 
  Popularity: 10 (history)
| Director: | Ivan Reitman | 
|---|---|
| Writer: | Dan Aykroyd, Harold Ramis | 
| Staring: | 
| The discovery of a massive river of ectoplasm and a resurgence of spectral activity allows the staff of Ghostbusters to revive the business. | |
| Release Date: | Jun 16, 1989 | 
|---|---|
| Director: | Ivan Reitman | 
| Writer: | Dan Aykroyd, Harold Ramis | 
| Genres: | Comedy, Fantasy | 
| Keywords | new york city, new year's eve, mythology, slime, ghostbuster, product placement, reincarnation, painting, supernatural, crude humor, paranormal phenomena, single mother, paranormal investigation, old flame, courtroom, urban setting, book store, chrysler building, ghost, river of slime, revolving door, occult research, ghostbusters, absurd, amused | 
| Production Companies | Columbia Pictures | 
| Box Office | Revenue: $215,394,738 Budget: $37,000,000 | 
| Updates | Updated: Aug 31, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Bill Murray | Peter Venkman | 
| Dan Aykroyd | Ray Stantz | 
| Sigourney Weaver | Dana Barrett | 
| Harold Ramis | Dr. Egon Spengler | 
| Rick Moranis | Louis Tully | 
| Ernie Hudson | Winston Zeddemore | 
| Annie Potts | Janine Melnitz | 
| Peter MacNicol | Dr. Janosz Poha | 
| Harris Yulin | Judge Wexler | 
| David Margulies | Mayor Lenny | 
| Kurt Fuller | Jack Hardemeyer | 
| Janet Margolin | The Prosecutor | 
| Wilhelm von Homburg | Vigo | 
| William T. Deutschendorf | Baby Oscar | 
| Henry J. Deutschendorf II | Baby Oscar | 
| Michael P. Moran | Frank the Doorman | 
| Olivia Ward | Meter Maid | 
| Mordecai Lawner | Man with a Ticket | 
| Susanna Boehm | Young Woman on Crutches | 
| Mary Ellen Trainor | Brownstone Mother | 
| Christopher Villaseñor | Brownstone Boy #1 | 
| Jason Reitman | Brownstone Boy #2 | 
| Aaron Lustig | Norman the Producer | 
| Page Leong | Spengler's Assistant | 
| Mark Schneider | Arguing Couple | 
| Valery Pappas | Arguing Couple | 
| Catherine Reitman | Girl with Puppy | 
| Dave Florek | First Cop | 
| Richard Foronjy | Con Ed Supervisor | 
| George P. Wilbur | Bailiff | 
| Sharon Kramer | Stenographer | 
| Walter Flanagan | Rudy the Museum Guard | 
| Bobby Brown | Mayor's Doorman | 
| Christopher Neame | Maitre D' | 
| Judy Ovitz | Slimed Restaurant Patron | 
| Tom Dugan | Restaurant Cop #1 | 
| Angelo Dimascio | Restaurant Cop #2 | 
| Robert Alan Beuth | Store Manager | 
| Ralph Monaco | Police Sergeant | 
| Ron Cummins | Police Lieutenant | 
| Cheech Marin | Dock Supervisor | 
| Yvette Cruise | Maria, Dana's Maid | 
| John Hammil | Detective #1 | 
| Ray Glanzmann | Detective #2 | 
| Alex Zimmerman | Detective #3 | 
| Brian Doyle-Murray | Psychiatrist | 
| Louise Troy | Woman with Fur Coat | 
| Douglas Seale | Plaza Hotel Man | 
| Ben Stein | Public Works Official | 
| Erik Holland | Fire Commissioner | 
| Philip Baker Hall | Police Commissioner | 
| Steve Baker | Telephone Man (uncredited) | 
| Trish Cook | Nun at Statue of Liberty (uncredited) | 
| Kevin Dunn | Milton Angland (uncredited) | 
| Ryan Francis | Brownstone Boy #3 (uncredited) | 
| Tyra Reneé Fuller | Driver (uncredited) | 
| Jim Fyfe | Scoleri Brother / Ghost Jogger (uncredited) | 
| George Gerard | Man in Cab (uncredited) | 
| Donna Guidry | Art Restoration Student (uncredited) | 
| Tim Lawrence | Scoleri Brother (uncredited) | 
| Peter Papageorgio | Spectator (uncredited) | 
| Kariim Ratcliff | Crowd Member (uncredited) | 
| Ivan Reitman | Man Walking Outside Firehouse / Slimer (voice) (uncredited) | 
| Ira S. Rosenstein | Stage Manager (uncredited) | 
| Felix Silla | Courtroom Spectator (uncredited) | 
| Max von Sydow | Vigo (voice) (uncredited) | 
| Chloe Webb | Elaine (uncredited) | 
| Justin Michael Woods | Baby on the Street (uncredited) | 
| Name | Job | 
|---|---|
| Dan Aykroyd | Screenplay, Characters | 
| Danny Aiello III | Stunts | 
| Randy Edelman | Original Music Composer | 
| Michael Chapman | Director of Photography | 
| Rick Heinrichs | Set Designer | 
| Janet Healy | Visual Effects Producer | 
| Dennis Muren | Visual Effects Supervisor | 
| Joel Kramer | Stunt Coordinator | 
| Bo Welch | Production Design | 
| Bruce McBroom | Still Photographer | 
| Michael D. Moore | Second Unit Director | 
