Popularity: 6 (history)
| Director: | Duncan Jones |
|---|---|
| Writer: | Duncan Jones, Nathan Parker |
| Staring: |
| With only three weeks left in his three-year contract, Sam Bell is getting anxious to finally return to Earth. He is the only occupant of a Moon-based manufacturing facility along with his computer and assistant, GERTY. When he has an accident however, he awakens to find that he is not alone. | |
| Release Date: | Jun 12, 2009 |
|---|---|
| Director: | Duncan Jones |
| Writer: | Duncan Jones, Nathan Parker |
| Genres: | Science Fiction, Drama |
| Keywords | moon, artificial intelligence (a.i.), isolation, future, dystopia, space, moon base, psychological thriller, human clone, lunar mission, corporate conspiracy, existential crisis, intense |
| Production Companies | Sony Pictures Classics, Liberty Films, Lunar Industries, Xingu Films, Independent, Limelight Fund |
| Box Office |
Revenue: $9,760,104
Budget: $5,000,000 |
| Updates |
Updated: Sep 07, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Sam Rockwell | Sam Bell |
| Kevin Spacey | GERTY (voice) |
| Dominique McElligott | Tess Bell |
| Rosie Shaw | Little Eve |
| Adrienne Shaw | Nanny |
| Kaya Scodelario | Eve |
| Benedict Wong | Thompson |
| Matt Berry | Overmeyers |
| Malcolm Stewart | Technician |
| Robin Chalk | Sam Bell Clone |
| Name | Job |
|---|---|
| Duncan Jones | Story, Director |
| Nathan Parker | Screenplay |
| Clint Mansell | Music Producer, Original Music Composer |
| Chesney Hawkes | Music |
| Manuel Puro | Casting |
| Gavin Rothery | Conceptual Design, Visual Effects Supervisor |
| Hideki Arichi | Art Direction |
| Aleksandar Jovanović | Compositor |
| Mark Tillie | Still Photographer |
| Gary Shaw | Director of Photography |
| Nicolas Gaster | Editor |
| Tony Noble | Production Design |
| Jane Petrie | Costume Design |
| John Slattery | Compositor, Digital Compositor |
| Julia Valentine | Line Producer |
| Paul W. Baker | Thanks |
| Eddie Dias | Thanks |
| Rob Garvie | Thanks |
| Noel Tovey | Thanks |
| Richard North | Assistant Accountant |
| Fran Weston | Additional First Assistant Camera |
| Mihalis Margaritis | Additional First Assistant Camera |
| Ray Moody | Additional Second Assistant Camera |
| Alex Kaye-Besley | Additional Still Photographer, Third Assistant Director |
| Henry Forsyth | Additional Third Assistant Director |
| Darren McQuade | ADR Mixer |
| Peter Ryan | Assistant Art Director |
| Richard Smither | Assistant Editor |
| Becky Page | Producer's Assistant |
| Alex Howe | Camera Operator |
| Alex Kruszelnicki | Camera Trainee |
| Francesca Cooper | Catering |
| Peter Scholes | Catering |
| Katia Scodelario | Chaperone |
| Tim Morris | Loader |
| Lucy Donowho | Costume Supervisor |
| Kevin Brazier | Dialogue Editor |
| Richard Stockdale | Dolby Consultant |
| Maia Sautelet | Draughtsman |
| Andrew Proctor | Draughtsman |
| James Chambers | Driver |
| Jeff Hudson | Driver |
| Steve Rivenell | Driver |
| Dave Glazier | Electrician |
| George Haldsworth | Electrician |
| Susanne Salavati | Electrician |
| Pete Carrier | Electrician |
| David Penfold | First Assistant Camera |
| Mick Ward | First Assistant Director |
| Guy Travers | First Assistant Director |
| Ella Harris | Floor Runner |
| Barny Crocker | Focus Puller |
| Jason Swanscott | Foley Artist |
| Ted Swanscott | Foley Artist |
| Paul William Edwards | Foley Editor |
| Simon Epstein | Foley Mixer |
| Trevor Swanscott | Foley Mixer |
| Ewan Cassidy | Gaffer |
| Julian Walker | Graphic Designer |
| Garth Sewell | Grip |
| Tony Shults | Grip |
| Dan Garlick | Grip |
| Karen Dawson | Makeup Designer, Hair Designer |
| Richard Muller | Makeup Artist, Hairstylist |
| Geoff Foster | Scoring Mixer |
| Mike Fonte | Musician |
| Carly Paradis | Musician |
| Justin Eely | Online Editor |
| Nick Anderson | Online Editor |
| Katie Shahrokh | Post-Production Manager |
| Dan Bentham | Post Production Supervisor |
| Robin Green | Production Accountant |
| Roisin Byrne | Production Accountant |
| Emily Manthorpe | Production Assistant |
| Sophie Bridgman | Set Dresser |
| Livia Burton | Production Coordinator |
| Imogen Bell | Production Manager |
| Jeremy Burnage | Production Manager |
| Patrick Owen | Production Sound Mixer |
