Popularity: 3 (history)
Director: | Angela Patton, Natalie Rae |
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Writer: | |
Staring: |
Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C., jail. | |
Release Date: | Aug 09, 2024 |
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Director: | Angela Patton, Natalie Rae |
Writer: | |
Genres: | Documentary |
Keywords | prison, dance, woman director, incarceration, father daughter relationship, american justice system, african american |
Production Companies | Epoch Films, Park Pictures Features, Simpson Street, XTR, Object & Animal, World of HA Productions, OPC Films, Black Box Management |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 25, 2024 |
Name | Character |
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Name | Job |
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Sunny Kapoor | Music Supervisor |
Michael Cambio Fernandez | Director of Photography |
Troy Josiah Lewis | Editor |
Adelina Bichis | Editor |
Janis Vogel | Consulting Editor |
Angela Patton | Director |
Natalie Rae | Director |
Sabine Hoffman | Consulting Editor |
Kelsey Lu | Original Music Composer |
Name | Title |
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Joel Edgerton | Executive Producer |
Lisa Mazzotta | Producer |
Justin Benoliel | Producer |
Mindy Goldberg | Producer |
Sam Bisbee | Producer |
Kathryn Everett | Producer |
Laura Choi Raycroft | Producer |
James Cunningham | Producer |
Lydia Kives | Executive Producer |
Jackie Kelman Bisbee | Executive Producer |
Harland Weiss | Executive Producer |
Dom Thomas | Executive Producer |
Jason Harper | Executive Producer |
Morgan Clement | Executive Producer |
Mike Hasinoff | Co-Executive Producer |
Paul Rachman | Co-Producer |
Hallee Adelman | Executive Producer |
Andrea van Beuren | Executive Producer |
Natalie Rae | Producer |
Jessica Seinfeld | Executive Producer |
Lance Acord | Executive Producer |
Kerry Washington | Executive Producer |
Bryn Mooser | Executive Producer |
Pilar Savone | Executive Producer |
Angela Patton | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 4 | 10 | 1 |
2024 | 5 | 9 | 16 | 3 |
2024 | 6 | 7 | 20 | 3 |
2024 | 7 | 10 | 20 | 3 |
2024 | 8 | 29 | 49 | 7 |
2024 | 9 | 12 | 20 | 8 |
2024 | 10 | 10 | 17 | 5 |
2024 | 11 | 8 | 17 | 3 |
2024 | 12 | 7 | 11 | 3 |
2025 | 1 | 9 | 13 | 3 |
2025 | 2 | 7 | 16 | 1 |
2025 | 3 | 5 | 14 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 3 | 1 |
2025 | 9 | 2 | 2 | 1 |
2025 | 10 | 3 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
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2024 | 8 | 39 | 303 |
A group of incarcerated fathers are promised the opportunity to have a dance with their young daughters after they undergo some sessions with a counsellor who encourages discussion between them about what the relationship with their children means to each of them. Meantime, we are introduced to the ... entertainingly enthusiastic Aubrey who is desperate to see her father and who serves as a conduit to other mothers and children who are - with varying degrees of wholeheartedness - involved in this project. Across the next hundred minutes or so, we follow the preparation and anticipation on both sides before the children duly arrive for their brief and emotional afternoon. What got me about this whole thing is the director's decision not to inform us as to just why these men are in jail in the first place. With sentences ranging from the short to thirty years, I quickly felt I was being lured into a feeling of sympathy for individuals about whom I knew practically nothing. As none of the men themselves seemed keen to elaborate own what crimes actually put them in jail, I began to wonder if they were just hard-luck, petty, thieves or serial rapists. Might the youngsters actually be better off without their dads? It's set amidst a prison in Washington D.C. so it does offer us an occasionally interesting look at some aspects of African American familial culture and attitudes but again, it doesn't try to put much meat on any bones from the perspective of the spouses about coping or raising the children in difficult circumstances. The aim of the scheme to reconcile (compulsorily) estranged fathers and daughters is laudable enough, but this documentary really only presents us with a rather incomplete and selective character study. It might work better as a two-part television documentary, but as a cinema piece it's a bit of an unrewarding slog.