| A parable of the missteps of life enacted in the hothouse world of late 1980’s New York, in which the art market and the stock market each boomed, and in process spawned a smorgasbord of “yuppie” delusions which still persist. Anna, a French actress studying in New York, crosses paths with a successful stock-broker, Mark, standing before a Vermeer portrait at the Metropolitan, thence ensues a peculiar romance of missed meanings and connections, with tangential asides to the steaming arts world and stock market, loft-mate conflicts, and, perhaps, love. Wrapped up in their blindered worlds, Anna and Mark deflect away from their chances, leaving at the conclusion the wistful face of Vermeer’s portrait enigmatically asking questions. All the Vermeers in New York is a comedy of manners which, as gently as a Vermeer, looks beneath the skin of this time and place, and of these characters. | |
| Release Date: | May 01, 1992 |
|---|---|
| Director: | Jon Jost |
| Writer: | Jon Jost |
| Genres: | Comedy, Drama, Romance |
| Keywords | |
| Production Companies | American Playhouse, Complex Corporation |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 03, 2025 (Update) Entered: May 06, 2024 |
| Name | Character |
|---|---|
| Emmanuelle Chaulet | Anna |
| Stephen Lack | Mark |
| Katie Garner | Nicole (as Katherine Bean) |
| Grace Phillips | Felicity |
| Laurel Lee Kiefer | Ariel Ainsworth (as Laurel Kiefer) |
| Gracie Mansion | Gallery Owner |
| Gordon Joseph Weiss | Gordon |
| Roger Ruffin | Max |
| Name | Job |
|---|---|
| Jon A. English | Original Music Composer |
| Molly Bradford | Production Manager |
| John Murphy | Sound Mixer |
| Joe Romano | Sound Recordist |
| Ian Teal | Key Grip |
| Jon Jost | Director of Photography, Editor, Writer, Director |
| Name | Title |
|---|---|
| Lindsay Law | Executive Producer |
| Henry S. Rosenthal | Producer |
| Organization | Category | Person |
|---|
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