 
  Popularity: 5 (history)
| Director: | David Semel, Martin Kunert, Matt Cooper | 
|---|---|
| Writer: | Eric Manes, Martin Kunert, Matt Cooper | 
| Staring: | 
| Anthology of famous, scary urban legends done with a modern twist. | |
| Release Date: | May 16, 1997 | 
|---|---|
| Director: | David Semel, Martin Kunert, Matt Cooper | 
| Writer: | Eric Manes, Martin Kunert, Matt Cooper | 
| Genres: | Horror | 
| Keywords | anthology, car crash, urban legend, spirit, campfire story, 1990s, scary stories | 
| Production Companies | Campfire LLC | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Jay R. Ferguson | Cliff (segment "The Campfire") | 
| Christine Taylor | Lauren (segment "The Campfire") | 
| Christopher Masterson | Eric (segment "The Campfire") | 
| Kim Murphy | Alex (segment "The Campfire") | 
| Ron Livingston | Rick (segment "The Honeymoon") / RV Driver (segment "The Campfire") | 
| Jennifer MacDonald | Valerie (segment "The Honeymoon") / RV Passenger (segment "The Campfire") | 
| Hawthorne James | Cole (segment "The Honeymoon") | 
| Alex McKenna | Amanda (segment "People Can Lick Too") | 
| Devon Odessa | Katherine (segment "People Can Lick Too") | 
| Jonathan Fuller | 'Jessica' / Internet Man (segment "People Can Lick Too") | 
| Glenn Quinn | Scott Anderson (segment "The Locket") / Paramedic #1 (segment "The Campfire") | 
| Jacinda Barrett | Heather Wallace (segment "The Locket") | 
| James Marsden | Eddie (segment "The Hook") | 
| Amy Smart | Jenny (segment "The Hook") | 
| Rick Lawrence | Rockin' Rob (segment "The Hook") | 
| Stewart J. Zully | Deputy Manson (segment "The Honeymoon") | 
| Paul Salamoff | Crew Man #1 (segment "The Honeymoon") | 
| Bill Zahn | Crew Man #2 (segment "The Honeymoon") | 
| Gary Jensen | Crew Man #3 (segment "The Honeymoon") | 
| Ben Jensen | Crew Man #4 (segment "The Honeymoon") | 
| Suzanne Goddard-Smythe | Mom (segment "People Can Lick Too") / Paramedic #2 (segment "The Campfire") | 
| Michael Dempsey | Dad (segment "People Can Lick Too") | 
| Otin | Himself (segment "People Can Lick Too") | 
| Denny Arnold | Heather's Father (segment "The Locket") | 
| Meleva Barbula | Heather the Locket (segment "The Locket") (voice) | 
| David Cooper | Policeman #1 (segment "The Campfire") | 
| Eric Fleeks | Policeman #2 (segment "The Campfire") | 
| Mike Terner | Policeman #3 (segment "The Campfire") | 
| Matt Cooper | Policeman #4 (segment "The Campfire") | 
| Larry Weinberg | Willy the Hook (closing scene) | 
| Name | Job | 
|---|---|
| David Semel | Director | 
| Eric Manes | Screenplay, Story | 
| Martin Kunert | Screenplay, Director, Story | 
| Matt Cooper | Screenplay, Director | 
| Paul Lowe | Key Production Assistant | 
| Roy Knyrim | Special Effects Makeup Artist | 
| John Peters | Director of Photography | 
| Milo Brown | Transportation Coordinator | 
| Charles Long | Wardrobe Supervisor | 
| Howard Rutman | Transportation Coordinator | 
| Bob Edwards | Sound Re-Recording Mixer | 
| Alexandre Naufel | Electrician | 
| Dylan Rush | Electrician | 
| Kristen Wheeler | Electrician | 
| Nicole Arbusto | Casting | 
| Joy Dickson | Casting | 
| Shay Austin | Production Design | 
| Luis Colina | Editor | 
| Steven Nevius | Editor | 
| Rick Fields | Editor | 
| Gary DePew | Line Producer, Unit Production Manager | 
| Louis Shaw Milito | First Assistant Director | 
| Richard J. Levin | First Assistant Director | 
| Jennifer Anderson | Second Assistant Director | 
| Jerry Macaluso | Special Effects Makeup Artist | 
| Sylvia Vega-Vasquez | Costume Design | 
