Popularity: 5 (history)
Director: | Parker Finn |
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Writer: | Parker Finn |
Staring: |
After witnessing a bizarre, traumatic incident involving a patient, Dr. Rose Cotter starts experiencing frightening occurrences that she can't explain. | |
Release Date: | Sep 23, 2022 |
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Director: | Parker Finn |
Writer: | Parker Finn |
Genres: | Horror, Mystery |
Keywords | suicide, new jersey, post-traumatic stress disorder (ptsd), therapist, detective, paranoia, trauma, curse, hospital, doctor, mental illness, evil, self-harm, demonic, smile, based on short, body horror |
Production Companies | Temple Hill Entertainment, Paramount Players |
Box Office |
Revenue: $217,408,513
Budget: $17,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Sosie Bacon | Rose Cotter |
Kyle Gallner | Joel |
Jessie T. Usher | Trevor |
Robin Weigert | Dr. Madeline Northcott |
Caitlin Stasey | Laura Weaver |
Kal Penn | Dr. Morgan Desai |
Rob Morgan | Robert Talley |
Gillian Zinser | Holly |
Judy Reyes | Victoria Munoz |
Jack Sochet | Carl Renken |
Nick Arapoglou | Greg |
Perry Strong | Detective Buckley |
Matthew Lamb | Jackson |
Dora Kiss | Mom |
Meghan Brown Pratt | 10 Year Old Rose |
Jared Johnston | Orderly Dan |
Ura Yoana Sánchez | Nurse Wanda |
Vanessa Cozart | Nurse |
Shu Q | Officer Chan |
Shevy Gutierrez | Officer Wilkes |
Sara Kapner | Stephanie |
Steven Strickland | Deputy Sheriff |
Kevin Keppy | Nightmare Mom |
Marti Matulis | The Monstruosity |
Scot Teller | Prison Guard (uncredited) |
Michelle Persiano | Nurse (uncredited) |
Setty Brosevelt | Driver / Pedestrian (uncredited) |
Jerry Lobrow | Cocktail Party Guest (uncredited) |
Brandon Brigman | Security Guard (uncredited) |
Nadia Ramdass | Nurse (uncredited) |
Athena Smiley | Little Girl (uncredited) |
Rachel Yong | Brash Colleague (uncredited) |
Irene Blackman | Nurse (uncredited) |
Steven Bullock | Cocktail Party Guest (uncredited) |
Felix Melendez Jr. | Gabriel Munoz (uncredited) |
Elaine Apruzzese | Psychiatric Patient (uncredited) |
Sebastian Deerkop | Bartender (uncredited) |
Daniel Irmas | Finance Bro (uncredited) |
Shanea Lattimore | Drug Party Girl (uncredited) |
Bob Leszczak | Pedestrian (uncredited) |
Anne Schmalzigan | Angela Powell (uncredited) |
Joseph Tornatore | Prison Guard (uncredited) |
Name | Job |
---|---|
Valerie Carney | Key Makeup Artist |
Lisa Forst | Special Effects Makeup Artist |
Alec Gillis | Special Effects Makeup Artist |
L. Monique Rance Helper | Hairstylist |
Carla L. Muniz | Key Hair Stylist |
Lisa Thomas | Hairstylist |
Tom Woodruff Jr. | Makeup Designer, Special Effects Makeup Artist |
Claire Kirk | Unit Production Manager |
Robert Salerno | Unit Production Manager |
Lisa Simon | Second Assistant Director |
Lazaro Benet | Set Dresser |
Mathew Britton | Concept Artist |
Albert Burgos | On Set Dresser |
Paul Calhoun | Set Dresser |
Marc Connor | Scenic Artist |
Joe Coppola | Assistant Property Master |
Whitney Curry | Art Department Production Assistant |
Hannah Grill | Construction Coordinator |
Julia G. Hickman | Art Department Coordinator |
Joseph K. Kepple IV | Graphic Designer |
Jisun Kim | Set Designer |
Tara Leach | Set Dresser |
Brac Love | On Set Dresser |
Vinny Mazzarella | Property Master |
Erick Melchiorre | Greensman |
Samantha Miller | Scenic Artist |
Kait Murphy | Assistant Set Decoration |
Fred Piesco | Greensman |
Vincent Proce | Concept Artist |
Phil Saccio | Leadman |
Juan Sanchez | Storyboard Artist |
John Seubert | Set Dresser |
Andrew Bock | First Assistant Sound Editor |
Paul Timothy Carden | Supervising Dialogue Editor |
Jenna Dalla Riva | Foley Editor |
Dan Kenyon | Sound Designer, Sound Supervisor, Sound Re-Recording Mixer |
Jessie Pariseau | Assistant Sound Editor |
Adam Pate | Boom Operator |
Atom Pate | Boom Operator |
Daniel Bowhers | Compositor |
John J. Budion | Compositor |
Samuel Caine | Compositor |
August Coleman | Compositor |
Nikolce Jovanovski | Compositor |
Bogdan Mihajlovic | Matchmove Supervisor |
Noemi Millan | CG Artist |
Nenad Mitrovic | Matchmove Supervisor |
Daniel Moreno | CG Artist |
Danielle Shimshoni | Visual Effects Coordinator |
