 
  Popularity: 16 (history)
| Director: | David Midell | 
|---|---|
| Writer: | David Midell, Enrico Natale | 
| Staring: | 
| Two priests, one in crisis with his faith and the other confronting a turbulent past, must overcome their differences to perform a risky exorcism. | |
| Release Date: | Apr 18, 2025 | 
|---|---|
| Director: | David Midell | 
| Writer: | David Midell, Enrico Natale | 
| Genres: | Drama, Horror, Thriller | 
| Keywords | exorcism, based on true story, demon, demonic possession, possesion, somber, priests, hallucinations, gloomy | 
| Production Companies | Andrew Stevens Entertainment, XYZ Films, Redbird Entertainment, Jeff Rice Films, Eyevox, LB Entertainment, BondIt Media Capital, Baweja Studios, Cinemachineshop, MetaFilms, Isro Productions, IFeelYouFilms | 
| Box Office | Revenue: $3,195,869 Budget: $0 | 
| Updates | Updated: Aug 02, 2025 Entered: Aug 14, 2024 | 
| Name | Character | 
|---|---|
| Dan Stevens | Father Joseph Steiger | 
| Abigail Cowen | Emma Schmidt | 
| Al Pacino | Father Theophilus Riesinger | 
| Patricia Heaton | Mother Superior | 
| Ashley Greene | Sister Rose | 
| Patrick Fabian | Bishop Edwards | 
| María Camila Giraldo | Sister Camila | 
| Meadow Williams | Sister Sarah | 
| Enrico Natale | Dr. Fabian | 
| Ritchie Montgomery | Chester | 
| Liann Pattison | Sister Antonella | 
| Courtney Rae Allen | Sister Mary Joseph | 
| Emily Brinks | Betty | 
| Name | Job | 
|---|---|
| David Midell | Writer, Director, Story | 
| Juliene Joyner | Stunt Double | 
| Alessandro Penazzi | Line Producer | 
| Adam Biddle | Director of Photography | 
| Enrico Natale | Story, Editor | 
| Ricki Maslar | Casting | 
| Julie Toche | Production Design | 
| Dayton Douglass | Set Decoration | 
| Grizelda Garza | Costume Design | 
| Ruben Mazzoleni | First Assistant Director | 
| Savannah Belcher | Second Assistant Director | 
| Max Harsant | First Assistant Camera | 
| Thorne Hood | Second Assistant Camera | 
| Lawrence He | Sound Designer | 
| Matt Cipro | Stunt Double | 
| Joshua Little | Compositing Artist | 
| Brian McCann | Compositing Artist | 
| Michael A. Martinez | Visual Effects Supervisor | 
| Jason Lazarus | Original Music Composer | 
| Joseph Trapanese | Original Music Composer | 
| Name | Title | 
|---|---|
| Mitchell Welch | Producer | 
| Andrew Stevens | Producer | 
| Enrico Natale | Producer | 
| Lee Broda | Executive Producer | 
| Ross Kagan Marks | Producer | 
| Chris Paladino | Executive Producer | 
| Jeff Rice | Executive Producer | 
| Jordan Wagner | Executive Producer | 
| Nate Bolotin | Executive Producer | 
| Nick Spicer | Executive Producer | 
| Aram Tertzakian | Executive Producer | 
| Maxime Cottray | Executive Producer | 
| Matthew Helderman | Executive Producer | 
| Luke Taylor | Executive Producer | 
| Tyler Gould | Executive Producer | 
| Isaac Rosner | Executive Producer | 
| Cole Garson | Executive Producer | 
| Tamra Bohorquéz | Executive Producer | 
| Sharad Chib | Executive Producer | 
| Jeff Holland | Executive Producer | 
| Rick Moore | Executive Producer | 
| Meadow Williams | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 3 | 5 | 1 | 
| 2024 | 5 | 7 | 12 | 1 | 
| 2024 | 6 | 3 | 7 | 1 | 
| 2024 | 7 | 4 | 10 | 2 | 
| 2024 | 8 | 5 | 10 | 3 | 
| 2024 | 9 | 5 | 7 | 3 | 
| 2024 | 10 | 5 | 11 | 2 | 
| 2024 | 11 | 6 | 10 | 3 | 
| 2024 | 12 | 4 | 9 | 3 | 
| 2025 | 1 | 8 | 15 | 4 | 
| 2025 | 2 | 5 | 7 | 1 | 
| 2025 | 3 | 3 | 8 | 0 | 
| 2025 | 4 | 2 | 3 | 1 | 
| 2025 | 5 | 2 | 5 | 1 | 
| 2025 | 6 | 8 | 33 | 5 | 
| 2025 | 7 | 126 | 234 | 68 | 
| 2025 | 8 | 56 | 80 | 38 | 
| 2025 | 9 | 36 | 46 | 29 | 
| 2025 | 10 | 24 | 37 | 16 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 10 | 103 | 534 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 9 | 15 | 361 | 
| Year | Month | High | Avg | 
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| 2025 | 8 | 77 | 494 | 
| Year | Month | High | Avg | 
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| 2025 | 7 | 15 | 137 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 6 | 2 | 290 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 5 | 74 | 456 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 4 | 368 | 604 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 256 | 587 | 
I’m guessing that Russell Crowe was busy for this latest exercise in priestly exorcism so an hardly recognisable Al Pacino decided to have a go. He is a Capetian father drafted in to help the reluctant Fr. Joseph (Dan Stevens) with a particularly difficult task. Fr. Theophilus must help rid the poor ... young Emma (Abigail Cowen) of an unwanted bodily guest. His methods do not impress the rather naive young father, nor the sisters in attendance as she increasingly resorts to involuntary bleeding, foul language, violent outbursts and even the usual hanging upside down from the ceiling lamp trick whilst under relentless assault from the repetitious bible verses being read across what I counted are at least seven of those ritual attempts at expulsion. Sound familiar? Well that’s because it is. Aside from Pacino turning in a slightly different style of performance from his norm, the rest of this hasn’t an original bone in it’s body. Indeed, its only claim to fame appears to be that it is based on the original, almost century old, transcriptions from Fr. Joseph of events that are really supposed to have happened but we’ve seen this all predictably play out so many times before that even the traditional collapsible bed doesn’t turn an head - spiritual or metaphysically. The one element that does provoke a little interest is, perhaps, the clear indication that Catholicism in the 1920s was riddled with incantations, superstitions and a degree of symbolism that probably hadn’t changed since much since there was a Borgia on the throne of St. Peter. This might work on the telly at Halloween of you’re full of Grappa, but as a cinema experience it is disappointing and entirely forgettable, sorry.
I know we have seen a lot of exorcism movies which are copies of copies of copies, however this one wasn't that bad copy, lol. I think it was actually pretty decent. Not a best exorism movie, but not bad either. ...