| Dylan Goss | Camera Loader | 
| Mary Peters | Stunts | 
| Steven Lambert | Stunts | 
| Erik Cord | Stunts | 
| Kurt Bryant | Stunts | 
| Bob Minor | Stunts | 
| Jophery C. Brown | Stunts | 
| Tony Brubaker | Stunt Double | 
| Gary J. Wayton | Stunt Double | 
| Debbie Evans | Stunts | 
| Andy Gill | Stunts | 
| Billy D. Lucas | Stunts | 
| Wally Crowder | Stunts | 
| Roydon Clark | Stunts | 
| Bill Anagnos | Stunts | 
| Peter Bucossi | Stunts | 
| Marguerite Happy | Stunts | 
| Donna Garrett | Stunts | 
| Jery Hewitt | Stunts | 
| Fred Lerner | Stunts | 
| Phil Neilson | Stunts | 
| Mick O'Rourke | Stunts | 
| John Robotham | Stunts | 
| Sven-Ole Thorsen | Stunts | 
| Anthony G. Schmidt | Stunts | 
| Frank Ferrara Sr. | Stunts | 
| Donn Cambern | Editor | 
| Sheldon Kahn | Editor | 
| Michael Chinich | Casting | 
| Tom Duffield | Art Direction | 
| Cheryl Carasik | Set Decoration | 
| Gloria Gresham | Costume Design | 
| Stephen Abrums | Makeup Artist | 
| Gandhi Bob Arrollo | Makeup Artist | 
| Frank Bianco | Hairstylist | 
| John M. Elliott Jr. | Key Makeup Artist | 
| Peggy Semtob | Hairstylist | 
| Marlene D. Williams | Hairstylist | 
| Peter Giuliano | First Assistant Director | 
| Greg John Callas | Construction Coordinator | 
| Richard Hoffenberg | Construction Foreman | 
| Bill MacSems | Property Master | 
| Ed Mirassou | Propmaker | 
| Nick Navarro | Set Designer | 
| Greg Papalia | Set Designer | 
| William A. Petrotta | Property Master | 
| Steve Cantamessa | Boom Operator | 
| Bruce Foster | Sound Editor | 
| Richard Friedman | Supervising ADR Editor | 
| David M. Ice | Sound Editor | 
| Chris Jargo | Dialogue Editor | 
| Fred Judkins | Supervising Sound Editor | 
| Tom C. McCarthy | Supervising Sound Editor | 
| Solange S. Schwalbe | Sound Editor | 
| Don S. Walden | Sound Editor | 
| Burton Weinstein | Sound Editor | 
| Pamela Easley | Visual Effects Coordinator | 
| Jo Martin | Visual Effects Editor | 
| Robert Edesa | Camera Operator | 
| Michael Genne | Camera Operator | 
| Leslie J. Kovacs | Chief Lighting Technician | 
| Oda Groeschel | Costume Supervisor | 
| G. Tony Scarano | Costume Supervisor | 
| Peter Afterman | Music Supervisor | 
| Faye Brenner | Script Supervisor | 
| Pamela Cederquist | Production Coordinator | 
| Dorothy O'Leary | Casting Assistant | 
| Gordon A. Webb | Unit Production Manager | 
| Christine Larson-Nitzsche | Second Assistant Director | 
| Larry Hezzelwood | First Assistant Camera | 
| Greg Walters | Second Assistant Camera | 
| Tim Sasaki | Second Assistant Camera | 
| John Warnke | Assistant Art Director | 
| Chuck McSorley | Leadman | 
| Jack Johnson | Production Illustrator | 
| Ann Harmon | Art Department Assistant | 
| Tom Miller | Assistant Property Master | 
| Jennifer Butler | Costumer | 
| Le Dawson | Costumer | 
| Adrienne Manhan | Costumer | 
| Gene Kearney | Key Grip | 
| Benny McNulty | Best Boy Electrician | 
| Eric Smith | Electrician | 
| Ken W. Ballantine | Electrician | 
| E. Christopher Reed | Electrician | 
| Brent Poe | Electrician | 
| Gregory Peters | Electrician | 
| Sandy Williams | Dolly Grip | 
| Robert Sordal | Dolly Grip | 
| Francis N. 'Lucky' Costello | Standby Painter | 
| Chuck Gaspar | Special Effects | 
| Joe Day | Special Effects | 
| Richard Wood | Special Effects | 
| Gene S. Cantamessa | Production Sound Mixer | 
| Mark Jennings | Cableman | 
| Mark Gordon | Sound Editor | 
| Thom Enriquez | Production Illustrator | 
| William Hartman | Sound Editor | 
| Greig McRitchie | Orchestrator | 
| Craig Pinkard | Transportation Coordinator | 
| Dick Johnson | Transportation Captain | 
| Ira S. Rosenstein | Second Second Assistant Director | 
| Cyd Adams | Second Second Assistant Director | 
| Ginny Warner | Production Secretary | 
| Stuart Fink | Publicist | 
| Matthew Gould | Production Assistant | 
| Catherine Cederquist | Production Assistant | 
| Anne Prager | Production Assistant | 
| Stephanie Kahn | Production Assistant | 
| Gaetano Vaccaro | Production Assistant | 
| Jim Vatis | Production Assistant | 
| David Forbes | Production Assistant | 
| Jon Curtis Price | Special Effects | 
| John Dods | Makeup Artist | 
| Edmund E. Villa | Assistant Property Master | 
| Lane Leavitt | Stunts | 
