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Michael Poster

Michael

Discover the making of a king.
2026 | 127m | English

(10437 votes)

TMDb IMDb

Popularity: 187 (history)

Director: Antoine Fuqua
Writer: John Logan
Staring:
Details

Discover the story of Michael Jackson, one of the most influential artists the world has ever known, and his life beyond the music, tracing his journey from the discovery of his extraordinary talent as the lead of the Jackson Five, to the visionary artist whose creative ambition fueled a relentless pursuit to become the biggest entertainer in the world, highlighting both his life off-stage and some of the most iconic performances from his early solo career.
Release Date: Apr 22, 2026
Director: Antoine Fuqua
Writer: John Logan
Genres: Music, Drama
Keywords sibling relationship, 1970s, abusive father, ambition, biography, singer, period drama, music history, price of fame, singer-songwriter, rise to fame, 1980s, 1960s, music, dramatic, cliché, comforting, frightened, joyful, biographical drama, music drama, biopic
Production Companies Lionsgate, GK Films, Optimum Productions
Box Office Revenue: $0
Budget: $200,000,000
Updates Updated: Apr 23, 2026
Entered: Apr 13, 2024
Trailers

Extras

Full Credits

Name Character
Jaafar Jackson Michael Jackson
Colman Domingo Joe Jackson
Nia Long Katherine Jackson
Kendrick Sampson Quincy Jones
Miles Teller John Branca
Juliano Krue Valdi Young Michael Jackson
KeiLyn Durrel Jones Bill Bray
Joseph David-Jones Jackie Jackson
Jamal Henderson Jermaine Jackson
Rhyan Hill Tito Jackson
Trey Horton Marlon Jackson
Jessica Sula LaToya Jackson
Larenz Tate Berry Gordy
Laura Harrier Suzanne de Passe
Nathaniel Logan McIntyre Young Jackie Jackson
Judah Edwards Young Tito Jackson
Jayden Harville Young Jermaine Jackson
Jaylen Hunter Young Marlon Jackson
Mike Myers Walter Yetnikoff
Liv Symone Gladys Knight
Kevin Shinick Dick Clark
Effie Spence Liza Minnelli
Daniel Korenfeld Kevin Clark
Frescia Belmar Jennifer Batten (uncredited)
Name Job
John Logan Writer
Barbara Ling Production Design
Antoine Fuqua Director
Dion Beebe Director of Photography
Bill Corso Makeup Department Head
E.J. Misisco First Assistant "A" Camera
Matthew Love Digital Imaging Technician
Maninder K. Saini Digital Imaging Technician
Rob Reaves Camera Loader
Dwight Campbell "B" Camera Operator
Kerry Lyn McKissick Script Supervisor
Dylan Goss Aerial Director of Photography
Kimberly Hardin Casting
Howard Berger Special Effects Makeup Artist
Mark Garbarino Special Effects Makeup Artist
Ve Neill Special Effects Makeup Artist
Christopher Allen Nelson Special Effects Makeup Artist
Selena Carrillo Production Supervisor
Jesse Carmona Second Second Assistant Director
Christina Fong Second Assistant Director
Jon Mallard First Assistant Director
Chris O'Hara Stunt Coordinator
Michael Ambrose Gaffer
Leigh Jonte Casting Associate
Roberto De Angelis "A" Camera Operator
Victoria Thomas Casting
Ed Novick Sound Mixer
Eric Sundahl Supervising Art Director
Marci Rodgers Costume Design
Douglas Plasse Second Unit First Assistant Director
John Warhurst Supervising Sound Editor
Carla Farmer Hair Department Head
Louis Morin Visual Effects Supervisor
Greg Baxter Visual Effects Producer
Matthew Jackson Publicist
John Ottman Editor
Harry Yoon Editor
Jeff Wright Second Assistant "A" Camera
Playboi Carti Songs
Jay Goodwin Stunt Double
Lior Rosner Original Music Composer
Michael Jackson Music
Name Title
John McClain Producer
Graham King Producer
David B. Householter Executive Producer
John Branca Producer
Antoine Fuqua Executive Producer
Lydia Silverman Executive Producer
Prince Jackson Executive Producer
Karen Langford Executive Producer
Hayley King Executive Producer
Ron Burkle Executive Producer
Jermaine Jackson Executive Producer
Tito Jackson Executive Producer
Jackie Jackson Executive Producer
Marlon Jackson Executive Producer
La Toya Jackson Executive Producer
Jordan Schur Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 8 15 3
2024 5 9 14 6
2024 6 9 17 4
2024 7 11 18 6
2024 8 9 15 5
2024 9 7 12 3
2024 10 5 9 3
2024 11 6 11 3
2024 12 6 12 3
2025 1 9 21 6
2025 2 6 10 1
2025 3 5 17 1
2025 4 3 7 1
2025 5 2 6 1
2025 6 2 4 1
2025 7 1 2 0
2025 8 1 2 0
2025 9 2 2 1
2025 10 3 4 2
2025 11 8 14 3
2025 12 5 10 3
2026 1 4 6 2
2026 2 8 14 4
2026 3 10 14 7

Trending Position


Year Month High Avg
2026 3 13 74
Year Month High Avg
2026 2 6 133
Year Month High Avg
2026 1 90 252
Year Month High Avg
2025 12 48 521
Year Month High Avg
2025 11 10 336
Year Month High Avg
2025 10 157 565
Year Month High Avg
2025 9 242 588
Year Month High Avg
2025 7 693 793
Year Month High Avg
2025 6 988 988
Year Month High Avg
2025 5 460 793
Year Month High Avg
2025 4 28 280
Year Month High Avg
2025 3 848 871
Year Month High Avg
2025 1 718 867

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Reviews

Geronimo1967
7.0

Given the whole slew of Jackson's involved in this stylish production, I couldn't help but feel a bit disappointed by the hollowness of the whole thing. Certainly Jaafar Jackson has something of his uncle's charm and childlike vulnerability, but were we not to have known he was a member of the actua ... l family then I'm not sure I'd have been that convinced by his acting characterisation away from the dance floor. In any case, we begin with his ten year old (or is that eight?) younger years; with the domestic brutality at the hands of their domineering father Joe (Colman Domingo) whilst powerless mother Katherine (Nia Long) looked on - but without ever really getting to appreciate the nature of the bond between the siblings (and there's no sign of Janet). Despite being a couple of hours long, by the time we get to the adult, snakes and llamas, phase of his life we seem to be hurrying things along without really learning of his relationship with Berry Gordy (Larenz Tate) or Quincy Jones (Kendrick Simpson) or agent/manager/pillar of support John Branca (Miles Teller). There can be no doubting that this Jackson is in his element in the studio and on the stage; his performances border on the mimicry - but with a freshness to them that reminds us that this lad has a little bit of je ne sais quoi all of his own, something he adds charismatically throughout. The film looks every bit as glitzy and innovative as the original performances were but without any depth. Indeed, it comes across more as a sort of highly-polished fanzine that takes us to "Bad" with the promise of more to come, but without us really knowing a great deal more about him than we could have read on Wikipedia. There is something maniacal about Domingo's effort that convinces, but otherwise perhaps those making this were too close to the subject matter to be truly objective about what made the man tick, and so I left the cinema having remembered a man I saw at Wembley in 1988 fondly, but not especially enlightened.

Apr 23, 2026