| Simon Bailey | Property Master |
| Kevin Scarrott | Props |
| Daniel Bee | Publicist |
| Scott Jones | Sound Re-Recording Mixer |
| Tony Moore | Standby Rigger |
| Howard Weaver | Scenic Artist |
| Jo Beckett | Script Supervisor |
| Jimmy Ward | Second Assistant Camera |
| Mark Dempsey | Second Assistant Camera |
| Simon Downes | Second Assistant Director |
| Tim Waller | Senior Colorist |
| Marc Lawes | Sound Effects Editor |
| Richard Boyton | Standby Painter |
| Steven Nix | Standby Painter |
| Douglas Ingram | Storyboard Artist |
| Graham Wyn Jones | Storyboard Artist |
| Rod Woodruff | Stunts, Stunt Coordinator |
| Simon Kilroe | Title Designer, Visual Effects Supervisor |
| Peter Hodgson | Video Assist Operator |
| Abigail Scollay | Compositor |
| Ben Hicks | Compositor |
| Chris Elson | Compositor |
| Dylan Owen | Compositor |
| Guy Elson | Compositor |
| Ian Plumb | Compositor |
| Karen Wand | Compositor |
| Sam Bassett | Compositor |
| Sandro Henriques | Compositor |
| Anthony Webb | Compositor |
| David Emeny | Compositor |
| Lewis Saunders | Compositor |
| Ryan Hutchings | Compositor |
| Alex Smith | Compositing Lead |
| Dan Harrod | Compositing Lead |
| David Sewell | Compositing Lead |
| Molinare | Visual Effects |
| Lee Chidwick | Visual Effects Coordinator |
| Barrett Heathcote | Visual Effects Editor |
| Antony Hunt | Executive Visual Effects Producer |
| Courtney Vanderslice | Executive Visual Effects Producer |
| Angie Wills | Visual Effects Producer |
| Paul Edwards | Visual Effects Producer |
| Shanaullah Umerji | Visual Effects Producer |
| Daniel Pettipher | Visual Effects Production Manager |
| Simon Stanley-Clamp | Visual Effects Supervisor |
| Jeremy Zimmermann | Casting |
| Name | Title |
|---|---|
| Trudie Styler | Producer |
| Nicky Bentham | Producer |
| Stuart Fenegan | Producer |
| Mark Foligno | Producer |
| Alex Francis | Producer |
| Steve Milne | Producer |
| Deepak Sikka | Producer |
| Justin Lanchbury | Producer |
| Trevor Beattie | Executive Producer |
| Bil Bungay | Executive Producer |
| Michael Henry | Executive Producer |
| Bill Zysblat | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
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| 2024 | 4 | 32 | 54 | 19 |
| 2024 | 5 | 37 | 91 | 20 |
| 2024 | 6 | 29 | 45 | 19 |
| 2024 | 7 | 34 | 50 | 22 |
| 2024 | 8 | 29 | 50 | 21 |
| 2024 | 9 | 31 | 46 | 20 |
| 2024 | 10 | 25 | 53 | 15 |
| 2024 | 11 | 24 | 54 | 16 |
| 2024 | 12 | 25 | 65 | 16 |
| 2025 | 1 | 27 | 46 | 18 |
| 2025 | 2 | 20 | 30 | 4 |
| 2025 | 3 | 8 | 34 | 2 |
| 2025 | 4 | 4 | 5 | 3 |
| 2025 | 5 | 4 | 4 | 3 |
| 2025 | 6 | 4 | 8 | 3 |
| 2025 | 7 | 3 | 5 | 3 |
| 2025 | 8 | 3 | 4 | 2 |
| 2025 | 9 | 5 | 8 | 3 |
| 2025 | 10 | 4 | 6 | 2 |
Trending Position
| Year | Month | High | Avg |
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| 2025 | 10 | 438 | 718 |
| Year | Month | High | Avg |
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| 2025 | 9 | 314 | 642 |
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| 2025 | 8 | 502 | 763 |
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| 2025 | 7 | 527 | 799 |
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| 2025 | 6 | 309 | 807 |
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| 2025 | 5 | 243 | 732 |
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| 2025 | 4 | 179 | 681 |
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| 2025 | 3 | 280 | 695 |
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| 2025 | 2 | 467 | 766 |
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| 2025 | 1 | 418 | 737 |
| Year | Month | High | Avg |
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| 2024 | 12 | 307 | 708 |
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| 2024 | 11 | 331 | 779 |
| Year | Month | High | Avg |
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| 2024 | 10 | 600 | 847 |
| Year | Month | High | Avg |
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| 2024 | 9 | 863 | 910 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 651 | 839 |