| Richard E. Butler | Stunts | 
| Lori Crowder | Stunts | 
| Roger Creed | Stunts | 
| Leah Creed | Stunts | 
| Kerrie Cullen | Stunts | 
| Clifford Happy | Stunts | 
| Leon Delaney | Stunts | 
| Vince Deadrick Sr. | Stunts | 
| Larry Holt | Stunts | 
| Gene Harrison | Stunts | 
| William T. Lane | Stunts | 
| Kym Washington Longino | Stunts | 
| Michael Russo | Stunts | 
| Sandy Richman | Stunts | 
| Ceci Vendrell | Stunts | 
| Michael M. Vendrell | Stunts | 
| Frank James Sparks | Stunts | 
| Paula Wayton | Stunts | 
| Deborah Watkins | Stunts | 
| David Webster | Stunts | 
| Sue Fellows | Assistant Director Trainee | 
| Harold Ramis | Screenplay, Characters | 
| Bob Muñoz | Best Boy Grip | 
| Martin Rosenberg | Visual Effects Camera | 
| Ivan Reitman | Director | 
| Name | Title | 
|---|---|
| Bernie Brillstein | Executive Producer | 
| Joe Medjuck | Executive Producer | 
| Michael C. Gross | Executive Producer | 
| Sheldon Kahn | Associate Producer | 
| Gordon A. Webb | Associate Producer | 
| Ivan Reitman | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 76 | 88 | 60 | 
| 2024 | 5 | 74 | 134 | 48 | 
| 2024 | 6 | 55 | 71 | 32 | 
| 2024 | 7 | 54 | 86 | 31 | 
| 2024 | 8 | 52 | 81 | 30 | 
| 2024 | 9 | 33 | 51 | 21 | 
| 2024 | 10 | 42 | 87 | 22 | 
| 2024 | 11 | 39 | 76 | 26 | 
| 2024 | 12 | 32 | 43 | 24 | 
| 2025 | 1 | 40 | 81 | 25 | 
| 2025 | 2 | 28 | 37 | 5 | 
| 2025 | 3 | 14 | 37 | 3 | 
| 2025 | 4 | 5 | 6 | 4 | 
| 2025 | 5 | 5 | 7 | 4 | 
| 2025 | 6 | 5 | 7 | 4 | 
| 2025 | 7 | 4 | 6 | 3 | 
| 2025 | 8 | 5 | 6 | 4 | 
| 2025 | 9 | 6 | 8 | 5 | 
| 2025 | 10 | 7 | 10 | 5 | 
Trending Position
| Year | Month | High | Avg | 
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| 2025 | 10 | 126 | 687 | 
| Year | Month | High | Avg | 
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| 2025 | 9 | 361 | 673 | 
| Year | Month | High | Avg | 
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| 2025 | 8 | 450 | 752 | 
| Year | Month | High | Avg | 
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| 2025 | 7 | 759 | 831 | 
| Year | Month | High | Avg | 
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| 2025 | 6 | 408 | 705 | 
| Year | Month | High | Avg | 
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| 2025 | 5 | 640 | 738 | 
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| 2025 | 4 | 656 | 701 | 
| Year | Month | High | Avg | 
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| 2025 | 3 | 71 | 667 | 
| Year | Month | High | Avg | 
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| 2025 | 2 | 488 | 785 | 
| Year | Month | High | Avg | 
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| 2025 | 1 | 167 | 665 | 
| Year | Month | High | Avg | 
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| 2024 | 12 | 359 | 776 | 
| Year | Month | High | Avg | 
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| 2024 | 11 | 174 | 681 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 10 | 999 | 999 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 8 | 490 | 732 | 
This was another sequel that was fashionable to knock when it came out. It got panned because it couldn't live up to the first Ghostbusters. Well, what could? The first one was so original, so enormously popular than any sequel was bound to fail as far as matching it. This second Ghostbusters was ... just fine, very entertaining and it was nice to see all the main characters back. It had a little nicer feel to it and was more family-friendly language-wise, so it even had some things going for it the first one didn't have. The other major different in this sequel was watching Peter MacNichol, who reprized his "Renfield"-type character from Mel Brooks' "Dead: And Loving It" comedy with Leslie Nielsen. Here, MacNichol plays "Janosz Poha," another wacko with a thick Eastern European accent. He is hilarious, and elevates the enjoyment of this film. Otherwise, the rest of the cast plays and acts just as they did in the first film, which means you'll get a lot of laughs out of them The story just isn't as intense, that's all. No, it can't equal the original, but..... The bottom line is this: Don't try to compare the two films. If you enjoyed the first, you'll like this.....period.