Thurman Martin III | Visual Effects Producer |
Stephen Siemens | Visual Effects Coordinator |
Hannah Sinagra | Visual Effects Coordinator |
Deborah Sullivan | Executive Visual Effects Producer |
Joe Greco | Stunts |
Donald John Hewitt | Stunts |
Alan Blagg | Key Rigging Grip |
Neil Bleifeld | Video Assist Operator |
Adam Borchardt | Generator Operator |
Wesley L. Carrier | Best Boy Electric, Assistant Chief Lighting Technician |
Aya Faham | Electrician |
Ed Foley | Electrician |
Eric Gonzalez | Electrician |
Jon Graham | Drone Pilot |
Kevin Grennan | Grip |
János Horváth | Lighting Technician |
Casey David Johnson | First Assistant "B" Camera |
Ethan June | First Company Grip |
Dexter Kennedy | Drone Pilot |
Kenneth Kildee | Second Company Grip |
Joel Minnich | Chief Lighting Technician |
Neil Moran | Electrician |
Angel Polanco | Electrician |
Nathaniel Spivey | Digital Imaging Technician |
Nick Taffuri | Electrician |
Walter Thomson | Still Photographer |
Dave Stewart | CG Supervisor |
Bill Ingram | Casting Associate |
Alexia Garza Gomez | Costumer |
Mary Margaret Hall | Tailor |
Chris Mahnken | Costume Coordinator |
Cassidy Mosher | Assistant Costume Designer |
Hilary Seeley | Costumer |
Aishwarya Shree Sharma-Porter | Costumer |
Carl Skeris | Key Costumer |
Dustin Chow | Additional Editing |
Bob Fredrickson | Digital Intermediate Editor |
Jitte Hoekstra | Editor |
Shawyon Fazel | Digital Intermediate Producer |
Elizabeth Bendelac | Assistant Location Manager |
Liz Bendelac | Assistant Location Manager |
Bet Jackson | Location Coordinator |
Edoardo Llovio | Location Assistant |
Chris Modrzynski | Assistant Location Manager |
Quade Moore | Location Assistant |
Justin Stowell | Location Manager |
Vincent Taylor | Location Assistant |
Julia Thompson | Location Scout |
Kim Neundorf | Vocals |
Mikael Sandgren | Music Editor |
Martin Torres | Musician |
Julie Robinson | Script Supervisor |
John Cremins | Transportation Captain |
Bob Spitzfaden | Transportation Co-Captain |
Diana Alleyne | Production Assistant |
Laura Archer | Assistant Production Coordinator |
Angela Argese | Production Assistant |
Luis G. Barbosa | Production Assistant |
Aaron Becker | Title Designer |
Stef Buckner | Production Assistant |
Jennifer Butler | Stand In |
Peita Carnevale | Second Assistant Accountant |
Paula Clarkson | Production Assistant |
Kristin Davis | Production Assistant |
Matthew Depompo | Production Assistant |
Stephan Dominguez | Production Assistant |
Shyann Douglas | Production Assistant |
Wylan Ernst | Production Secretary |
Rainer Evans | Production Assistant |
Kerin Ferallo | Production Supervisor |
Brittni Garcia | Production Assistant |
Shellie Gillespie | Production Accountant |
Omika Goddette | Production Assistant |
Matthew Gooley | Stand In |
Bailey Hartman | Production Assistant |
Casey Hasson | Title Designer |
Sabrina Hutcheson | Production Assistant |
Richard Buck Junior | Production Secretary |
Matthew Kamis | Production Assistant |
Robert Leckington | Stand In |
Keri Luyke | Production Assistant |
Elias Maldonado | Production Assistant |
Chelsea Marie Marlowe | Stand In |
John Martineau | Stand In |
Matthew Masone | Production Assistant |
Jason Michael Matthews | Production Coordinator |
Ayslinn Mcgovern | Payroll Accountant |
James McGrath | Researcher |
Zach Miller | Production Assistant |
Marvin Perez | Production Assistant |
Waliek Perkins | Production Assistant |
Erica Quintanilla | Production Assistant |
Kelsey Schelling | Stand In |
Don Seward | Production Assistant |
Howard Shipman | Production Assistant |
Alphonse Swinehart | Title Designer |
Olivia Szymanski | Production Assistant |
Adam Taylor | First Assistant Accountant |
John Valentine | Production Assistant |
Ryan Velez | Production Assistant |
Diana Ventura | Animal Wrangler |
Lei White | Production Assistant |
Parker Finn | Writer, Director |
Charlie Sarroff | Director of Photography |
Tom Ozanich | Sound Re-Recording Mixer |
Kelsey Sasportas | Costume Supervisor |
Goro Koyama | Foley Artist |
Mike Burke | Stunts |
Neimah Djourabchi | Stunts |
Warren E. Hull | Stunts |
Kevin Rogers | Stunts |
Derrick Simmons | Stunts |
Kyli Zion | Stunts |
Christopher Place | Stunt Coordinator |