Gerty, we're not programmed. We're people, do you understand? Directed by Duncan Jones and starring Sam Rockwell, Moon finds Rockwell as Sam Bell who is coming to the end of his three year contract on a lunar station working for Lunar Industries. His only companion is an intelligent computer name ... d GERTY (voiced by Kevin Spacey). When Sam has an accident he awakens to find he is now not alone and all he thought and believed in is just not as it seems. Forget any fears about a low budget and any plot similarity to 2001: A Space Odyssey, for this is a cracker jack of a science fiction picture. Film quickly fills us in on Sam Bell the man and his function up there on the lunar station. His relationship with GERTY the computer grabs our interest whilst the production design has a sort of medicinal sheen to it. Once Sam's solitude is established, the minimal contact with Earth explained, the pic then spins into another dimension, dragging both Sam and us viewers into the vortex. To say more would be churlish, but this is adult science fiction, clever in existential whiles and scathing with observations on corporate shenanigans. Narratively it's evocative in its telling, even haunting and philosophical, where a brilliant Rockwell nails every inch of Bell's search for being, and crucially, the truth. It's all building towards a finale of some devilish substance, no cop outs or easy fed answers, just a pertinent question asked of the viewers. Moon comes highly recommended to sci-fi fans who are after a bit more than mere sparkly fluff and robotic chaos. 9/10
Great watch, would watch again, and do recommend. Sam Rockwell no only carries the movie, but he's literally the only person in the movie that isn't on a screen. He plays off himself amazingly well and really balances the struggles of both the individual and the clone to clone interaction. Th ... e struggle feels like how someone would react to the situation, and Rockwell adds his own special flair to it. The setting of Luna is amazing, granted it's mostly in the small station, but it makes me jealous that we haven't established moon colonies. Space madness might be a real thing, but it is because someone is alone and not part of a group. I want more movies like this for every reason: more Sam Rockwell, more Luna settings, more clone movies, more isolation theory, more, "OMG, MY ENTIRE LIFE IS A LIE, WHAT IS HAPPENING!".
A quiet, psychological sci-fi thriller with a grim atmosphere, ‘Moon’ is carried by a greatly nuanced performance by Rockwell. 8/10 ...
Sam Rockwell is really good here as the sole occupant of a lunar base. Coming to the end of his three year stint, "Sam" is beginning to suffer from the effects of his loneliness. With only his automated pal "GERTY" (Kevin Spacey) for company, he longs to get home to his wife and daughter and to some ... semblance of a normal life. His job is to harvest the clean energy giving "Helium-3" and send it back to Earth and it's an accident on one of the harvesters that sees him wake up in the infirmary. "GERTY" assures him that everything is OK, but when he gets back on his feet, he becomes uneasy about the truth. How did he get back? What did happen? Despite the protestations of his carer, he returns to the silo and makes quite a startling discovery. Is he losing the plot? This interaction causes him to question everything about himself, about his mission and about, most importantly, his future. Does he have one? Does he even have a past? Rockwell really does capture strongly the sense of encroaching, almost claustrophobic, isolation married with an increasing sense of confusion and exasperation. He starts to feel fear - but what of? It's the increasing lack of the tangible - mental or physical that gives this story a potency and the supposed caring voice that emanates from the walls ostensibly looking out for him, becomes more menacing as the story rattles along. Well worth a watch if you like your sci-fi a bit more cerebral.
At the very start of the movie you might think to yourself: "Why did they send an idiot with schizophrenic tendencies to the moon?". By the end of the movie you'll see exactly why this person was chosen. If you can tolerate the numerous inaccuracies and mistakes the producer makes with regard to ... the conditions on the moon and in space, then this movie is very entertaining and I recommend watching it.