8 | 11 | 5 |
2024 | 6 | 7 | 18 | 2 |
2024 | 7 | 9 | 18 | 5 |
2024 | 8 | 7 | 12 | 4 |
2024 | 9 | 5 | 8 | 3 |
2024 | 10 | 6 | 17 | 3 |
2024 | 11 | 6 | 11 | 2 |
2024 | 12 | 4 | 13 | 2 |
2025 | 1 | 5 | 9 | 1 |
2025 | 2 | 3 | 5 | 1 |
2025 | 3 | 2 | 6 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 1 | 1 | 0 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 680 | 767 |
With the Great War fast approaching, this story focusses on the young "Kirsty" (Hermione Corfield) who is well and truly enamoured of the slightly bookish "Murdo" (Will Fletcher). Their formal courtship follows all of the traditions of the Hebridean customs with due deference paid to the minister an ... d the rules of the kirk. They do plan to marry, everyone expects and approves of that - but then the island's young men are conscripted. Individually, they might be posted anywhere but if they join up together, though, then they will be posted together - so a road dance is arranged to help send them on their way. Now plumbing on the island isn't what it might be, so "Kirsty" heads into the heather and that's where the story turns quite heinous. "Murdo" heads off to war completely unaware that his beloved is now the owner of an increasingly terrible secret that is going to change the life of her, her mother (Morven Christie) and sister (Ali Fumiko Whitney) forever. Tragedies for this girl are like busses, they take their time then come in clutches - and the surfeit of bad news facing the young girl forces her to drastic measures that require her family to rally round and shield her from the eyes of the curious constable (Ian Pirie) before coming to terms with a scenario that seems hopeless. This is a beautifully shot feature showing off the bleak beauty of the Isle of Lewis whilst showing us something of the sense of the slightly puritanical and fairly subsistence community that existed there in the 1930s. Corfield delivers convincingly as the plot develops, engaging charmingly with the young Fletcher then exuding some of the courage required by this young girl dealing with an unwanted situation on just about every front. The denouement is a little but rushed, but the film ultimately has an acceptable degree of completeness that stays just the right side of sentimentality.