Popularity: 3 (history)
| Director: | Jeremy Sims |
|---|---|
| Writer: | Jeremy Sims, Reg Cribb |
| Staring: |
| Rex is a loner, and when he's told he doesn't have long to live, he embarks on an epic drive through the Australian outback from Broken Hill to Darwin to die on his own terms; but his journey reveals to him that before you can end your life, you have to live it, and to live it, you've got to share it. | |
| Release Date: | Aug 06, 2015 |
|---|---|
| Director: | Jeremy Sims |
| Writer: | Jeremy Sims, Reg Cribb |
| Genres: | Comedy, Adventure, Drama, Romance |
| Keywords | suicide, taxi, australia, cancer, doctor, dog, outback, road movie, australian outback, euthanasia, assisted suicide, broken hill, darwin, australia |
| Production Companies | Last Cab Productions, Pork Chop Productions |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Michael Caton | Rex |
| Jacki Weaver | Dr. Farmer |
| Emma Hamilton | Julie |
| Ningali Lawford | Polly |
| Brian Taylor | Coach |
| Mark Coles Smith | Tilly |
| John Howard | Simmo |
| Alan Dukes | Col |
| David Field | Dougie |
| Kelly Butler | Stella |
| Elliott Weston | Frank |
| Brian Taylor | Coach |
| Jeremy Cumpston | Doctor Sharpe |
| Christopher Stollery | Specialist |
| Andrew Ryan | Young miner |
| Mercia Deane-Johns | Fay |
| Shareena Clanton | Sally |
| Brendan Cowell | Publican |
| Leah Purcell | Sonya |
| Kirsty McGregor | Receptionist |
| Pauline Chatt | Dora |
| David 'Chilli' Chilcott | Chilli |
| Bruce R. Carter | Noel |
| Marlene Hunter | Evelyn |
| Muriel Hunter | Caitlin |
| Badger | Dog |
| Tom Pauling | Doctor Neill |
| Patrick Webster | Bar manager |
| Graham Craft | Eccentric artist |
| Glenn Hazeldine | Terry Wainwright |
| Septimus Caton | Young Rex / Rex's Dad |
| Gail Ball | Rex's mum |
| Andrew Schmidt | Radio DJ |
| Richard Margetson | Journo 1 |
| Melanie Arnost | Journo 2 |
| Adam Steer | Journo 3 |
| Thomas Midena | Journo (uncredited) |
| Name | Job |
|---|---|
| Jeremy Sims | Writer, Director |
| Steve E. Andrews | First Assistant Director |
| Christopher Turner | Second Assistant Director |
| Emma Masters | Third Assistant Director |
| John Platt | Camera Operator |
| Marcus Bosisto | Key Grip |
| Daniel Foeldes | First Assistant "B" Camera |
| Steivan Hasler | First Assistant "A" Camera |
| Reg Cribb | Writer, Theatre Play |
| Steve Arnold | Director of Photography |
| Ed Kuepper | Original Music Composer |
| Marcus D'Arcy | Editor |
| Wendy McDougall | Still Photographer |
| Andy Cox | Script Editor |
| Samantha Scowcroft | Production Accountant |
| David Roach | Script Editor |
| Mike Bakaloff | Boom Operator |
| Name | Title |
|---|---|
| Ian Darling | Executive Producer |
| Michael Burton | Executive Producer |
| Jon Adgemis | Executive Producer |
| Lisa Duff | Producer |
| Greg Duffy | Producer |
| Mark Nelson | Executive Producer |
| Edward Simpson | Executive Producer |
| Andrew Myer | Executive Producer |
| Prue MacLeod | Executive Producer |
| Ned Lander | Executive Producer |
| Chris Cuffe | Executive Producer |
| Natasha Cuffe | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 7 | 12 | 4 |
| 2024 | 5 | 11 | 16 | 5 |
| 2024 | 6 | 7 | 13 | 4 |
| 2024 | 7 | 12 | 25 | 5 |
| 2024 | 8 | 6 | 11 | 3 |
| 2024 | 9 | 5 | 7 | 3 |
| 2024 | 10 | 9 | 21 | 3 |
| 2024 | 11 | 7 | 16 | 4 |
| 2024 | 12 | 6 | 10 | 3 |
| 2025 | 1 | 6 | 10 | 3 |
| 2025 | 2 | 4 | 7 | 2 |
| 2025 | 3 | 3 | 5 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 2 | 3 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 2 | 0 |
| 2025 | 10 | 2 | 3 | 2 |
| 2025 | 11 | 1 | 2 | 0 |
| 2025 | 12 | 2 | 3 | 1 |
Trending Position
> Some discoveries come at the last hours of the life. When a movie is based on the play, setting wise it will be a tight narration. But the advantage is, movies can expand its screenplay in the natural world where stage plays has a limitation with the fake backgrounds. And obviously movies can r ... each any corner of the earth in the todays digital world while plays are for a limited live audience. So I think that is how this play turned into a motion picture, importantly, it was funded by the government and all the above it won a couple of Australian Academy Awards. It was a cancer themed thin comedy-drama with a little road adventure in the backdrop. A story that follows a 70-year-old cab driver Rex from Broken Hill. He has never been outside his town until he finds he has a cancer, so he takes a 3000 kilometer drive to Darwin looking for a doctor who can help him with his suffering. At the dusk hours of his life, he encounters some strangers and many stuffs for the first time. So this film is all about his final and best experience in the end of the life journey. I like sentimental films, I chose it because I haven't felt the emotions through my heart for a movie in the recent time. I expected it to fulfill my desire, but it only fell short. To me it was a decent movie in the first half, but it got better in the next half. The opening was kind of slow and dry, the cast was totally unfamiliar to me. I needed time to get used to a sudden change of accent after watching so many Hollywood flicks. Because you know we don't watch Aussie movies everyday and so the style of comedies differs with the different region. > "You want everything to be black and white, but it's not. It's gray." The best thing ever happened was the introduction of the characters Tilly and Julie. One is an aboriginal and the other is a British who joins Rex, the Aussie. They are the main source for the story to grow in the right direction. Because of them the narration had a subplot to focus their perspectives as well. Without them definitely it would have been a worthless flick. The end was not at its best. It hat many options, but they decided to finish it in an uncertain manner. Since it was a road movie, I also anticipated exhibition of beautiful Australian landscapes, that never came. I understand they don't want distraction from the main plot, because this was one of those films that took time for the characters to settle down. Even though it approaches the conclusion, the characters had kept deepening in its development. My upset with the movie was, it was a quite different from the usual cancer films. Precisely to say, it was very weak in the exhibition of character feelings. Certainly it won't make you weep. Just like one of the lines at the beginning that says 'everyone gets cancer', the movie was too casual like this is a regular thing. But the scenario where the story sets in and takes us with it was exceptional. I have a hesitation to recommend it, but it is a good movie if you're okay with the thing I expressed which are lacking. 6½/10