Thomas Place | Stunt Coordinator |
Tami Treadwell | ADR Mixer |
Elliot Greenberg | Editor |
Lester Cohen | Production Design |
Larry W. Brown | Art Direction |
Sheila Bock | Set Decoration |
Sasha Grossman | Makeup Department Head |
Mike Rotella | Sculptor |
Brian Spears | Special Effects Makeup Artist |
Jeremy Selenfriend | Special Effects Key Makeup Artist |
Alexis Forte | Costume Design |
Matt Telsey | Sound Effects Editor |
Christina Grant | Makeup Artist |
Deirdre Brennan | Set Decoration Buyer |
Jeremy W. Foil | Assistant Art Director |
Ryan Palmer | Assistant Art Director |
Sean Findley | Visual Effects Producer |
Yuval Levy | Visual Effects Supervisor |
Vico Sharabani | Visual Effects Supervisor |
Dierdre Harris | Hair Department Head |
Kim Shriver | Hairstylist |
Tony Phillippe | First Assistant Director |
Stéphane St-Hilaire | Second Second Assistant Director |
Felix Andrew | Production Sound Mixer |
Davi Aquino | Foley Editor |
Chelsea Body | Foley Mixer |
Judah Getz | ADR Mixer |
Steve Hammond | Foley Artist |
Bill Higley | ADR Mixer |
Bob Lacivita | ADR Mixer |
Christopher J. Leone | Utility Sound |
Andy Malcolm | Foley Artist |
Maria Teresa Murillo | Dialogue Editor |
Kevin Schultz | Foley Mixer |
Will Englehardt | Special Effects Technician |
Eugene Hitt | Special Effects Coordinator |
Nancy Cantine | Stunts |
Mark Fichera | Stunt Coordinator |
Luke Lesko | Stunts |
Alesha Forche | Stunt Double |
Abby Nelson | Stunts |
Josiah Nolan | Stunts |
Turner Smith | Stunts |
Deborah Brozina | Camera Operator |
Glenn Fishel | Grip |
Kenneth Fundus | Grip |
John Halligan | Grip |
Michael Hauer | Steadicam Operator |
Corey Jacobs | Grip |
Omar King | Grip |
Loren Malo | Grip |
Holli Porreca | Grip |
Journey Brown-Saintel | Casting Assistant |
Diane Heery | Extras Casting |
Caitlin D. Jones | Casting Associate |
Jason Loftus | Extras Casting |
Arianna Trames | ADR Voice Casting |
Kevin Jung | Foley Editor |
Monika Mikkelsen | Casting |
Cristóbal Tapia de Veer | Original Music Composer |
Name | Title |
---|---|
Wyck Godfrey | Producer |
Isaac Klausner | Producer |
Robert Salerno | Producer |
Marty Bowen | Producer |
Adam Fishbach | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 68 | 96 | 46 |
2024 | 5 | 97 | 160 | 71 |
2024 | 6 | 87 | 153 | 59 |
2024 | 7 | 70 | 114 | 52 |
2024 | 8 | 59 | 97 | 42 |
2024 | 9 | 64 | 104 | 49 |
2024 | 10 | 175 | 347 | 76 |
2024 | 11 | 188 | 291 | 114 |
2024 | 12 | 131 | 209 | 95 |
2025 | 1 | 110 | 161 | 71 |
2025 | 2 | 70 | 94 | 13 |
2025 | 3 | 30 | 88 | 3 |
2025 | 4 | 17 | 25 | 10 |
2025 | 5 | 14 | 22 | 10 |
2025 | 6 | 12 | 18 | 10 |
2025 | 7 | 11 | 15 | 9 |
2025 | 8 | 8 | 10 | 7 |
2025 | 9 | 7 | 9 | 5 |
Trending Position
Year | Month | High | Avg |
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2025 | 7 | 798 | 922 |
Year | Month | High | Avg |
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2025 | 6 | 942 | 954 |
Year | Month | High | Avg |
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2025 | 4 | 743 | 813 |
Year | Month | High | Avg |
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2025 | 3 | 114 | 594 |
Year | Month | High | Avg |
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2025 | 2 | 116 | 452 |
Year | Month | High | Avg |
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2025 | 1 | 36 | 306 |
Year | Month | High | Avg |
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2024 | 12 | 63 | 211 |
Year | Month | High | Avg |
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2024 | 11 | 4 | 82 |
Year | Month | High | Avg |
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2024 | 10 | 19 | 170 |
Year | Month | High | Avg |
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2024 | 9 | 140 | 282 |
Year | Month | High | Avg |
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2024 | 8 | 442 | 749 |
