 
  Popularity: 3 (history)
| Director: | Uwe Boll | 
|---|---|
| Writer: | Raul Sanchez Inglis | 
| Staring: | 
| Four assassins led by Baron, pose as Secret Service agents to commandeer the house of war-widow ELLEN. Her home is a prime sniper position for their plan to assassinate the President on his visit to the small town of Suddenly. The men fool the local cops except for one, TODD. A washed-up former war hero and deputy who is now the town drunk, Todd served with Ellen’s deceased husband and has developed romantic feelings for her over the years. But she rebuffs his advances. Todd visits the house and is immediately suspicious of Baron, but no one will listen to the ravings of a drunk. Once Todd realizes what is going on, he manages to kill one of Baron’s crew, but is captured. Now he and Ellen must find a way to stop Baron and his men before they kill the President. | |
| Release Date: | Aug 08, 2013 | 
|---|---|
| Director: | Uwe Boll | 
| Writer: | Raul Sanchez Inglis | 
| Genres: | Thriller | 
| Keywords | assassin, sniper, secret service, assassination of president | 
| Production Companies | Nasser Entertainment Group, Odyssey Media | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Dominic Purcell | Baron | 
| Ray Liotta | Todd | 
| Erin Karpluk | Ellen | 
| Steve Bacic | Dan Carney | 
| Tyron Leitso | Agent Wheeler | 
| Chris Shields | President | 
| Brendan Fletcher | Deputy Anderson | 
| Daryl Shuttleworth | Nate | 
| Eric Keenleyside | Mayor | 
| Michael Paré | Conklin | 
| Tyron Leitso | Wheeler | 
| Garry Chalk | Sheriff Grant | 
| Haig Sutherland | Judd | 
| Name | Job | 
|---|---|
| Laura Sisko | Art Direction | 
| Uwe Boll | Director | 
| Tony Dean Smith | Editor | 
| Lauro David Chartrand-DelValle | Stunt Coordinator | 
| Brendan Uegama | Director of Photography | 
| Vidar Grande | Assistant Dialogue Editor | 
| Raul Sanchez Inglis | Writer | 
| Claudia Da Ponte | Costume Design | 
| Renée Read | Production Design | 
| Judy Lovell | Makeup Artist | 
| Mel Weisbaum | Production Manager | 
| Eric J. Paul | Foley Mixer, Supervising Sound Editor, Sound Re-Recording Mixer | 
| Brody Ratsoy | Dialogue Editor, Foley Artist, ADR Recordist, Sound Re-Recording Mixer | 
| Oliver Gläser | Steadicam Operator, Camera Operator | 
| Chris Helcermanas-Benge | Still Photographer | 
| Vince Laxton | Gaffer | 
| Corey Jacques | Best Boy Electric | 
| Suze Dunbar | Script Supervisor | 
| Sean Finnan | Location Manager | 
| Judy Lee | Casting | 
| Stu Goldberg | Original Music Composer | 
| Gina Mueller | Dialogue Editor, ADR Editor | 
| Peter S. Carlstedt | ADR Recordist | 
| Paul Novokshonoff | Boom Operator | 
| Christine McLeod | Dialogue Editor | 
| Tim McCann | Foley Mixer | 
| Tad Nazar | Sound Mixer | 
| Bill Mizel | First Assistant Director | 
| Adrian Diepold | Second Assistant Director | 
| Clayton Flagg | Assistant Property Master | 
| Danny Vermette | Assistant Set Decoration | 
| Sally Cook | Property Master | 
| Alex Godfrey | Best Boy Grip | 
| Joseph Fisher | Digital Imaging Technician, First Assistant Editor | 
| Stephen Grobe | Digital Imaging Technician | 
| Monty Black | Generator Operator | 
| Duncan Vogel | First Assistant "A" Camera | 
| Luke Barlow | First Assistant "B" Camera | 
| Jean-Léon Groenewald | Grip | 
| Paul Kalkman | Grip | 
| Milton Ng | Grip | 
| Will O'Brien | Grip | 
| Alex Kuchera | Key Grip | 
| Pavel Garcia | Second Assistant "A" Camera | 
| Lena Vinogradova | Second Assistant "B" Camera | 
| Ian C. Ballard | Key Hair Stylist | 
| Margaret Yaworski | Key Makeup Artist | 
| Jan Ballard | Makeup & Hair | 
| Kathi Moore | Assistant Costume Designer, On Set Dresser | 
| Danae Wilson | Truck Costumer | 
| Tom Blacklock | Special Effects Coordinator | 
| Helen Tzoutis | Compositor | 
| Richard Mintak | Visual Effects Supervisor | 
| Edward D. Rea | Casting Associate | 
| Annette McCaffrey | Extras Casting | 
| Achim Kapitza | Colorist | 
| Kevin Reid | Online Editor | 
| Jeremy Muir | Armorer | 
| Elva Parsons | Assistant Accountant | 
| Paul Fricker | Creative Consultant | 
| Aaron Wilbur | Creative Consultant | 
| Evan Chan | Epk Camera Operator | 
| Valentina Carp | Production Accountant | 
| Melissa Crich | Production Coordinator | 
| Than Hadjioannou | Security Coordinator | 
| Alex Burnett | Third Assistant Director | 
| Barbara Chisholm | Unit Manager | 
| Graham Fortin | Assistant Dialogue Editor | 
| Ed Anders | Stunts | 
| Name | Title | 
|---|---|
| Kirk Shaw | Executive Producer | 
| Raul Sanchez Inglis | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 10 | 19 | 4 | 
| 2024 | 5 | 14 | 30 | 6 | 
| 2024 | 6 | 10 | 16 | 3 | 
| 2024 | 7 | 14 | 37 | 5 | 
| 2024 | 8 | 9 | 25 | 4 | 
| 2024 | 9 | 5 | 11 | 3 | 
| 2024 | 10 | 11 | 35 | 3 | 
| 2024 | 11 | 6 | 21 | 3 | 
| 2024 | 12 | 5 | 10 | 3 | 
| 2025 | 1 | 6 | 15 | 3 | 
| 2025 | 2 | 4 | 7 | 1 | 
| 2025 | 3 | 3 | 6 | 1 | 
| 2025 | 4 | 2 | 3 | 1 | 
| 2025 | 5 | 2 | 3 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 1 | 1 | 0 | 
| 2025 | 9 | 2 | 2 | 1 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
**_Suddenly... the credits start rolling._** I knew going in that the rating was low, but I thought maybe it was because Uwe Boll have many people who dislike him and maybe didn't give it a fair chance. Now don't get me wrong, the first Uwe Boll movies I saw was 'House Of The Dead' and 'Alone ... In The Dark' and later 'In The Name Of The King' and they truly were terrible so he does get a bad name occasionally for a good reason. But I've also discovered that he occasionally can be a pretty good filmmaker as well 'Rampage', 'Rampage: Capital Punishment', 'Assault On Wall Street' and 'Heart of America' are all solid movies for me. I think those movies are close to Boll's heart and therefor they come out a lot better as he gives them a proper effort. With this one though, not much effort was given at all. The dialogue is poor, the acting is poor even the cinematography and pace is poor yeah there's really not many positives to give away here. If I was forced to give one positive than I suppose I could say that at least it's not Boll's worst movie.