Who you gonna snore? Ghostbusters II Is directed by Ivan Reitman and stars Bill Murray, Dan Aykroyd, Sigourney Weaver, Harold Ramis, Rick Moranis & Ernie Hudson. Ramis & Aykroyd c-wrote the screenplay and it's a sequel to the hugely successful Ghostbusters from 1984. Plot follows on from the firs ... t film but five years later and sees the Ghostbusters disbanded after being derided as frauds and handed a bill for the damages incurred as they saved the world! However, a new supernatural threat is bubbling down in the sewers of New York and now more than ever the Ghostbusters are back in vogue. It was probably asking too much for this sequel to be as sparkling as the first film. More so when one considers that there was a 5 year gap in between and a new decade was soon to arrive that firmly had no place for 80s nostalgia. Oh Ghostbusters 2 was a success, very much so, but after the rush of fans wanting some more from the kooky parapsychologists had died down, the feedback was very mixed from fans and critics alike. Understandably so since everything about this sequel is tired. The characters look bored and lack the expresso timing that was once evident, especially Murray who is badly underused here, and more troubling is that his Venkman, the best thing about the original film, is reduced to being a normal type bloke. That's criminal, because the spirited stuff falls to Aykroyd and co and tho they be solid pros, they ain't got Murray's wit and mannerisms. The story too is weak. Featuring a seventeenth century tyrant and the inevitable rise of spooks unbound. Thankfully, tho, the effects are at least of the high and gloopy standard set first time around. And there's some tight gags in there for the knowing Ghostbuster ear. But repetition hangs heavy throughout, Ramis & Aykroyd seemingly not grasping that what worked in 84 will not totally transfer well to a new crowd who are now older and wiser. There's also the distinct feeling that this film is more about a cast get together to make some easy cash than enticing in a whole new audience. Peter MacNicol is a welcome introduction to proceedings as Janosz Poha, while more of "slimer" (who is now real cool) is never a bad thing. But the magic is gone and Ghostbusters 2 just comes off as shallow and dangerously close to soiling our love of the first picture. 4/10
'They're back!' I watched this straight after the first one. It was just as good as the first film. I enjoyed it. ...
I can't say that I really loved the first film and this didn't really advance that view much. It was clearly just made to capitalise on that huge success without anyone really bothering to develop the characters or build much of a story. Indeed - all it really does is introduce a baby (aww) and swap ... the baddies - this time we have the slightly camp Carpathian "Vigo" (the splendidly named Wilhelm von Homburg) - whom our established quartet must defeat to save the world from oblivion (and the poor soundtrack). The visual effects are adequate, but the rest of it is just a rather pale and unremarkable rehash of the 1984 effort with similar humour and scenarios that are predictably slap-stick and dull. Sigourney Weaver pops up now and again but her "Dana" character has little to bring to this and frankly, I was really quite bored by the mundanity of it. Funniest bits are under the credits but sorry, I like my comedy just a shade more sophisticated than this childish stuff. I wouldn't bother.
"Ghostbusters II" easily recreates the spirit (if you'll pardon the pun) of the original and it is very engaging and entertaining viewing throughout, especially for a sequel where money is usually the only primary motivating factor. Of course, this is probably the case here as well, but at least the ... re is a concerted effort by screenwriters Harold Ramis and Dan Aykroyd to refresh the range of cliches on offer that made the previous film so much fun and phenomenally popular back in 1984. However, even though the crowds of people are still gathered on the sidewalks of New York to enthusiastically cheer our eccentric heroes on to success and there are plenty of outrageous and bombastic ideas to keep the whole crazy enterprise afloat none of it can really rival the absurd spectacle of the marshmallow man Mr. Stay-Puft striding through the city in the first film.