| Colin Anderson | Steadicam Operator, Camera Operator | 
| Ian Dodd | First Assistant Camera | 
| Joel Schwartz | Second Assistant Camera | 
| Bruce E. Nadeau | Camera Loader | 
| Brian Peck | Set Decoration | 
| Jan Fead | Property Master | 
| Daniel Bosler | Scenic Artist | 
| Marshall Wiemer | Production Sound Mixer | 
| Kevin Wilson | Boom Operator | 
| Adam Blantz | Sound Mixer | 
| Carol A. Ellison Fleming | Additional Editing | 
| Brett S. McCarthy | Associate Editor | 
| Billy A. Fox | Location Manager | 
| Tom Schmieder | Gaffer | 
| Arthur D. Whitehead | Best Boy Electric | 
| Joaquín 'Kino' Sánchez | Electrician | 
| Halo Amrani | Electrician | 
| Matt Alafetich | Electrician | 
| Gary L. Brennand | Electrician | 
| Jeff Nobel | Electrician | 
| David Winner | Key Grip | 
| Fritz Weber | Best Boy Grip | 
| Curtis Smith | Dolly Grip | 
| Sacha Bowling | Grip | 
| Tomislav Culina | Grip | 
| Cary Symmons | Grip | 
| Melisa Sánchez | Script Supervisor | 
| Gary Jensen | Stunt Coordinator | 
| Ben Jensen | Stunts | 
| Gary Dickman | Key Hair Stylist, Key Makeup Artist | 
| Cynthia Bornia | Assistant Hairstylist, Assistant Makeup Artist | 
| Monica Vasquez | Set Costumer | 
| Susan Matheson | Costumer | 
| Matthew Goodman | Production Coordinator | 
| Casey D. Eberhart | Assistant Production Coordinator | 
| Jay James | Assistant Production Coordinator | 
| Lynell Bangs | Production Accountant | 
| Tom Bellfort | Supervising Sound Editor | 
| Chris Scarabosio | Supervising Sound Editor | 
| Gwendolyn Yates Whittle | Dialogue Editor | 
| Kevin Sellers | Assistant Sound Editor | 
| Dennie Thorpe | Foley Artist | 
| Jana Vance | Foley Artist | 
| Tony Eckert | Foley Mixer | 
| Frank 'Pepe' Merel | Foley Recordist | 
| Jamie Forester | Music Editor | 
| Christopher Lewis | Leadman | 
| Renata Yvette Ray | Assistant Property Master | 
| Tanya Titus | On Set Dresser | 
| Peter Carnahan | On Set Dresser | 
| Yaniv Bashan | Swing | 
| Gregory Meadows | Swing | 
| Eric Smith | Swing | 
| Shiuvaun Egan | Assistant Property Master | 
| Stan Lanich | Construction Manager | 
| Jeff Christenson | Construction Manager | 
| Teddi Rice | Scenic Artist | 
| Eric Blough | Scenic Artist | 
| Dan Burton | Storyboard Artist | 
| Michael Burnette | Transportation Coordinator | 
| Chris Sharff | Transportation Captain | 
| Alex Kivlen | Assistant Location Manager | 
| Joe Broderick | Additional Camera | 
| Eric 'Jetson' Pfoutz | Additional First Assistant Camera | 
| Whitney Alderson | Music Supervisor | 
| Andrew Rose | Orchestrator, Original Music Composer | 
| Ken Eberhard | Orchestrator | 
| Angel Balestier | Score Engineer | 
| Eric Cowden | Score Engineer | 
| Dick Ran Bezirgenian | ADR Recordist | 
| Cary Butler | ADR Recordist | 
| Conner Moore | ADR Recordist | 
| Peter Swartz | ADR Recordist | 
| Mark Villalobos | Special Effects Key Makeup Artist | 
| Conor McCullagh | Special Effects Key Makeup Artist | 
| Michael Del Rossa | Special Effects Makeup Artist | 
| Francouis Delas | Special Effects Makeup Artist | 
| Josh Foster | Special Effects Makeup Artist | 
| Paul Salamoff | Special Effects Makeup Artist | 
| Bill Zahn | Special Effects Makeup Artist | 
| Bruno Stempel | Special Effects Supervisor | 
| Bob Fredrickson | Color Timer | 
| Will McGarry | Still Photographer | 
| Adam Pergament | Additional Still Photographer | 
| Michael Fowler | 24 Frame Playback | 
| Andrew Mumford | Visual Effects | 
| Jimmy Zelinger | Title Designer | 
| Richard Clabaugh | Additional Photography | 
| Richard Crudo | Additional Photography | 