**Smile’s creepy trailers and clever marketing were the best parts of a movie with a meager plot drenched in uneasy sounds, and way too many jump scares.** Smile obsesses over saturating every moment in unsettling dread. The score and sound effects make every moment uneasy and uncomfortable, and ... not in a good way. Smile’s premise bore many similarities to It Follows with much poorer execution. Smile stumbled from jump scare to jump scare. I started closing my eyes because the jump scares were so predictable, and I was tired of having disturbing images screamed in my face. I will say that Sosie Bacon did an excellent job with what she was given, with her performance being the only bright spot in the film. Unfortunately, the movie was unimpressive and tried to cloak mediocrity in a fountain of jump scares, stressful noises, and unpleasant moments.
As an avid horror fan, I can genuinely say that Smile unsettled me beyond belief. In many horror films of today, directors rely solely on jump scares to create this sense of shock and horror. But in Smile, Parker Finn is able to build suspense and tension throughout a scene to then crescendo into a ... jump scare that the audience knows is coming but are so tense that they cannot help but to release into fright. While this movie does not break major ground in terms of plot and storytelling there is some depth that is added with mental health and the feeling of isolation during manic episodes. I felt for Rose throughout this entire film, as she used to be the one helping patients through mental crisis and now that she is having one of her own, she is met with the same doubts even though it is a genuine fear. The sense of hopelessness grows throughout the movie as hope drains from our lead actress. Speaking of our lead actress, Sosie Bacon is fantastic in this movie. She carries every single scene she is in, which is just about every one. Her minor facial movements and eye expressions were so sad and realistic to that of someone experiencing trauma. I loved everything about her performance and will be excited to see her moving forward. The other performances were average across the board, but they didn't really have a lot to work with and filled their roles well. Jessie Usher felt a little out of place though, I feel like he did the nice and charismatic husband role well but when he had to display genuine fear and anger he overacted quite a bit. Finally, I wanted to touch on the ending. I am not going to spoil anything for the audience, but this is exactly what I wanted throughout the entire film. I kept asking myself, are they going to do it? But second guessed myself and when the payoff happened, I left the theater with a big Smile on my face. **Score:** _75%_ | **Verdict:** _Good_
"Dr. Rose Cotter" (Sosie Bacon) is a dedicated clinical psychologist who witnesses the gruesome suicide of a young woman in her hospital consulting room. Traumatised, as you might expect, she gradually starts to suffer from unexpected goings on in her own life. Her relationship becomes unstable and ... soon she appears to have but a tenuous grasp on reality herself. What's going on? Is she doomed to a similar fate? This has something of the "Azazel" theory to it, and as the story develops director Parker Finn manages to build quite a degree of mystery and suspense. The malevolence of her haunting spirit is well captured by those working the audio - the sound effects and the score contribute well to the overall feel of this film. The acting though, well I am sorry - I found that to be a terrible let down. Initially, Bacon owned the film but after a few moments she just hadn't the weight to carry the thing in what is, essentially, a one-hander. Her support comes mainly for her ex-boyfriend/cop and all round sceptic about the whole thing "Joel" (Kyle Gallner) after her boyfriend "Trevor" (Jessie T. Usher) and her own erstwhile psychiatrist played by an indifferent Robin Weigert give up the ghost with her. Sadly, they offer little to add depth to this rather superficial horror effort. There are jump moments, but they lose their potency as this actor fails to capitalise on the tensions being created around her. Perhaps had the story spent less time on her character development, and the pace been tightened up a bit then we might have had less time to worry about that; but the style of the photography with too many lingering images merely serves to sterilise the whole thing for me. I was really disappointed, and after a while just wanted to go watch "Fallen" (1998) instead.