| John Scherer | First Assistant Director | 
| W. Alexander Ellis | Second Assistant Director | 
| Ethan Jensen | Stunt Coordinator | 
| Tom O'Halloran | First Assistant Camera | 
| Simon Jarvis | Camera Loader | 
| William Fiege | Sound Mixer | 
| Srđan Popović | Boom Operator | 
| Ted Gidlow | Production Coordinator | 
| Nellie Adami | Assistant Production Coordinator | 
| Karen Eachus | Script Supervisor | 
| Aaron S. Rutman | Construction Coordinator | 
| Brad Lipson | Gaffer | 
| Dexter Eneriz | Gaffer | 
| David Terpin | Best Boy Electric | 
| Joe Castro | Special Effects Makeup Artist | 
| Name | Title | 
|---|---|
| Lori Miller | Producer | 
| Eric Manes | Producer | 
| Larry Weinberg | Producer | 
| Katy S. Fox | Associate Producer | 
| David Cooper | Executive Producer | 
| Sandra Cannon | Associate Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 12 | 19 | 6 | 
| 2024 | 5 | 12 | 17 | 7 | 
| 2024 | 6 | 11 | 22 | 6 | 
| 2024 | 7 | 12 | 22 | 5 | 
| 2024 | 8 | 9 | 15 | 5 | 
| 2024 | 9 | 10 | 15 | 5 | 
| 2024 | 10 | 9 | 14 | 4 | 
| 2024 | 11 | 11 | 27 | 5 | 
| 2024 | 12 | 10 | 22 | 6 | 
| 2025 | 1 | 11 | 21 | 6 | 
| 2025 | 2 | 7 | 10 | 3 | 
| 2025 | 3 | 5 | 16 | 1 | 
| 2025 | 4 | 2 | 6 | 1 | 
| 2025 | 5 | 2 | 7 | 1 | 
| 2025 | 6 | 2 | 4 | 1 | 
| 2025 | 7 | 1 | 4 | 0 | 
| 2025 | 8 | 1 | 4 | 0 | 
| 2025 | 9 | 3 | 4 | 1 | 
| 2025 | 10 | 4 | 6 | 3 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 11 | 198 | 198 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 10 | 528 | 528 | 
Anthological Urban Legend Blast! The horror anthology movie has been a popular source of enjoyment for horror fans for a number of decades. As is pretty much always the case, the quality of each segment of the films varies - and this always will be the case. Case in point Campfire Tales. Somet ... hing of a little treat for those inclined, this offers up four main stories and a wraparound device which involves four teenagers telling the tales around a campfire after their car has crashed. In my own anthology experiences, the main stories have tended to improve in quality as each story plays out, Campfire Tales is different, it opens weakly - has two great stories in the middle - and then closes on a damp boring squib. leading into the big - if unsurprising - reveal at films end. The poster for the film puts Amy Smart and James Marsden up at the front, which is a bum steer given that their screen time is not massive. Their story, "The Hook", opens the film and it's poor, devoid of scares and tension, and it obviously gears itself up for a chilling reveal but it ends up more funny (even baffling) than creepy. "The Honeymoon" is up next and things significantly improve. Based on one of the most famous of urban legends, this finds a young couple of honeymooners stranded out in the woods when their camper van runs out of petrol. Choices are made, menacing terror begins, which all leads to a genuinely shocking finale. Next up is "People Can Lick Too", which finds a young girl home alone and stalked by a paedophile she met on line. The whole episode has a sinister eeriness to it, with some reveals sending chills down the spine. The ending is heart stopping and blood curdling. The last segment is "The Locket", which is well acted but ultimately more wistful and ethereal than anything scary or unnerving. Though the denouement is sure to appeal to many. Nice musical score here as well. And on to the reveal, straight out of The Twilight Zone and from any number of films of the same ilk. Great fun even if not all the stories knock it out of the park. 7.5/10