MORE SPOILER-FREE MINI-REVIEWS @ https://www.msbreviews.com/movie-reviews/mini-reviews-2022-edition "Smile deserves the praise it has received since its release. Parker Finn's feature directorial debut contains haunting levels of suspense, consequently creating surprisingly effective jumpscare ... sequences. Sound design generates an immersive atmosphere rarely seen in horror films, but it turns out to be the moving, character-driven narrative that truly captivates viewers. The impact of past traumas is excellently addressed by a screenplay that glaringly fails to conclude the story at the most appropriate, thematically correct time - one of the most damaging endings of the year. Regardless, it's definitely a personal recommendation." Rating: B
Jebus! 😱 This is the most effective horror experience I've had since The Ring. Possibly ever. Holy. Crap. Glad there's still time to watch an animated family movie before I need to sleep. 45 years old, didn't think I could ever be this scared again from a horror movie 😂 This is sublime. I wouldn't c ... hange a single thing about it. Fire up that OLED, turn off the lights, and do yourself a favor and put on those earphones.
Some creepy moments for sure and a decent performance from Sosie Bacon, this is just another supernatural-horror film that I didn't find terribly entertaining and is pretty predictable. I suppose there are worse ways to spend two hours and since it's on Paramount+, maybe it's worth the time especial ... ly if you're a fan of these sorts of films. **3.0/5**
After witnessing a bizarre, traumatic incident involving a patient, Dr. Rose Cotter (Sosie Bacon) starts experiencing odd occurrences that she can't explain. As an overwhelming terror begins taking over her life, Rose must confront her past in order to survive and escape her horrifying new reality. ... I really enjoyed this movie; it’s well-acted, and nicely shot, and the dread and suspense maintain throughout. Recommended.
First thing that I like about this movie is that, it's unique. It's not like a copy of another copy like we usually see these days. Story's unique. Second thing that I liked about this movie is that it's scary, it's quite scary. If you're horror fan, you should definitely watch this. I suggest you t ... o watch it in the dark, preferably alone. Also, the actress playing the main character does outstanding job. Overall, I'm going to put this movie in my favorite horror movies list. It surely deserves its place there.
Suitably creepy, even if it does lose effectiveness as its progresses. 2022's <em>'Smile'</em> is still, all in all, a good movie. The premise ought to bring entertainment and I'm pleased to say that it does, at least for me. I like the trajectory of how and why the thing works the way it does, t ... he scene with Rob Morgan is particularly well done in that regard. Sosie Bacon gives a fairly strong performance in the lead role, with Kyle Gallner supporting ably. Caitlin Stasey naturally steals the show a bit with *that* face - certainly unsettling! As noted, it does become less and less unnerving as the run time ticks on. However, thankfully, the film wraps up before it gets tiresome or anything close. Eager to see what the sequel brings.
I liked Smile. It’s a solid horror movie that kept me engaged, but I couldn’t help feeling like it was missing something. The premise is really strong, and it teases a deeper psychological exploration that I was excited for, but it didn’t fully deliver on that front. Sosie Bacon gave a good perfo ... rmance as Dr. Rose Cotter, and the film did a great job building tension and delivering scares, but the direction and script felt like they held back from something greater. Interestingly, the movie was made on a $17 million budget and ended up grossing over $217 million worldwide, which is seriously impressive. It was originally planned for streaming, but after strong test screenings, it got a theatrical release, and I can see why. The cinematography and atmosphere work so much better on a big screen. I appreciated the effort Parker Finn put into creating a creepy, unsettling vibe, especially for his feature debut, but I wish the story had gone a bit deeper into the psychological themes it hinted at. Overall, it’s a decent horror film that does enough to entertain and has some genuinely tense moments.
"_It's the worst smile I've ever seen in my life._" I would say this was a little predictable from the middle to the end, but it's still enjoyable. The whole third act might haunt you if you are not used to disturbing scenes, but it made the movie for me. Reminds me of It Follows. ...